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ON FAITH & MEDIA View Comments

Boyhood

By
Joseph McAleer
Source: Catholic News Service


Ellar Coltrane stars in a scene from the movie "Boyhood."
To describe "Boyhood" (IFC) as unique is to underestimate a film that was shot in 39 days over the course of 12 years.

For this reason alone, "Boyhood" offers an unprecedented cinematic experience. In this green-screen era of computer-generated effects, it's refreshing, even astonishing, to watch characters age naturally -- if not gracefully -- on the big screen.

Writer-director Richard Linklater ("Before Midnight") sets out to chart "the rocky terrain of childhood" as no one has done before. As such, "Boyhood" has a documentary feel, and brings to mind Michael Apted's "Up" series, which checks in with the same participants every seven years.

But "Boyhood" is a work of fiction, and its tone of moral indifference ultimately will not resonate well with viewers of faith -- or with those who cherish the loving bonds of family.

At its heart is Mason Jr. (Ellar Coltrane). We meet him as a perfectly ordinary 6-year-old boy in suburban Texas, and then follow his life to age 18 and his departure for college.

Along for the ride are his spunky sister, Samantha (Lorelei Linklater, the director's daughter), and his divorced mother, Olivia (Patricia Arquette). The lad's father, Mason Sr. (Ethan Hawke), is an occasional presence.

Olivia is restless and insecure. She wants more out of life than being a mother, and uproots her family multiple times as she searches for a career and a new husband.

Mason Sr., on the other hand, is footloose and fancy free. He indulges his children whenever he sees them (which is not often), dispensing dime-store advice.

When Mason Jr. throws gutter balls at the bowling alley, upset that there are no bumpers in his lane, Dad tells him to grow up. "You don't need bumpers. Life doesn't give you bumpers."

Divorce looms large in this movie, as children are forced to deal with their parents' inadequacies and their opposing methods of parenting, a situation made all the more challenging when Mom remarries (twice), and Dad finds another wife.

In the end, the children essentially raise themselves, and decide on their own what is right and wrong.

This is where "Boyhood" falls short. The film is critical of Olivia's poor taste in men (both of her new spouses are abusive alcoholics) as well as Mason Sr.'s narcissism. But when it comes to the bratty kids, judgment is suspended.

Mason Jr.'s journey is presented to the audience as perfectly natural, even normal. We watch him drink beer in middle school, and smoke pot and have sex in high school.

He is lazy, indifferent and rude, marching to his own drummer despite the protestations of his mother and teachers. In the end, he is an admired figure, possessing a "wisdom" that seems beyond his years.

While many viewers may identify with Mason Jr.'s experience, that does not make his actions morally acceptable.

Not surprisingly, "Boyhood" has no time for religion, even when Mason Sr. marries a sweet lady from the Bible Belt who manages to reform his freewheeling ways. Her gun-toting parents give Mason Jr. a Bible for his birthday, played as a cringe-worthy moment.

Samantha laments, "You're not becoming one of those God people, are you Dad?"

Heaven forbid.

The film contains a benign attitude toward drug and underage alcohol use, teenage sex, and contraception, an ambivalent portrayal of religion, occasional profanity and frequent crude language. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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John Francis Burté and Companions: These priests were victims of the French Revolution. Though their martyrdom spans a period of several years, they stand together in the Church’s memory because they all gave their lives for the same principle. The Civil Constitution of the Clergy (1791) required all priests to take an oath which amounted to a denial of the faith. Each of these men refused and was executed.
<p>John Francis Burté became a Franciscan at 16 and after ordination taught theology to the young friars. Later he was guardian of the large Conventual friary in Paris until he was arrested and held in the convent of the Carmelites.
</p><p>Appolinaris of Posat was born in 1739 in Switzerland. He joined the Capuchins and acquired a reputation as an excellent preacher, confessor and instructor of clerics. Sent to the East as a missionary, he was in Paris studying Oriental languages when the French Revolution began. Refusing the oath, he was swiftly arrested and detained in the Carmelite convent.
</p><p>Severin Girault, a member of the Third Order Regular, was a chaplain for a group of sisters in Paris. Imprisoned with the others, he was the first to die in the slaughter at the convent.
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</p><p>John Baptist Triquerie, born in 1737, entered the Conventual Franciscans. He was chaplain and confessor of Poor Clare monasteries in three cities before he was arrested for refusing to take the oath. He and 13 diocesan priests were guillotined in Laval on January 21, 1794. He was beatified in 1955.</p> American Catholic Blog Our Lord has a very special love for the chaste. His own mother and St. Joseph and St. John, the beloved disciple, were chaste. We desire to be chaste because we belong to Jesus Christ, Son of the Living God. We want to be chaste because of the work we do as coworkers of Christ. Our chastity must be so pure that it draws the most impure to the Sacred Heart of Christ.

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