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ON FAITH & MEDIA View Comments

Son of God

By
John Mulderig
Source: Catholic News Service


Diogo Morgado stars in a scene from the movie "Son of God."
As the first wide-release film in nearly 50 years to focus on the life of Jesus as a whole, "Son of God" (Fox) represents an epochal event for believing moviegoers.

Though not the most powerful mass media treatment of its subject—that accolade continues to belong to Franco Zeffirelli's 1977 television miniseries "Jesus of Nazareth"—director Christopher Spencer's reverent but uneven screen version of the Gospel story ranks as a worthy revival of the Hollywood biblical epic.

The screenwriters, led by Nic Young, find an efficient entree into their narrative by entrusting it to an aged St. John the Evangelist (Sebastian Knapp) during his exile on the island of Patmos. This is theologically helpful because the opening lines of the Beloved Disciple's Gospel, as recited here, describe the Incarnation, a mystery without which all that follows could easily be misconstrued.

Early scenes leading up to and including the Nativity will remind at least some viewers that "Son of God" is an outgrowth of last year's highly successful miniseries on the History cable channel series, "The Bible." The new footage that follows is at its best in its portrayal of the events that culminated in the crucifixion of Jesus (Diogo Morgado).

Thus Judas (Joe Wredden), Caiaphas the high priest (Adrian Schiller) and Pontius Pilate (Greg Hicks) are all assigned believable motives, while Morgado succeeds in blending messianic vision with very human pain in a thoroughly compelling way—one that accords, moreover, with the scriptural account.

Catholic viewers will also appreciate the unqualified acknowledgement of St. Peter (Darwin Shaw) as the leader of the Apostles as well as scenes highlighting Mary's (Roma Downey) closeness to her son. And, though the portrayal of the Last Supper seems somewhat noncommittal as to the meaning of the Eucharist, a rough-and-ready celebration of the sacrament is shown to be the chosen moment for the Lord's first post-Resurrection appearance to the Twelve.

As for the ministry and preaching that precede the Passion—during which Jesus draws the disapproving attention of Simon the Pharisee (Paul Marc Davis)—there are moments that range from the moving to the awkward.

Morgado brings the requisite gravity to bear in announcing that the passage from the Prophet Isaiah he has just read aloud in Nazareth's synagogue has now been fulfilled. But the story of Lazarus' death and revivification is truncated—and drained of much of its impact—by the absence of any hint of Jesus' previous friendship with him and with his mourning sisters.

Despite such shortcomings, as produced by Downey, Mark Burnett and Richard Bedser, Spencer's picture offers some solid catechesis and an easy introduction to the Lord's earthly biography. That's all the more valuable given the erosion in religious literacy our society has experienced since the appearance of "Son of God's" most recent predecessor, George Stevens' 1965 Gospel drama "The Greatest Story Ever Told."

In that context, and despite its unflinching treatment of the Redeemer's sufferings, "Son of God" is probably acceptable for older teens.

The film contains strong gory violence. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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Athanasius: Athanasius led a tumultuous but dedicated life of service to the Church. He was the great champion of the faith against the widespread heresy of Arianism, the teaching by Arius that Jesus was not truly divine. The vigor of his writings earned him the title of doctor of the Church. 
<p>Born of a Christian family in Alexandria, Egypt, and given a classical education, Athanasius became secretary to Alexander, the bishop of Alexandria, entered the priesthood and was eventually named bishop himself. His predecessor, Alexander, had been an outspoken critic of a new movement growing in the East—Arianism. </p><p>When Athanasius assumed his role as bishop of Alexandria, he continued the fight against Arianism. At first it seemed that the battle would be easily won and that Arianism would be condemned. Such, however, did not prove to be the case. The Council of Tyre was called and for several reasons that are still unclear, the Emperor Constantine exiled Athanasius to northern Gaul. This was to be the first in a series of travels and exiles reminiscent of the life of St. Paul. </p><p>After Constantine died, his son restored Athanasius as bishop. This lasted only a year, however, for he was deposed once again by a coalition of Arian bishops. Athanasius took his case to Rome, and Pope Julius I called a synod to review the case and other related matters. </p><p>Five times Athanasius was exiled for his defense of the doctrine of Christ’s divinity. During one period of his life, he enjoyed 10 years of relative peace—reading, writing and promoting the Christian life along the lines of the monastic ideal to which he was greatly devoted. His dogmatic and historical writings are almost all polemic, directed against every aspect of Arianism. </p><p>Among his ascetical writings, his<i> Life of St. Anthony</i> (January 17) achieved astonishing popularity and contributed greatly to the establishment of monastic life throughout the Western Christian world.</p> American Catholic Blog Suffering is redemptive in part because it definitively reveals to man that he is not in fact God, and it thereby opens the human person to receive the divine.

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