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ON FAITH & MEDIA View Comments

Magic in the Moonlight

By
Joseph McAleer
Source: Catholic News Service


Emma Stone and Colin Firth star in a scene from the movie "Magic in the Moonlight."
Within the enchanting French Riviera setting of "Magic in the Moonlight" (Sony Pictures Classics), an age-old debate simmers between faith and reason, between a strictly rationalist standpoint and openness to divine providence.

Writer-director Woody Allen has always preferred nihilism to optimism, and this, his 44th film, does not vary in outlook. It's a pity, as his deeply cynical view toward matters spiritual sours what is otherwise a lovely travelogue with entertaining, if not particularly amusing, performances.

It's the Roaring Twenties in Berlin, and Stanley (Colin Firth) is a master illusionist. Posing as Wei Ling Soo, a Chinese magician, he wows audiences by sawing women in half and making a live elephant disappear.

Behind the scenes, Stanley is a nasty misanthrope, described by his friend and fellow conjurer, Howard (Simon McBurney), as "a genius with all the charm of a typhus epidemic."

Stanley has a sideline: debunker of spiritualists, charlatans who claim to communicate with the dead, defrauding innocent people in the process.

To Stanley, the world is only understood through science and logic. Anything to do with God, faith, or the afterlife is, he claims, "all phony, from the seance table to the Vatican and beyond."

It's no wonder he channels the German philosopher Friedrich Nietzsche in stating, "If we are to get through life, we must delude ourselves." That's ironic, for a man who makes his living tricking audiences into believing anything is possible.

Howard persuades Stanley to accompany him to the south of France, where Grace (Jacki Weaver), a rich American widow, has become enchanted by her fellow countryman, comely clairvoyant Sophie (Emma Stone).

Arms flailing and shivering from "mental vibrations," the wide-eyed Sophie is a wonder to behold. After she "contacts" Grace's dead husband, Grace is ready to hand over the family fortune, and her smitten son, Brice (Hamish Linklater), proposes marriage.

This is all too much for Brice's sister, Caroline (Erica Leerhsen), and her psychiatrist husband, George (Jeremy Shamos). They bring in Howard and Stanley to expose Sophie as a trickster and fraud.

Predictably, Stanley's eyes are opened and his hard heart is melted by Sophie's charms and her rather convincing supernatural powers which, she insists, give hope to those who despair.

Mystified and lovesick, Stanley finds himself questioning his own narrow worldview, especially on matters of faith.

With his dearly loved Aunt Vanessa (Eileen Atkins) lying gravely ill in the hospital, Stanley turns to God -- that "benevolent father figure out there" -- for help.

"I don't have all the answers," he prays. "It is possible that we are here by design, and you could be real."

It's a startling turnaround for an atheist. But as this is a Woody Allen film, there are twists in store. Suffice it to say that believing moviegoers will soon realize they've been led down an attractive but dead-end garden path.

The film contains a cynical view of faith and religion, brief sexual humor and mature references. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Thomas the Apostle: Poor Thomas! He made one remark and has been branded as “Doubting Thomas” ever since. But if he doubted, he also believed. He made what is certainly the most explicit statement of faith in the New Testament: “My Lord and My God!” (see John 20:24-28) and, in so expressing his faith, gave Christians a prayer that will be said till the end of time. He also occasioned a compliment from Jesus to all later Christians: “Have you come to believe because you have seen me? Blessed are those who have not seen and have believed” (John 20:29). 
<p>Thomas should be equally well known for his courage. Perhaps what he said was impetuous—since he ran, like the rest, at the showdown—but he can scarcely have been insincere when he expressed his willingness to die with Jesus. The occasion was when Jesus proposed to go to Bethany after Lazarus had died. Since Bethany was near Jerusalem, this meant walking into the very midst of his enemies and to almost certain death. Realizing this, Thomas said to the other apostles, “Let us also go to die with him” (John 11:16b).</p> American Catholic Blog Slow down as you make the Sign of the Cross. Intentionally purify your mind and your heart, and ask God to strengthen you to carry his love to the world.

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