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ON FAITH & MEDIA View Comments

Winter's Tale

By
John Mulderig
Source: Catholic News Service


Jessica Brown Findlay and Colin Farrell star in a scene from the movie "Winter's Tale."
What are some insights moviegoers will gain by viewing the sappy supernatural love story "Winter's Tale" (Warner Bros.)?

That the souls of the deceased become stars, that everybody is destined to achieve a miracle and that, if you're lucky, a snow-white flying horse will appear on the scene just when you need his services most.

That's what happens to the film's protagonist, Peter Lake (Colin Farrell). But then again, Peter's life has been rather unusual from the start: When his immigrant parents were turned away from America's shores for flunking the medical exam at Ellis Island, they did their best to secure their infant son's future by setting him adrift in a miniature boat on the waters of New York Harbor.

Did baby Peter's craft capsize into the polluted waves? Of course not, because the movie's version of early 20th-century Gotham is a fantastical place where such un-poetic events are verboten.

Flash-forward a couple of decades and circumstances have forced grown-up Peter, a would-be mechanic, to turn thief. Worse yet, he's on the run from his former mentor, demonic crime lord Pearly Soames (Russell Crowe). But no sooner do Pearly and his gang of thugs have Peter cornered, than his personal Pegasus appears for the first time and whisks him to safety. Equus ex machina, as it were.

It's no wonder that Peter is soon letting the steed guide his burglarizing choices. And a good thing too, as this leads him to the Fifth Avenue home of newspaper magnate Isaac Penn (William Hurt), where his larceny is interrupted by the unexpected presence in the house of Isaac's sequestered invalid of a daughter, comely but consumptive Beverly (Jessica Brown Findlay).

Peter only has to take a single gander at Beverly—and overhear her playing Brahms on the pianoforte—to know she's The One. Fortunately for him, brink-of-the-grave Beverley turns out to be rather unflappable. So much so that, in a trice, she's offering the Irish-accented intruder a nice cup of tea. Quite hospitable, given the circumstances.

On the subject of that brogue, which the County Dublin-born Ferrell certainly comes by honestly, precisely how Peter should have acquired it is a bit of a mystery. The opening scenes suggest his mom and dad hailed from Russia, while a cameo by Graham Greene in the approximate persona of Peter's foster father indicates that he was raised by Native Americans.

Perhaps he picked it up listening to John McCormack records?

Be that as it may, pity our poor unlikely couple. Not only is the Grim Reaper out to thwart their bliss; Pearly is too. Most decidedly opposed to all forms of happiness is scar-faced Pearly. And he's got himself no lesser an ally in his down-with-smiles crusade than Satan (played by a very familiar but jaw-droppingly miscast star).

The nature of the picture's source material invites speculation about what went wrong, more generally, on the way to the big screen. All audience members who haven't read Helprin's book may know for sure is that the characters in writer-director Akiva Goldsman's adaptation of it spout sentimental twaddle. They also subscribe to a version of metaphysics that might have been lifted from a Hallmark greeting card.

Feverish romanticism and the exaltation of erotic love pave the way to a scene glamorizing an objectively sinful bedroom encounter. Taken together with the script's surfeit of noncommittal navel-gazing—do we become stars after one lifetime or a thousand?—as well as the additional elements listed below, that interlude of lush carnality marks "Winter's Tale" as unsuitable for youngsters.

The film contains some harsh but bloodless violence, semi-graphic premarital sexual activity, brief partial nudity, a couple of uses of profanity and at least one instance each of crude and crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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Madeleine Sophie Barat: The legacy of Madeleine Sophie Barat can be found in the more than 100 schools operated by her Society of the Sacred Heart, institutions known for the quality of the education made available to the young. 
<p>Sophie herself received an extensive education, thanks to her brother, Louis, 11 years older and her godfather at Baptism. Himself a seminarian, he decided that his younger sister would likewise learn Latin, Greek, history, physics and mathematics—always without interruption and with a minimum of companionship. By age 15, she had received a thorough exposure to the Bible, the teachings of the Fathers of the Church and theology. Despite the oppressive regime Louis imposed, young Sophie thrived and developed a genuine love of learning. </p><p>Meanwhile, this was the time of the French Revolution and of the suppression of Christian schools. The education of the young, particularly young girls, was in a troubled state. At the same time, Sophie, who had concluded that she was called to the religious life, was persuaded to begin her life as a nun and as a teacher. She founded the Society of the Sacred Heart, which would focus on schools for the poor as well as boarding schools for young women of means; today, co-ed Sacred Heart schools can be found as well as schools exclusively for boys. </p><p>In 1826, her Society of the Sacred Heart received formal papal approval. By then she had served as superior at a number of convents. In 1865, she was stricken with paralysis; she died that year on the feast of the Ascension. </p><p>Madeleine Sophie Barat was canonized in 1925.</p> American Catholic Blog Where we spend eternity is 100 percent under our control. God’s Word makes our options very clear: we can cooperate with the grace that Christ merited for us on the cross, or we can reject it and keep to our own course.

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