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ON FAITH & MEDIA View Comments

Son of God

By
John Mulderig
Source: Catholic News Service


Diogo Morgado stars in a scene from the movie "Son of God."
As the first wide-release film in nearly 50 years to focus on the life of Jesus as a whole, "Son of God" (Fox) represents an epochal event for believing moviegoers.

Though not the most powerful mass media treatment of its subject—that accolade continues to belong to Franco Zeffirelli's 1977 television miniseries "Jesus of Nazareth"—director Christopher Spencer's reverent but uneven screen version of the Gospel story ranks as a worthy revival of the Hollywood biblical epic.

The screenwriters, led by Nic Young, find an efficient entree into their narrative by entrusting it to an aged St. John the Evangelist (Sebastian Knapp) during his exile on the island of Patmos. This is theologically helpful because the opening lines of the Beloved Disciple's Gospel, as recited here, describe the Incarnation, a mystery without which all that follows could easily be misconstrued.

Early scenes leading up to and including the Nativity will remind at least some viewers that "Son of God" is an outgrowth of last year's highly successful miniseries on the History cable channel series, "The Bible." The new footage that follows is at its best in its portrayal of the events that culminated in the crucifixion of Jesus (Diogo Morgado).

Thus Judas (Joe Wredden), Caiaphas the high priest (Adrian Schiller) and Pontius Pilate (Greg Hicks) are all assigned believable motives, while Morgado succeeds in blending messianic vision with very human pain in a thoroughly compelling way—one that accords, moreover, with the scriptural account.

Catholic viewers will also appreciate the unqualified acknowledgement of St. Peter (Darwin Shaw) as the leader of the Apostles as well as scenes highlighting Mary's (Roma Downey) closeness to her son. And, though the portrayal of the Last Supper seems somewhat noncommittal as to the meaning of the Eucharist, a rough-and-ready celebration of the sacrament is shown to be the chosen moment for the Lord's first post-Resurrection appearance to the Twelve.

As for the ministry and preaching that precede the Passion—during which Jesus draws the disapproving attention of Simon the Pharisee (Paul Marc Davis)—there are moments that range from the moving to the awkward.

Morgado brings the requisite gravity to bear in announcing that the passage from the Prophet Isaiah he has just read aloud in Nazareth's synagogue has now been fulfilled. But the story of Lazarus' death and revivification is truncated—and drained of much of its impact—by the absence of any hint of Jesus' previous friendship with him and with his mourning sisters.

Despite such shortcomings, as produced by Downey, Mark Burnett and Richard Bedser, Spencer's picture offers some solid catechesis and an easy introduction to the Lord's earthly biography. That's all the more valuable given the erosion in religious literacy our society has experienced since the appearance of "Son of God's" most recent predecessor, George Stevens' 1965 Gospel drama "The Greatest Story Ever Told."

In that context, and despite its unflinching treatment of the Redeemer's sufferings, "Son of God" is probably acceptable for older teens.

The film contains strong gory violence. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Angela Merici: Angela has the double distinction of founding the first teaching congregation of women in the Church and what is now called a “secular institute” of religious women. 
<p>As a young woman she became a member of the Third Order of St. Francis (now known as the Secular Franciscan Order), and lived a life of great austerity, wishing, like St. Francis, to own nothing, not even a bed. Early in life she was appalled at the ignorance among poorer children, whose parents could not or would not teach them the elements of religion. Angela’s charming manner and good looks complemented her natural qualities of leadership. Others joined her in giving regular instruction to the little girls of their neighborhood. </p><p>She was invited to live with a family in Brescia (where, she had been told in a vision, she would one day found a religious community). Her work continued and became well known. She became the center of a group of people with similar ideals. </p><p>She eagerly took the opportunity for a trip to the Holy Land. When they had gotten as far as Crete, she was struck with blindness. Her friends wanted to return home, but she insisted on going through with the pilgrimage, and visited the sacred shrines with as much devotion and enthusiasm as if she had her sight. On the way back, while praying before a crucifix, her sight was restored at the same place where it had been lost. </p><p>At 57, she organized a group of 12 girls to help her in catechetical work. Four years later the group had increased to 28. She formed them into the Company of St. Ursula (patroness of medieval universities and venerated as a leader of women) for the purpose of re-Christianizing family life through solid Christian education of future wives and mothers. The members continued to live at home, had no special habit and took no formal vows, though the early Rule prescribed the practice of virginity, poverty and obedience. The idea of a teaching congregation of women was new and took time to develop. The community thus existed as a “secular institute” until some years after Angela’s death.</p> American Catholic Blog I hear far more people discuss the presence of evil in their lives than they do the supreme power of grace. God is bigger than evil!

 
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