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ON FAITH & MEDIA View Comments

Teenage Mutant Ninja Turtles

By
Joseph McAleer
Source: Catholic News Service


Michelangelo, Leonardo, Raphael, Donatello and actress Megan Fox as April, center, appear in the movie "Teenage Mutant Ninja Turtles."
Thirty years after bursting onto the comic book scene, the wise-cracking, pizza-loving "Teenage Mutant Ninja Turtles" (Paramount) re-emerge from the sewers of New York City. Their mission, once again: to save the world.

This reboot marks the fifth film to feature the reptilian heroes, created by Peter Laird and Kevin Eastman. With Michael Bay of the "Transformers" franchise on board as producer, action and destruction (and noise level) are ramped up in vivid 3-D, with the turtles effectively rendered through live action and motion-capture technology.

Fortunately, the script, by Josh Appelbaum, Andre Nemec and Evan Daugherty, honors the ridiculousness of the subject matter and keeps tongue firmly in cheek. Director Jonathan Liebesman ("Wrath of the Titans") joins in the fun while slipping in a few good lessons about honor and family.

The backstory and mythology surrounding the Turtles are extensive, to say the least. Simply stated, there are four, each named (for no particular reason) for an Italian Renaissance artist: Leonardo (Pete Ploszek), Raphael (Alan Ritchson), Michelangelo (Noel Fisher), and Donatello (Jeremy Howard).

Products of an experiment gone wrong, they have grown into rambunctious anthropomorphic teenagers, mask-wearing 6-footers who shout "Cowabunga!" and scarf down 'za.

The turtles live beneath the Big Apple with a wise Japanese rat named Splinter (Danny Woodburn), who has trained them in the martial arts.

"My sons, you will become the warriors that legends are made of," Splinter says. "You live, you die, you fight as brothers. Remember, nothing is as strong as family."

As Leonardo admits, "We were created as weapons, and we knew the world would never accept us ... but one day, it would need us."

That day is now, for a reign of terror has gripped Gotham, thanks to the notorious Foot Clan, a seemingly invincible gang of criminals led by a razor-sharp monster appropriately dubbed Shredder (Tohoru Masamune).

At first, the turtles do battle at night, fighting the Foot Clan while protecting their identity. All that changes when April (Megan Fox), an intrepid TV reporter, stumbles upon their ninja moves.

Excited by her first big scoop, April has a hard time convincing Vern (Will Arnett), her cameraman, and Bernadette (Whoopi Goldberg), her skeptical boss, of the turtles' existence.

So she turns to an old family friend, billionaire industrialist Eric Sacks (William Fichtner), for help. He's a scientist, with more than a passing interest in mutated reptiles -- and a wicked secret alliance with Shredder for (of course) world domination.

If it all sounds silly, it is, and "Teenage Mutant Ninja Turtles" is more thrill-ride than serious drama. As such, the action sequences may be too intense (and loud) for young viewers. Everyone else, however, will have a ball careening down sewer tunnels as though they were water slides on steroids.

The film contains intense but bloodless cartoon violence, some bathroom humor, and a few vague references to sexuality. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.





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Catherine of Siena: The value Catherine makes central in her short life and which sounds clearly and consistently through her experience is complete surrender to Christ. What is most impressive about her is that she learns to view her surrender to her Lord as a goal to be reached through time. 
<p>She was the 23rd child of Jacopo and Lapa Benincasa and grew up as an intelligent, cheerful and intensely religious person. Catherine disappointed her mother by cutting off her hair as a protest against being overly encouraged to improve her appearance in order to attract a husband. Her father ordered her to be left in peace, and she was given a room of her own for prayer and meditation. </p><p>She entered the Dominican Third Order at 18 and spent the next three years in seclusion, prayer and austerity. Gradually a group of followers gathered around her—men and women, priests and religious. An active public apostolate grew out of her contemplative life. Her letters, mostly for spiritual instruction and encouragement of her followers, began to take more and more note of public affairs. Opposition and slander resulted from her mixing fearlessly with the world and speaking with the candor and authority of one completely committed to Christ. She was cleared of all charges at the Dominican General Chapter of 1374. </p><p>Her public influence reached great heights because of her evident holiness, her membership in the Dominican Third Order, and the deep impression she made on the pope. She worked tirelessly for the crusade against the Turks and for peace between Florence and the pope </p><p>In 1378, the Great Schism began, splitting the allegiance of Christendom between two, then three, popes and putting even saints on opposing sides. Catherine spent the last two years of her life in Rome, in prayer and pleading on behalf of the cause of Urban VI and the unity of the Church. She offered herself as a victim for the Church in its agony. She died surrounded by her "children" and was canonized in 1461. </p><p>Catherine ranks high among the mystics and spiritual writers of the Church. In 1939, she and Francis of Assisi were declared co-patrons of Italy. Paul VI named her and Teresa of Avila doctors of the Church in 1970. Her spiritual testament is found in <i>The Dialogue</i>.</p> American Catholic Blog The gates of hell cannot withstand the power of heaven. Gates of sin melt in the presence of saving grace; gates of death fall in the presence of eternal life; gates of falsehood collapse in the presence of living truth; gates of violence are flattened in the presence of divine love. These are the tools with which Christ has equipped his Church.

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