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ON FAITH & MEDIA View Comments

Into the Storm

By
John Mulderig
Source: Catholic News Service


Max Deacon, Richard Armitage and Nathan Kress star in a scene from the movie "Into the Storm."
Perhaps you were under the impression that tornadoes are no big deal.

If so, along comes the old-fashioned, special effects-driven disaster movie "Into the Storm" (Warner Bros.) to prove you wrong.

Essentially a found-footage "Poseidon Adventure" for the landlocked, director Steven Quale's film, as scripted by John Swetnam, does boast helpful touches of humor as well as such unimpeachable values as family solidarity and life-at-stake altruism. Still, the intensity of the building peril -- together with the vocabulary it elicits from the cast -- makes this ride on the whirlwind best for fully-grown thrill seekers.

Pity the small Midwestern burg of Silverton. Not only is it in the crosshairs of an unprecedented series of havoc-wreaking twisters, it's also a town without a state, at least as far as Swetnam's geographically coy screenplay is concerned. Are we or are we not in Kansas anymore? Enquiring minds want to know!

Be that as it may, Toto, Silverton is home to widower Gary Fuller (Richard Armitage) and his two teenage sons, Donnie (Max Deacon) and Trey (Nathan Kress). Alas for the lads, especially Donnie, Gary is the vice principal of the high school they both attend. He's also demanding and emotionally aloof, which leads to the odd intergenerational skirmish.

When not squabbling with Dad or pining for his seemingly unattainable schoolmate Kaitlyn (Alycia Debnam-Carey), Donnie occupies his time videotaping everything in sight, a predilection that allows Quale to go (mostly) hand-held. Quale gets additional aid to that end from a crew of professional storm chasers who arrive on the scene just in time to commit Silverton's impending demolition to pixels.

They're led by peevish documentarian Pete Moore (Matt Walsh). Pete is on edge because he and the gang have been wandering the countryside for a year without bankable results, a failure for which he blames their brainy meteorologist, Allison Stone (Sarah Wayne Callies).

Even if he is on the professional and monetary skids, though, Pete ought to console himself with the thought that the steel-plated, tank-like vehicle in which he pursues unsettled conditions hither and yon across the heartland is one uber-cool ride.

Naturally, Gary's boss -- who doesn't seem to spend much time watching the Weather Channel -- insists on holding graduation outside. And naturally Donnie and Kaitlyn, with whom he's finally connected, end up -- for reasons far too complicated to bother with -- in an abandoned factory on the outskirts of town where all manner of rusty debris is just waiting to fall on and entrap them.

Well, at least it makes for a memorable first date.

The film contains occasional grim violence and pervasive menace, a few sexual references, a couple of uses of profanity and frequent crude and crass language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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Philip Neri: Philip Neri was a sign of contradiction, combining popularity with piety against the background of a corrupt Rome and a disinterested clergy, the whole post-Renaissance malaise. 
<p>At an early age, he abandoned the chance to become a businessman, moved to Rome from Florence and devoted his life and individuality to God. After three years of philosophy and theology studies, he gave up any thought of ordination. The next 13 years were spent in a vocation unusual at the time—that of a layperson actively engaged in prayer and the apostolate. </p><p>As the Council of Trent (1545-63) was reforming the Church on a doctrinal level, Philip’s appealing personality was winning him friends from all levels of society, from beggars to cardinals. He rapidly gathered around himself a group of laypersons won over by his audacious spirituality. Initially they met as an informal prayer and discussion group, and also served poor people in Rome. </p><p>At the urging of his confessor, he was ordained a priest and soon became an outstanding confessor, gifted with the knack of piercing the pretenses and illusions of others, though always in a charitable manner and often with a joke. He arranged talks, discussions and prayers for his penitents in a room above the church. He sometimes led “excursions” to other churches, often with music and a picnic on the way. </p><p>Some of his followers became priests and lived together in community. This was the beginning of the Oratory, the religious institute he founded. A feature of their life was a daily afternoon service of four informal talks, with vernacular hymns and prayers. Giovanni Palestrina was one of Philip’s followers, and composed music for the services. </p><p>The Oratory was finally approved after suffering through a period of accusations of being an assembly of heretics, where laypersons preached and sang vernacular hymns! (Cardinal Newman founded the first English-speaking house of the Oratory three centuries later.) </p><p>Philip’s advice was sought by many of the prominent figures of his day. He is one of the influential figures of the Counter-Reformation, mainly for converting to personal holiness many of the influential people within the Church itself. His characteristic virtues were humility and gaiety.</p> American Catholic Blog We need do no more than we are doing at present; that is, to love divine Providence and abandon ourselves in his arms and heart.<br />—St. Padre Pio

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