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ON FAITH & MEDIA View Comments

Let's Be Cops

By
John Mulderig
Source: Catholic News Service


Damon Wayans Jr., left, and Jake Johnson star in a scene from the movie "Let's Be Cops."
Director and co-writer (with Nicholas Thomas) Luke Greenfield's buddy movie "Let's Be Cops" (Fox) implicitly honors police work.

But this weak comedy's combination of a farfetched premise, an obscenity-laden script and ill-advised forays into gross-out as well as kinky humor will fail to lighten the spirits of those few mature viewers for whom it can be considered somewhat acceptable.

The slackness is apparent from the start. Mistakenly believing that their college reunion is a costume affair, down-on-their-luck Los Angeles roommates Ryan (Jake Johnson) and Justin (Damon Wayans Jr.) show up for it dressed as policemen.

Noticing on their way home that their uniforms have suddenly make them magnets for the ladies, and that the passing citizenry obey their commands, the pals decide to carry on with their impersonation as a practical joke. The fact that Justin's career as a video-game designer has stalled and that ex-football star Ryan, long ago sidelined by an injury, is essentially unemployed leaves the boys plenty of time to play dress up.

Things take a potentially deadly turn, however, when the two faux Po-Po cross Albanian-born crime lord, and neighborhood menace, Mossi (James D'Arcy). This move not only puts their lives in jeopardy, it also endangers Justin's waitress girlfriend Josie (Nina Dobrev) and Officer Segars (Rob Riggle), a real cop who has fallen for Ryan and Justin's act.

Friendship is put to the test as Ryan, who has gained a new lease on life via their masquerade, thwarts Justin's sensible efforts to bring the whole business to a screeching halt.

Justin's patience is further tried by two incidental characters. The first is a stark naked perp he and Ryan encounter while aiding Segars on the scene of a nighttime break-in. Crazed as well as inexplicably underdressed, the hefty would-be thief tackles Justin in such a way as to end up with his crotch in Justin's face.

Then there's the drug-addled nymphomaniac with whom Justin and Ryan cross paths when they commandeer her apartment as a vantage-point from which to surveil Mossi's base of operations. Her repeated advances draw Ryan's excited interest, but only succeed in annoying Justin.

As for Little Joey (Joshua Ormond), the youthful sidekick Justin and Ryan have acquired -- Ryan met the lad while coaching -- his presence on the scene only serves to make this particular interlude even less palatable.

Most of the running time is devoted to more seemly material. But the barrage of F- and S-bombs almost never falls silent.

The safest response to "Let's Be Cops?" Let's not and say we did.

The film contains much action violence with occasional gore, strong sexual content, including full male nudity and many bedroom-themed jokes, drug use, at least one instance of profanity, pervasive rough and crude language and a vulgar gesture. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Mary Magdalene de' Pazzi: Mystical ecstasy is the elevation of the spirit to God in such a way that the person is aware of this union with God while both internal and external senses are detached from the sensible world. Mary Magdalene de' Pazzi was so generously given this special gift of God that she is called the "ecstatic saint." 
<p>She was born into a noble family in Florence in 1566. The normal course would have been for Catherine de' Pazzi to have married wealth and enjoyed comfort, but she chose to follow her own path. At nine she learned to meditate from the family confessor. She made her first Communion at the then-early age of 10 and made a vow of virginity one month later. When 16, she entered the Carmelite convent in Florence because she could receive Communion daily there. </p><p>Catherine had taken the name Mary Magdalene and had been a novice for a year when she became critically ill. Death seemed near so her superiors let her make her profession of vows from a cot in the chapel in a private ceremony. Immediately after, she fell into an ecstasy that lasted about two hours. This was repeated after Communion on the following 40 mornings. These ecstasies were rich experiences of union with God and contained marvelous insights into divine truths. </p><p>As a safeguard against deception and to preserve the revelations, her confessor asked Mary Magdalene to dictate her experiences to sister secretaries. Over the next six years, five large volumes were filled. The first three books record ecstasies from May of 1584 through Pentecost week the following year. This week was a preparation for a severe five-year trial. The fourth book records that trial and the fifth is a collection of letters concerning reform and renewal. Another book, <i>Admonitions</i>, is a collection of her sayings arising from her experiences in the formation of women religious. </p><p>The extraordinary was ordinary for this saint. She read the thoughts of others and predicted future events. During her lifetime, she appeared to several persons in distant places and cured a number of sick people. </p><p>It would be easy to dwell on the ecstasies and pretend that Mary Magdalene only had spiritual highs. This is far from true. It seems that God permitted her this special closeness to prepare her for the five years of desolation that followed when she experienced spiritual dryness. She was plunged into a state of darkness in which she saw nothing but what was horrible in herself and all around her. She had violent temptations and endured great physical suffering. She died in 1607 at 41, and was canonized in 1669.</p> American Catholic Blog Let us never tire, therefore, of seeking the Lord—of letting ourselves be sought by him—of tending over our relationship with him in silence and prayerful listening. Let us keep our gaze fixed on him, the center of time and history; let us make room for his presence within us.

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