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ON FAITH & MEDIA View Comments

300: Rise of an Empire

By
Joseph McAleer
Source: Catholic News Service


Jack O'Connell and Sullivan Stapleton star in a scene from the movie "300 Rise of an Empire."
Blood and guts sloshing across the big screen in slow motion 3-D must be someone's idea of a cinematic treat; otherwise, we'd have been spared "300: Rise of an Empire" (Warner Bros).

The film, both a prequel and a sequel to 2007's "300," serves up a second helping of the choreographed violence and warrior beefcake that characterized its predecessor, with ancient Greeks and Persians once again battling for supremacy of the Aegean peninsula.

Zack Snyder, who directed the original, returns as producer and co-writer of the new screenplay, based on a graphic novel by Frank Miller. Noam Murro ("Smart People") follows the same directing playbook as Snyder, short on dialogue but long on relentless and increasingly repellent action.

Don't even try to keep a count of the stabbings, beheadings, maimings and immolations on display. All are intended to demonstrate the triumph of good over evil, and reinforce such militaristic platitudes as, "There is no nobler cause than to fight beside the man who would lay down his life to save you."

When we last left Sparta, that city-state's valiant army, led by King Leonidas (Gerard Butler), had fallen at the hands of the god-king Xerxes' (Rodrigo Santoro) wicked Persians.

Now we learn the backstory of Xerxes and his turn to the dark side. Devastated by the murder of his father, King Darius (Igal Naor), by Athenian admiral Themistokles (Sullivan Stapleton), Xerxes is consumed by grief.

Enter Artemisia (Eva Green), sexy vixen with another tongue-twisting name. A Greek-turned-loyal-Persian, she commands Xerxes' navy.

She's also handy with the dark arts. Before you can say "Opa!" Xerxes emerges from Artemisia's magical bath as an invincible 10-foot-tall warrior with a penchant for gold and piercings.

The massacre of the 300 Spartans complete, Artemisia and her minions plan an invasion of Greece, this time by sea. Artemisia and her ships set sail for Athens, where they will engage Themistokles and his boats and avenge the death of Darius.

Hopelessly outnumbered, Themistokles tries to rally rival Greek states into presenting a united front against the foreign invader. Athens could really use the Spartan fleet, but Leonidas' grieving widow, Queen Gorgo (Lena Headey), has second thoughts.

The stage is set for a rousing showdown with freedom and democracy on the line. Themistokles proclaims to Artemisia, "We would rather die on our feet than live on our knees."

If all this sounds confusing and rather silly, it is, even if there is a bit of real history involved. Suffice it to say that tasteless carnage is the name of the game, with innumerable gross-out moments.

Just when you think you've seen it all, Artemisia decapitates a spy, picks up his severed head, and plants a wet kiss on his dead lips.

The film contains relentless gory and sometimes gruesome fighting, a graphic nonmarital sex scene, upper female and rear nudity, skimpy costumes and some rough language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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John Bosco: John Bosco’s theory of education could well be used in today’s schools. It was a preventive system, rejecting corporal punishment and placing students in surroundings removed from the likelihood of committing sin. He advocated frequent reception of the sacraments of Penance and Holy Communion. He combined catechetical training and fatherly guidance, seeking to unite the spiritual life with one’s work, study and play. 
<p>Encouraged during his youth to become a priest so he could work with young boys, John was ordained in 1841. His service to young people started when he met a poor orphan and instructed him in preparation for receiving Holy Communion. He then gathered young apprentices and taught them catechism. </p><p>After serving as chaplain in a hospice for working girls, John opened the Oratory of St. Francis de Sales for boys. Several wealthy and powerful patrons contributed money, enabling him to provide two workshops for the boys, shoemaking and tailoring. </p><p>By 1856, the institution had grown to 150 boys and had added a printing press for publication of religious and catechetical pamphlets. His interest in vocational education and publishing justify him as patron of young apprentices and Catholic publishers. </p><p>John’s preaching fame spread and by 1850 he had trained his own helpers because of difficulties in retaining young priests. In 1854 he and his followers informally banded together, inspired by St. Francis de Sales [January 24]. </p><p>With Pope Pius IX’s encouragement, John gathered 17 men and founded the Salesians in 1859. Their activity concentrated on education and mission work. Later, he organized a group of Salesian Sisters to assist girls.</p> American Catholic Blog How do you expect to reach your own perfection by leading someone else’s life? His sanctity will never be yours; you must have the humility to work out your own salvation in a darkness where you are absolutely alone.

 
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