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ON FAITH & MEDIA View Comments

Son of God

By
John Mulderig
Source: Catholic News Service


Diogo Morgado stars in a scene from the movie "Son of God."
As the first wide-release film in nearly 50 years to focus on the life of Jesus as a whole, "Son of God" (Fox) represents an epochal event for believing moviegoers.

Though not the most powerful mass media treatment of its subject—that accolade continues to belong to Franco Zeffirelli's 1977 television miniseries "Jesus of Nazareth"—director Christopher Spencer's reverent but uneven screen version of the Gospel story ranks as a worthy revival of the Hollywood biblical epic.

The screenwriters, led by Nic Young, find an efficient entree into their narrative by entrusting it to an aged St. John the Evangelist (Sebastian Knapp) during his exile on the island of Patmos. This is theologically helpful because the opening lines of the Beloved Disciple's Gospel, as recited here, describe the Incarnation, a mystery without which all that follows could easily be misconstrued.

Early scenes leading up to and including the Nativity will remind at least some viewers that "Son of God" is an outgrowth of last year's highly successful miniseries on the History cable channel series, "The Bible." The new footage that follows is at its best in its portrayal of the events that culminated in the crucifixion of Jesus (Diogo Morgado).

Thus Judas (Joe Wredden), Caiaphas the high priest (Adrian Schiller) and Pontius Pilate (Greg Hicks) are all assigned believable motives, while Morgado succeeds in blending messianic vision with very human pain in a thoroughly compelling way—one that accords, moreover, with the scriptural account.

Catholic viewers will also appreciate the unqualified acknowledgement of St. Peter (Darwin Shaw) as the leader of the Apostles as well as scenes highlighting Mary's (Roma Downey) closeness to her son. And, though the portrayal of the Last Supper seems somewhat noncommittal as to the meaning of the Eucharist, a rough-and-ready celebration of the sacrament is shown to be the chosen moment for the Lord's first post-Resurrection appearance to the Twelve.

As for the ministry and preaching that precede the Passion—during which Jesus draws the disapproving attention of Simon the Pharisee (Paul Marc Davis)—there are moments that range from the moving to the awkward.

Morgado brings the requisite gravity to bear in announcing that the passage from the Prophet Isaiah he has just read aloud in Nazareth's synagogue has now been fulfilled. But the story of Lazarus' death and revivification is truncated—and drained of much of its impact—by the absence of any hint of Jesus' previous friendship with him and with his mourning sisters.

Despite such shortcomings, as produced by Downey, Mark Burnett and Richard Bedser, Spencer's picture offers some solid catechesis and an easy introduction to the Lord's earthly biography. That's all the more valuable given the erosion in religious literacy our society has experienced since the appearance of "Son of God's" most recent predecessor, George Stevens' 1965 Gospel drama "The Greatest Story Ever Told."

In that context, and despite its unflinching treatment of the Redeemer's sufferings, "Son of God" is probably acceptable for older teens.

The film contains strong gory violence. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Antônio de Sant’Anna Galvão: God’s plan in a person’s life often takes unexpected turns which become life-giving through cooperation with God’s grace. 
<p>Born in Guarantingueta near São Paulo (Brazil), Antônio attended the Jesuit seminary in Belem but later decided to become a Franciscan friar. Invested in 1760, he made final profession the following year and was ordained in 1762. </p><p>In São Paulo, he served as preacher, confessor and porter. Within a few years he was appointed confessor to the Recollects of St. Teresa, a group of nuns in that city. He and Sister Helena Maria of the Holy Spirit founded a new community of sisters under the patronage of Our Lady of the Conception of Divine Providence. Sister Helena Maria’s premature death the next year left Father Antônio responsible for the new congregation, especially for building a convent and church adequate for their growing numbers. </p><p>He served as novice master for the friars in Macacu and as guardian of St. Francis Friary in São Paulo. He founded St. Clare Friary in Sorocaba. With the permission of his provincial and the bishop, he spent his last days at the Recolhimento de Nossa Senhora da Luz, the convent of the sisters’ congregation he had helped establish. </p><p>He was beatified in Rome on October 25, 1998, and canonized in 2007.</p> American Catholic Blog Christians must realize that the Christian faith is a love affair between God and man. Not just a simple love affair: It is a passionate love affair. God so loved man that he became man himself, died on a cross, was raised from the dead by the Father, ascended into heaven—and all this in order to bring man back to himself, to that heaven which he had lost through his own fault. —Catherine de Hueck Doherty

 
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