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ON FAITH & MEDIA View Comments

The Hundred-Foot Journey

By
John Mulderig
Source: Catholic News Service


Om Puri, Manish Dayal and Helen Mirren star in a scene from the movie "The Hundred-Foot Journey."
Like an airy souffle, director Lasse Hallstrom's food-themed romantic fantasy "The Hundred-Foot Journey" (Disney) has an elegant appearance and a charming taste, but not much substance.

Still, there's little to offend on any level in this adaptation of the best-selling novel by Richard C. Morais. So parents will probably find it acceptable for mature adolescents.

Picturesque, stately and thoroughly unrealistic, this is the story of the Kadam family, an Indian clan of restaurateurs. When political unrest results in the torching of their subcontinental establishment, they seek refuge in Europe, eventually settling -- more or less by chance -- in a small town in the French countryside. Cue the lush sunsets and Bastille Day fireworks.

The otherwise unnamed Papa Kadam (Om Puri) nurtures dreams of winning the local populace over to curry and cardamom. But the building in which he chooses to set up shop is directly across the road from the region's most venerable eatery, a Michelin-starred haven of the rich and famous presided over by the formidable Madame Mallory (Helen Mirren).

At first, Madame Mallory has nothing but contempt for her new neighbors, and resorts to dirty tricks to try to undermine them. Marguerite (Charlotte Le Bon), one of Madame's sous chefs, by contrast, adopts a more welcoming attitude once she connects -- both professionally and personally -- with Hassan (Manish Dayal), the principal cook among Papa's progeny.

Recognizing that Hassan is prodigiously gifted, Marguerite gives him classic French cookbooks to help him expand his culinary horizons. Thus begins his spectacular rise into the stratosphere of haute cuisine.

As Madame Mallory and Papa continue to butt heads, and the divergent cultures they represent clash more generally, Marguerite and Hassan become the Romeo and Juliet of their mildly warring factions. But Hassan's destiny beckons from the direction of Paris.

Young love, lavish foodstuffs, a conflicted protagonist. ... As they say in New Delhi, what's not to like?

Screenwriter Steven Knight's mostly restrained dialogue -- often pleasingly urbane, now and then cliched -- veers into vulgarity only once by our count. And a somewhat suggestive scene finds Hassan, who was last glimpsed passionately kissing Marguerite, rearranging his clothes as the two emerge from the kitchen setting of their clutch.

Today's teens, need it be said, will not be shocked by such proceedings. However, the descent of an arsonist rabble on the Kadam's original place of business -- an incident with fatal consequences -- would likely prove a traumatic sight for real youngsters.

Characters occasionally mention "the gods" and refer, in passing, to their control of human affairs. But this amounts to no more than a turn of phrase and will leave even the impressionable unaffected.

Given all the onscreen feasting, on the other hand, mature viewers would be well advised to make reservations before they buy their movie tickets.

The film contains scenes of mob violence, implications of an intimate encounter and a single crude term. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of Catholic News Service.



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John Francis Burté and Companions: These priests were victims of the French Revolution. Though their martyrdom spans a period of several years, they stand together in the Church’s memory because they all gave their lives for the same principle. The Civil Constitution of the Clergy (1791) required all priests to take an oath which amounted to a denial of the faith. Each of these men refused and was executed.
<p>John Francis Burté became a Franciscan at 16 and after ordination taught theology to the young friars. Later he was guardian of the large Conventual friary in Paris until he was arrested and held in the convent of the Carmelites.
</p><p>Appolinaris of Posat was born in 1739 in Switzerland. He joined the Capuchins and acquired a reputation as an excellent preacher, confessor and instructor of clerics. Sent to the East as a missionary, he was in Paris studying Oriental languages when the French Revolution began. Refusing the oath, he was swiftly arrested and detained in the Carmelite convent.
</p><p>Severin Girault, a member of the Third Order Regular, was a chaplain for a group of sisters in Paris. Imprisoned with the others, he was the first to die in the slaughter at the convent.
</p><p>These three plus 182 others—including several bishops and many religious and diocesan priests—were massacred at the Carmelite house in Paris on September 2, 1792. They were beatified in 1926.
</p><p>John Baptist Triquerie, born in 1737, entered the Conventual Franciscans. He was chaplain and confessor of Poor Clare monasteries in three cities before he was arrested for refusing to take the oath. He and 13 diocesan priests were guillotined in Laval on January 21, 1794. He was beatified in 1955.</p> American Catholic Blog Our Lord has a very special love for the chaste. His own mother and St. Joseph and St. John, the beloved disciple, were chaste. We desire to be chaste because we belong to Jesus Christ, Son of the Living God. We want to be chaste because of the work we do as coworkers of Christ. Our chastity must be so pure that it draws the most impure to the Sacred Heart of Christ.

Stumble Virtue Vice and the Space Between

 
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