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ON FAITH & MEDIA View Comments

Magic in the Moonlight

By
Joseph McAleer
Source: Catholic News Service


Emma Stone and Colin Firth star in a scene from the movie "Magic in the Moonlight."
Within the enchanting French Riviera setting of "Magic in the Moonlight" (Sony Pictures Classics), an age-old debate simmers between faith and reason, between a strictly rationalist standpoint and openness to divine providence.

Writer-director Woody Allen has always preferred nihilism to optimism, and this, his 44th film, does not vary in outlook. It's a pity, as his deeply cynical view toward matters spiritual sours what is otherwise a lovely travelogue with entertaining, if not particularly amusing, performances.

It's the Roaring Twenties in Berlin, and Stanley (Colin Firth) is a master illusionist. Posing as Wei Ling Soo, a Chinese magician, he wows audiences by sawing women in half and making a live elephant disappear.

Behind the scenes, Stanley is a nasty misanthrope, described by his friend and fellow conjurer, Howard (Simon McBurney), as "a genius with all the charm of a typhus epidemic."

Stanley has a sideline: debunker of spiritualists, charlatans who claim to communicate with the dead, defrauding innocent people in the process.

To Stanley, the world is only understood through science and logic. Anything to do with God, faith, or the afterlife is, he claims, "all phony, from the seance table to the Vatican and beyond."

It's no wonder he channels the German philosopher Friedrich Nietzsche in stating, "If we are to get through life, we must delude ourselves." That's ironic, for a man who makes his living tricking audiences into believing anything is possible.

Howard persuades Stanley to accompany him to the south of France, where Grace (Jacki Weaver), a rich American widow, has become enchanted by her fellow countryman, comely clairvoyant Sophie (Emma Stone).

Arms flailing and shivering from "mental vibrations," the wide-eyed Sophie is a wonder to behold. After she "contacts" Grace's dead husband, Grace is ready to hand over the family fortune, and her smitten son, Brice (Hamish Linklater), proposes marriage.

This is all too much for Brice's sister, Caroline (Erica Leerhsen), and her psychiatrist husband, George (Jeremy Shamos). They bring in Howard and Stanley to expose Sophie as a trickster and fraud.

Predictably, Stanley's eyes are opened and his hard heart is melted by Sophie's charms and her rather convincing supernatural powers which, she insists, give hope to those who despair.

Mystified and lovesick, Stanley finds himself questioning his own narrow worldview, especially on matters of faith.

With his dearly loved Aunt Vanessa (Eileen Atkins) lying gravely ill in the hospital, Stanley turns to God -- that "benevolent father figure out there" -- for help.

"I don't have all the answers," he prays. "It is possible that we are here by design, and you could be real."

It's a startling turnaround for an atheist. But as this is a Woody Allen film, there are twists in store. Suffice it to say that believing moviegoers will soon realize they've been led down an attractive but dead-end garden path.

The film contains a cynical view of faith and religion, brief sexual humor and mature references. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Paul Miki and Companions: Nagasaki, Japan, is familiar to Americans as the city on which the second atomic bomb was dropped, immediately killing over 37,000 people. Three and a half centuries before, 26 martyrs of Japan were crucified on a hill, now known as the Holy Mountain, overlooking Nagasaki. Among them were priests, brothers and laymen, Franciscans, Jesuits and members of the Secular Franciscan Order; there were catechists, doctors, simple artisans and servants, old men and innocent children—all united in a common faith and love for Jesus and his Church. 
<p>Brother Paul Miki, a Jesuit and a native of Japan, has become the best known among the martyrs of Japan. While hanging upon a cross, Paul Miki preached to the people gathered for the execution: “The sentence of judgment says these men came to Japan from the Philippines, but I did not come from any other country. I am a true Japanese. The only reason for my being killed is that I have taught the doctrine of Christ. I certainly did teach the doctrine of Christ. I thank God it is for this reason I die. I believe that I am telling only the truth before I die. I know you believe me and I want to say to you all once again: Ask Christ to help you to become happy. I obey Christ. After Christ’s example I forgive my persecutors. I do not hate them. I ask God to have pity on all, and I hope my blood will fall on my fellow men as a fruitful rain.” </p><p>When missionaries returned to Japan in the 1860s, at first they found no trace of Christianity. But after establishing themselves they found that thousands of Christians lived around Nagasaki and that they had secretly preserved the faith. Beatified in 1627, the martyrs of Japan were finally canonized in 1862.</p> American Catholic Blog By way of analogy, we are taught that we all have the same sun shining on us and we all have the same rain falling on us. It is how we deal with sun and rain, how we deal with the happy and the not-so-happy things of life that causes our interior weather. Basically, we do it to ourselves.

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