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ON FAITH & MEDIA View Comments

And So It Goes

By
Kurt Jensen
Source: Catholic News Service


Scene from movie 'And So It Goes'
The indignities of romance in one's 60s entwine with a mortifyingly weak and implausible script for two aging actors in "And So It Goes" (Clarius).

Michael Douglas, who plays grumpy widower and real estate agent Oren, and Diane Keaton as lissome widow and aspiring singer Leah, are engaging as they go through their paces. It's just that director Rob Reiner and screenwriter Mark Andrus have nothing new to say about either the vicissitudes of aging or the need to connect with family members.

It's a mostly moral story told in the style of a "family" film, although so weakly, its intended audience isn't even clear. Adults won't mind it. Anyone under the age of 20 probably won't be interested.

In leafy Fairfield, Connecticut, Oren, whose wife died 10 years ago, has been trying to sell his mansion for $8.6 million, but has found no takers, in part because of his occasional racial insensitivity. He's staying in a small apartment building he owns, along with Leah, whose late-life singing career stalls because she bursts into tears whenever she mentions her dead husband and the love they shared.

Into this comes Oren's son, Kyle (Austin Lysy), with a granddaughter, Sarah (Sterling Jerins), that Oren didn't even know he had. Kyle fathered the girl, who's about to turn 10, back in his drug-addiction days. He's about to serve a jail term -- not for narcotics, but on a trumped-up charge related to his boss being investigated for insider trading.

Oren makes a single attempt to return Sarah to her junkie mother, an episode that seems tacked on. More troubling, Oren makes no attempt to get the woman into any kind of rehab program. Once her addiction is evident, he simply takes Sarah away.

Formula takes over after this. Sarah teaches her caustic granddad the importance of compassion. This, in turn, helps him come up with a way to set Leah's singing on a more lucrative path, and Oren and Leah both stumble into the perils of a physical relationship.

Ambling, philosophical stories about adult romances in pretty settings can be enjoyable. But here, the philosophy is reduced to wisecracks and the ambling obstructs reality. Fairfield, however, has never looked lovelier.

The film contains implied premarital sexual activity, a scene of childbirth, a few uses of profanity and fleeting crass language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Lorenzo Ruiz and Companions: Lawrence (Lorenzo) was born in Manila of a Chinese father and a Filipino mother, both Christians. Thus he learned Chinese and Tagalog from them and Spanish from the Dominicans whom he served as altar boy and sacristan. He became a professional calligrapher, transcribing documents in beautiful penmanship. He was a full member of the Confraternity of the Holy Rosary under Dominican auspices. He married and had two sons and a daughter. 
<p>His life took an abrupt turn when he was accused of murder. Nothing further is known except the statement of two Dominicans that "he was sought by the authorities on account of a homicide to which he was present or which was attributed to him." </p><p>At that time three Dominican priests, Antonio Gonzalez, Guillermo Courtet and Miguel de Aozaraza, were about to sail to Japan in spite of a violent persecution there. With them was a Japanese priest, Vicente Shiwozuka de la Cruz, and a layman named Lazaro, a leper. Lorenzo, having taken asylum with them, was allowed to accompany them. But only when they were at sea did he learn that they were going to Japan. </p><p>They landed at Okinawa. Lorenzo could have gone on to Formosa, but, he reported, "I decided to stay with the Fathers, because the Spaniards would hang me there." In Japan they were soon found out, arrested and taken to Nagasaki. The site of wholesale bloodshed when the atomic bomb was dropped had known tragedy before. The 50,000 Catholics who once lived there were dispersed or killed by persecution. </p><p>They were subjected to an unspeakable kind of torture: After huge quantities of water were forced down their throats, they were made to lie down. Long boards were placed on their stomachs and guards then stepped on the ends of the boards, forcing the water to spurt violently from mouth, nose and ears. </p><p>The superior, Antonio, died after some days. Both the Japanese priest and Lazaro broke under torture, which included the insertion of bamboo needles under their fingernails. But both were brought back to courage by their companions. </p><p>In Lorenzo's moment of crisis, he asked the interpreter, "I would like to know if, by apostatizing, they will spare my life." The interpreter was noncommittal, but Lorenzo, in the ensuing hours, felt his faith grow strong. He became bold, even audacious, with his interrogators. </p><p>The five were put to death by being hanged upside down in pits. Boards fitted with semicircular holes were fitted around their waists and stones put on top to increase the pressure. They were tightly bound, to slow circulation and prevent a speedy death. They were allowed to hang for three days. By that time Lorenzo and Lazaro were dead. The three Dominican priests, still alive, were beheaded. </p><p>In 1987, Blessed John Paul II canonized these six and 10 others, Asians and Europeans, men and women, who spread the faith in the Philippines, Formosa and Japan. Lorenzo Ruiz is the first canonized Filipino martyr.</p> American Catholic Blog We don’t have to scrub off our sin so God can love us. Instead, when we allow God’s healing love to touch us, we want to leave sin behind. Growth starts in love, not in guilt.

 
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