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ON FAITH & MEDIA View Comments

Step Up All In

By
Kurt Jensen
Source: Catholic News Service


Ryan Guzman, Briana Evigan, Parris Gobel and Christopher Scott, front, star in a scene from the movie "Step Up All In."
Completists of the "Step Up" franchise may find the fifth outing in the dance-showcasing series, "Step Up All In" (Summit), enjoyable. Others will wonder where the plot went.

Intricate storylines have never been the goal in these films, in which scrappy, multiethnic dance crews seek an escape from their workaday existences by entering lucrative competitions. The series is a happy fantasy with a relentlessly positive -- and basically moral -- milieu. It's all about the kids showing off their moves.

"There's a magic that happens when you dance," Sean Asa (Ryan Guzman) says in the opening voice-over. "The world is in synch, and for one perfect moment, you feel totally alive."

So we get it: Gotta dance! But director Trish Sie and screenwriter John Swetnam come up hugely short on dialogue to stitch the terpsichorean segments together. And what there is of conversation is stoutly cliched.

As the movie begins, Sean and his team, reduced to auditioning for commercials, have washed out all their prospects in Los Angeles. So Sean's fellow dancers abandon him, returning to their hometown, Miami.

More or less undaunted, Sean finds a new dream online with "The Vortex," a reality-TV competition in Las Vegas hosted by Alexxa Brava (Izabella Miko). The winners of "The Vortex" will be rewarded with a guaranteed three-year contract at a Sin City hotel.

Within no more time than it takes to call out "five-six-seven-eight," Sean reunites with friends Moose (Adam Sevani) and Andie (Briana Evigan). Together, they assemble a new crew that features spectacular choreography, chic costumes -- and the occasional mild argument.

There's pluck, there's moxie, there's the old know-how, and sometimes someone blows out a knee or loses their nerve. But where there's a tapping toe, it seems, there's always a way.

Mature adolescents should have no problem with any of this, other than feeling deprived by the skimpy script.

The film contains fleeting sexual banter and at least one instance of rough language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Mark: Most of what we know about Mark comes directly from the New Testament. He is usually identified with the Mark of Acts 12:12. (When Peter escaped from prison, he went to the home of Mark's mother.) 
<p>Paul and Barnabas took him along on the first missionary journey, but for some reason Mark returned alone to Jerusalem. It is evident, from Paul's refusal to let Mark accompany him on the second journey despite Barnabas's insistence, that Mark had displeased Paul. Because Paul later asks Mark to visit him in prison, we may assume the trouble did not last long. </p><p>The oldest and the shortest of the four Gospels, the Gospel of Mark emphasizes Jesus' rejection by humanity while being God's triumphant envoy. Probably written for Gentile converts in Rome—after the death of Peter and Paul sometime between A.D. 60 and 70—Mark's Gospel is the gradual manifestation of a "scandal": a crucified Messiah. </p><p>Evidently a friend of Mark (Peter called him "my son"), Peter is only one of the Gospel sources, others being the Church in Jerusalem (Jewish roots) and the Church at Antioch (largely Gentile). </p><p>Like one other Gospel writer, Luke, Mark was not one of the 12 apostles. We cannot be certain whether he knew Jesus personally. Some scholars feel that the evangelist is speaking of himself when describing the arrest of Jesus in Gethsemane: "Now a young man followed him wearing nothing but a linen cloth about his body. They seized him, but he left the cloth behind and ran off naked" (Mark 14:51-52). </p><p>Others hold Mark to be the first bishop of Alexandria, Egypt. Venice, famous for the Piazza San Marco, claims Mark as its patron saint; the large basilica there is believed to contain his remains. </p><p>A winged lion is Mark's symbol. The lion derives from Mark's description of John the Baptist as a "voice of one crying out in the desert" (Mark 1:3), which artists compared to a roaring lion. The wings come from the application of Ezekiel's vision of four winged creatures (Ezekiel, chapter one) to the evangelists.</p> American Catholic Blog Our Father’s love can be summed up in one word: Jesus! Throughout history, God has reached out to His people with unconditional love. This love reached its climax when He sent His Son to become our redeemer.


 
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