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ON FAITH & MEDIA View Comments

Calvary

By
John Mulderig
Source: Catholic News Service


Kelly Reilly and Brendan Gleeson star in a scene from the movie "Calvary."
Set in rural Ireland, the bleak but powerful seriocomedy "Calvary" (Fox Searchlight) kicks off with a startling premise.

In the confessional, a grown victim of childhood sex abuse by a priest tells Father James Lavelle (Brendan Gleeson), the dedicated pastor of the County Sligo parish where he now lives, that in a week's time he intends to avenge himself by killing the innocent clergyman.

With the perpetrator of the crimes against him dead, and despairing of being healed by therapy, Father James' unseen interlocutor reasons that it would be a futile gesture to slay a bad priest. But to take the life of a good cleric, that would certainly be an act that would draw people's attention.

This opening scene, which establishes the kind of extreme situation that such Catholic authors as Graham Greene or Flannery O'Connor might once have played on, also makes it clear, through the sufferer's harshly candid description of his experiences, that this is not a film for the summer popcorn set.

Mature viewers prepared for rugged material, on the other hand, will likely consider their investment of time and attention well rewarded.

As writer-director John Michael McDonagh chronicles the seven days that follow Father James' life-threatening encounter, we learn that this thoroughly decent but otherwise ordinary man of the cloth is a widower and father ordained after his wife's death. This aspect of his past is revealed when his emotionally fragile, Dublin-based daughter, Fiona (Kelly Reilly), comes to town, looking for his support in the wake of a romantic crisis.

Along with nurturing Fiona, Father James also tends to the varied needs of the errant or merely eccentric souls who make up his small flock.

They include Jack (Chris O'Dowd), the local butcher, a wronged husband who's not overly anxious to reconcile with his wife, Veronica (Orla O'Rourke); Michael (Dylan Moran), a shady business tycoon out to use a donation to the church to assuage his conscience; Frank (Aiden Gillen), an atheist doctor who has nothing but contempt for believers; and Gerard (M. Emmet Walsh), an elderly expatriate American novelist who hopes to evade a lingering end by committing suicide.

They're a challenging lot, but Father James does his best with each. Less laudable is his response to the plight of socially awkward, sexually frustrated bachelor Milo (Killian Scott). Unsettlingly, Father James advises Milo to move to a city where he'll probably find the girls more open to his casual advances.

As with an exchange in which Father James and his weasel-like curate, Father Timothy (David Wilmot), discuss the content of a parishioner's recent confession far too openly, this off-kilter interaction with Milo may raise the hackles of Catholic moviegoers. At least in the case of the penitent, however, there are extenuating pastoral circumstances.

Such incidental flaws notwithstanding, overall, McDonagh is mostly respectful, if unsparing, in his treatment of the contemporary church as he ably explores a range of hefty themes -- faith, moral failure, reconciliation and sacrifice among them.

He's sustained throughout by Gleeson's memorable performance during which we watch Father James display understandable uncertainty about how to respond to the existential threat confronting him. Should he arm himself? Involve the police? Flee the vicinity until the danger has past? Or should he offer himself in Christ-like expiation for the sins of others?

Watching him decide makes for thoughtful drama, though the demands of the process mean that the appropriate audience for "Calvary" remains a narrow one.

The film contains brief but extremely gory violence, drug use, mature themes, including clergy sexual abuse, homosexual prostitution and suicide, a few uses of profanity and much rough and crude language. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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