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ON FAITH & MEDIA View Comments

Hercules

By
John Mulderig
Source: Catholic News Service


Dwayne Johnson stars in a scene from the movie "Hercules."
This much can be said for the passable 3-D adventure "Hercules" (Paramount): By comparison with this year's earlier cinematic addition to the store of lore about antiquity's most acclaimed strongman, "The Legend of Hercules," the new film is practically a masterpiece.

Considered on its own, though, director Brett Ratner's mildly demythologizing take on the subject -- which stars Dwayne Johnson in the title role -- nets out as amiable and reasonably diverting, but unlikely to linger in moviegoers' memories.

Based on Steve Moore's graphic novel "Hercules: The Thracian Wars," this variation on a durable theme finds the hero -- who may or may not be a demigod -- following up on the completion of his 12 canonical labors by leading a band of super-skilled mercenaries around the political patchwork of ancient Greece.

His quintet of comrades is comprised of fighting prophet Amphiaraus (Ian McShane), brainy strategist Autolycus (Rufus Sewell), mute, feral slaughter survivor Tydeus (Aksel Hennie), Amazon archer Atalanta (Ingrid Bolso Berdal) and callow warrior -- but gifted storyteller -- Iolaus (Reece Ritchie). In addition to being Hercules' cousin, young Iolaus is also the ancient equivalent of his PR man.

When fetching Princess Ergenia (Rebecca Ferguson) turns up to offer this formidable ensemble a job, her proposal seems straightforward enough at first. She wants Hercules and his followers to help her father, King Cotys of Thrace (John Hurt), rid his realm of a marauding rebel called Rhesus (Tobias Santelmann). Their reward? Hercules' weight in gold.

Of course, anyone familiar with court intrigue, at least as it's portrayed on screen, will realize that all is not what it seems and that Hercules and company will end up getting more than they bargained for when they struck their initial deal with Ergenia.

The odd witticism and some on-target messages about believing in oneself and putting strength at the service of goodness are scattered through Ryan J. Condal and Evan Spiliotopoulos' script. But the real agenda of Ratner's sweeping movie is large-scale combat and plenty of it.

Still, for those grown-ups content to munch popcorn in an air-conditioned theater, this summer dole out of derring-do will no doubt ... well, do.

The film contains constant, mostly bloodless violence, some gory images, a glimpse of rear nudity, occasional sexual references, at least one use of the F-word and a handful of crude and crass terms. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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Catherine of Siena: The value Catherine makes central in her short life and which sounds clearly and consistently through her experience is complete surrender to Christ. What is most impressive about her is that she learns to view her surrender to her Lord as a goal to be reached through time. 
<p>She was the 23rd child of Jacopo and Lapa Benincasa and grew up as an intelligent, cheerful and intensely religious person. Catherine disappointed her mother by cutting off her hair as a protest against being overly encouraged to improve her appearance in order to attract a husband. Her father ordered her to be left in peace, and she was given a room of her own for prayer and meditation. </p><p>She entered the Dominican Third Order at 18 and spent the next three years in seclusion, prayer and austerity. Gradually a group of followers gathered around her—men and women, priests and religious. An active public apostolate grew out of her contemplative life. Her letters, mostly for spiritual instruction and encouragement of her followers, began to take more and more note of public affairs. Opposition and slander resulted from her mixing fearlessly with the world and speaking with the candor and authority of one completely committed to Christ. She was cleared of all charges at the Dominican General Chapter of 1374. </p><p>Her public influence reached great heights because of her evident holiness, her membership in the Dominican Third Order, and the deep impression she made on the pope. She worked tirelessly for the crusade against the Turks and for peace between Florence and the pope </p><p>In 1378, the Great Schism began, splitting the allegiance of Christendom between two, then three, popes and putting even saints on opposing sides. Catherine spent the last two years of her life in Rome, in prayer and pleading on behalf of the cause of Urban VI and the unity of the Church. She offered herself as a victim for the Church in its agony. She died surrounded by her "children" and was canonized in 1461. </p><p>Catherine ranks high among the mystics and spiritual writers of the Church. In 1939, she and Francis of Assisi were declared co-patrons of Italy. Paul VI named her and Teresa of Avila doctors of the Church in 1970. Her spiritual testament is found in <i>The Dialogue</i>.</p> American Catholic Blog The gates of hell cannot withstand the power of heaven. Gates of sin melt in the presence of saving grace; gates of death fall in the presence of eternal life; gates of falsehood collapse in the presence of living truth; gates of violence are flattened in the presence of divine love. These are the tools with which Christ has equipped his Church.

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