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ON FAITH & MEDIA View Comments

And So It Goes

By
Kurt Jensen
Source: Catholic News Service


Scene from movie 'And So It Goes'
The indignities of romance in one's 60s entwine with a mortifyingly weak and implausible script for two aging actors in "And So It Goes" (Clarius).

Michael Douglas, who plays grumpy widower and real estate agent Oren, and Diane Keaton as lissome widow and aspiring singer Leah, are engaging as they go through their paces. It's just that director Rob Reiner and screenwriter Mark Andrus have nothing new to say about either the vicissitudes of aging or the need to connect with family members.

It's a mostly moral story told in the style of a "family" film, although so weakly, its intended audience isn't even clear. Adults won't mind it. Anyone under the age of 20 probably won't be interested.

In leafy Fairfield, Connecticut, Oren, whose wife died 10 years ago, has been trying to sell his mansion for $8.6 million, but has found no takers, in part because of his occasional racial insensitivity. He's staying in a small apartment building he owns, along with Leah, whose late-life singing career stalls because she bursts into tears whenever she mentions her dead husband and the love they shared.

Into this comes Oren's son, Kyle (Austin Lysy), with a granddaughter, Sarah (Sterling Jerins), that Oren didn't even know he had. Kyle fathered the girl, who's about to turn 10, back in his drug-addiction days. He's about to serve a jail term -- not for narcotics, but on a trumped-up charge related to his boss being investigated for insider trading.

Oren makes a single attempt to return Sarah to her junkie mother, an episode that seems tacked on. More troubling, Oren makes no attempt to get the woman into any kind of rehab program. Once her addiction is evident, he simply takes Sarah away.

Formula takes over after this. Sarah teaches her caustic granddad the importance of compassion. This, in turn, helps him come up with a way to set Leah's singing on a more lucrative path, and Oren and Leah both stumble into the perils of a physical relationship.

Ambling, philosophical stories about adult romances in pretty settings can be enjoyable. But here, the philosophy is reduced to wisecracks and the ambling obstructs reality. Fairfield, however, has never looked lovelier.

The film contains implied premarital sexual activity, a scene of childbirth, a few uses of profanity and fleeting crass language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.





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<p>Sophie herself received an extensive education, thanks to her brother, Louis, 11 years older and her godfather at Baptism. Himself a seminarian, he decided that his younger sister would likewise learn Latin, Greek, history, physics and mathematics—always without interruption and with a minimum of companionship. By age 15, she had received a thorough exposure to the Bible, the teachings of the Fathers of the Church and theology. Despite the oppressive regime Louis imposed, young Sophie thrived and developed a genuine love of learning. </p><p>Meanwhile, this was the time of the French Revolution and of the suppression of Christian schools. The education of the young, particularly young girls, was in a troubled state. At the same time, Sophie, who had concluded that she was called to the religious life, was persuaded to begin her life as a nun and as a teacher. She founded the Society of the Sacred Heart, which would focus on schools for the poor as well as boarding schools for young women of means; today, co-ed Sacred Heart schools can be found as well as schools exclusively for boys. </p><p>In 1826, her Society of the Sacred Heart received formal papal approval. By then she had served as superior at a number of convents. In 1865, she was stricken with paralysis; she died that year on the feast of the Ascension. </p><p>Madeleine Sophie Barat was canonized in 1925.</p> American Catholic Blog Where we spend eternity is 100 percent under our control. God’s Word makes our options very clear: we can cooperate with the grace that Christ merited for us on the cross, or we can reject it and keep to our own course.

Divine Science Michael Dennin

 
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