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ON FAITH & MEDIA View Comments

Midnight in Paris

By
Sr. Rose Pacatte, F.S.P.
Source: AmericanCatholic.org

Director/writer Woody Allen’s film opened the Cannes Film Festival earlier this month and it is indeed one of his best films in a long time; clever, sharp, entertaining and though not overly self-conscious as Allen’s films can be, the litany of writers and artists in the film meet Allen’s cinematic requirement for neurosis.

Gil (Owen Wilson) is in Paris with his fiancé Inez (Rachel McAdams) and her parents who have business in the city of lights. Gil is a screenwriter trying to write a novel about a man who runs a nostalgia shop. When a friend of Inez, Paul (Michael Sheen) and his wife run into them in a restaurant, Gil wants nothing to do with the boorish, pseudo-intellectual professor. Instead of dancing, he goes for a walk.

At midnight, a vintage car stops in front of him, and F. Scott Fitzgerald (Tom Hiddleston) and his wife Zelda (Alison Pill) invite him to come along to a party. There he meets expats, or the famous Lost Generation, from America and other countries who form the vibrant artist community of Paris in the 1920s; include Cole Porter and Spanish filmmaker Luis Buñuel.

The funniest encounter is with Hemingway who tosses off words straight from his novels with references to his “A Moveable Feast” and seems itching for a fight. Gil runs into a litany of famous people and falls for Picasso’s mistress, Adrianna (Marion Cotillard)  who wants to live in 1890’s Paris, the city’s “Golden Age”.

Hemingway, or Fitzgerald, tells Gil that “Nostalgia is a flaw of the romantic imagination” and that nostalgia is denial.

There’s something to this, I think. After one of my younger sisters and I saw the 1992 Merchant-Ivory period masterpiece “Howard’s End”, she said, “I was born in the wrong place and the wrong time.” And then she sighed as she grasped her young daughter’s hand to return home.

Gil realizes that living in the present, while appreciating the past, is probably the best way –and that the icons of the past were just humans, too, gifted and flawed. And he decides to move to Paris.


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Madeleine Sophie Barat: The legacy of Madeleine Sophie Barat can be found in the more than 100 schools operated by her Society of the Sacred Heart, institutions known for the quality of the education made available to the young. 
<p>Sophie herself received an extensive education, thanks to her brother, Louis, 11 years older and her godfather at Baptism. Himself a seminarian, he decided that his younger sister would likewise learn Latin, Greek, history, physics and mathematics—always without interruption and with a minimum of companionship. By age 15, she had received a thorough exposure to the Bible, the teachings of the Fathers of the Church and theology. Despite the oppressive regime Louis imposed, young Sophie thrived and developed a genuine love of learning. </p><p>Meanwhile, this was the time of the French Revolution and of the suppression of Christian schools. The education of the young, particularly young girls, was in a troubled state. At the same time, Sophie, who had concluded that she was called to the religious life, was persuaded to begin her life as a nun and as a teacher. She founded the Society of the Sacred Heart, which would focus on schools for the poor as well as boarding schools for young women of means; today, co-ed Sacred Heart schools can be found as well as schools exclusively for boys. </p><p>In 1826, her Society of the Sacred Heart received formal papal approval. By then she had served as superior at a number of convents. In 1865, she was stricken with paralysis; she died that year on the feast of the Ascension. </p><p>Madeleine Sophie Barat was canonized in 1925.</p> American Catholic Blog When you go to Jesus, you’re not going to a God who only knows heaven; instead, you’re placing your hurting heart into pierced hands that understand both the pain of suffering and the glory of redemption.

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