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ON FAITH & MEDIA View Comments

And So It Goes

By
Kurt Jensen
Source: Catholic News Service


Scene from movie 'And So It Goes'
The indignities of romance in one's 60s entwine with a mortifyingly weak and implausible script for two aging actors in "And So It Goes" (Clarius).

Michael Douglas, who plays grumpy widower and real estate agent Oren, and Diane Keaton as lissome widow and aspiring singer Leah, are engaging as they go through their paces. It's just that director Rob Reiner and screenwriter Mark Andrus have nothing new to say about either the vicissitudes of aging or the need to connect with family members.

It's a mostly moral story told in the style of a "family" film, although so weakly, its intended audience isn't even clear. Adults won't mind it. Anyone under the age of 20 probably won't be interested.

In leafy Fairfield, Connecticut, Oren, whose wife died 10 years ago, has been trying to sell his mansion for $8.6 million, but has found no takers, in part because of his occasional racial insensitivity. He's staying in a small apartment building he owns, along with Leah, whose late-life singing career stalls because she bursts into tears whenever she mentions her dead husband and the love they shared.

Into this comes Oren's son, Kyle (Austin Lysy), with a granddaughter, Sarah (Sterling Jerins), that Oren didn't even know he had. Kyle fathered the girl, who's about to turn 10, back in his drug-addiction days. He's about to serve a jail term -- not for narcotics, but on a trumped-up charge related to his boss being investigated for insider trading.

Oren makes a single attempt to return Sarah to her junkie mother, an episode that seems tacked on. More troubling, Oren makes no attempt to get the woman into any kind of rehab program. Once her addiction is evident, he simply takes Sarah away.

Formula takes over after this. Sarah teaches her caustic granddad the importance of compassion. This, in turn, helps him come up with a way to set Leah's singing on a more lucrative path, and Oren and Leah both stumble into the perils of a physical relationship.

Ambling, philosophical stories about adult romances in pretty settings can be enjoyable. But here, the philosophy is reduced to wisecracks and the ambling obstructs reality. Fairfield, however, has never looked lovelier.

The film contains implied premarital sexual activity, a scene of childbirth, a few uses of profanity and fleeting crass language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Mary Angela Truszkowska: Today we honor a woman who submitted to God's will throughout her life—a life filled with pain and suffering. 
<p>Born in 1825 in central Poland and baptized Sophia, she contracted tuberculosis as a young girl. The forced period of convalescence gave her ample time for reflection. Sophia felt called to serve God by working with the poor, including street children and the elderly homeless in Warsaw's slums. In time, her cousin joined her in the work. </p><p>In 1855, the two women made private vows and consecrated themselves to the Blessed Mother. New followers joined them. Within two years they formed a new congregation, which came to be known as the Felician Sisters. As their numbers grew, so did their work, and so did the pressures on Mother Angela (the new name Sophia took in religious life). </p><p>Mother Angela served as superior for many years until ill health forced her to resign at the age of 44. She watched the order grow and expand, including missions to the United States among the sons and daughters of Polish immigrants. </p><p>Pope John Paul II beatified her in 1993.</p> American Catholic Blog I truly seek a very solitary, simple and primitive life with no labels attached. However, there must be love in it, and not an abstract love but a real love for real people.

 
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