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ON FAITH & MEDIA View Comments

I, Frankenstein

By
John Mulderig
Source: Catholic News Service


Aaron Eckhart stars in a scene from the movie "I, Frankenstein."

Overblown but mostly harmless, the gothic actioner "I, Frankenstein" (Lionsgate) does little to offend but equally little to command audience interest. Tricked out with a surprising amount of Catholic imagery, it otherwise fails to make much of an impression.

Mary Shelley's classic novel provides only the premise—and, of course, the tormented main character, played by Aaron Eckhart—for this dark fantasy. The substance of the story, such as it is, comes from co-screenwriter Kevin Grevioux's graphic novel.

This source apparently endows Dr. Frankenstein's unholy creation not only with unwanted life but with unwelcome immortality as well. Accordingly, after some 18th-century exposition, and 200 years of self-imposed exile, he pops back up to do battle in the age of cellphones.

Here he once again gets mixed up in the fairly straightforward good-vs.-evil struggle at the heart of the post-Shelley mythos. As we know from the first glimpse of it we were given back in the era of powdered wigs, this contest pits an armed band of angels-turned-animated gargoyles, led by their queen, Leonore (Miranda Otto), against the hordes of hell under the earthly command of a well-tailored demon prince by the name of Naberius (Bill Nighy).

Though they stop short of explicitly acknowledging the primacy of the pope, the gargoyles—who can also take human shape—are unmistakably Catholic. They live in a cathedral, refer to their weapons, which must be blessed before being employed, as sacramentals and honor their fallen by hanging each departed angel's scapular on the wall.

They also claim to be taking their marching orders directly from St. Michael the Archangel, whose aid, in a moment of crisis, Queen Leonore can be heard invoking via the familiar prayer that was once recited at the end of every Low Mass. Another scene finds the same character assuring Frankenstein —who prefers to go by the name Adam—that "all life is sacred."

And all combat, in director and co-writer Stuart Beattie's adaptation of Grevioux's book, is gore-free: Defeated angels return to heaven in beams of light, while dispatched demons explode into, well, great balls of fire. So, despite some idle metaphysical speculation that might confuse the poorly catechized—does Adam have a soul or not?—and despite the elements listed below, "I, Frankenstein" is likely acceptable for mature adolescents.

The film contains constant but bloodless violence, brief images of a gory wound and a single crude term. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Pedro de San José Betancur: Central America claimed its first saint with the canonization of Pedro de San José Betancur by Pope John Paul II in Guatemala City on July 30, 2002. Known as the "St. Francis of the Americas," Pedro de Betancur is the first saint to have worked and died in Guatemala. 
<p>Calling the new saint an “outstanding example” of Christian mercy, the Holy Father noted that St. Pedro practiced mercy “heroically with the lowliest and the most deprived.” Speaking to the estimated 500,000 Guatemalans in attendance, the Holy Father spoke of the social ills that plague the country today and of the need for change. </p><p>“Let us think of the children and young people who are homeless or deprived of an education; of abandoned women with their many needs; of the hordes of social outcasts who live in the cities; of the victims of organized crime, of prostitution or of drugs; of the sick who are neglected and the elderly who live in loneliness,” he said in his homily during the three-hour liturgy. </p><p>Pedro very much wanted to become a priest, but God had other plans for the young man born into a poor family on Tenerife in the Canary Islands. Pedro was a shepherd until age 24, when he began to make his way to Guatemala, hoping to connect with a relative engaged in government service there. By the time he reached Havana, he was out of money. After working there to earn more, he got to Guatemala City the following year. When he arrived he was so destitute that he joined the bread line that the Franciscans had established. </p><p>Soon, Pedro enrolled in the local Jesuit college in hopes of studying for the priesthood. No matter how hard he tried, however, he could not master the material; he withdrew from school. In 1655 he joined the Secular Franciscan Order. Three years later he opened a hospital for the convalescent poor; a shelter for the homeless and a school for the poor soon followed. Not wanting to neglect the rich of Guatemala City, Pedro began walking through their part of town ringing a bell and inviting them to repent. </p><p>Other men came to share in Pedro's work. Out of this group came the Bethlehemite Congregation, which won papal approval after Pedro's death. A Bethlehemite sisters' community, similarly founded after Pedro's death, was inspired by his life of prayer and compassion. </p><p>He is sometimes credited with originating the Christmas Eve <i>posadas</i> procession in which people representing Mary and Joseph seek a night's lodging from their neighbors. The custom soon spread to Mexico and other Central American countries. </p><p>Pedro was canonized in 2002.</p> American Catholic Blog We sometimes try to do everything on our own, forgetting that the Lord wants to help us. Let's never be afraid to admit that we are weak and can't do things on our own. St. Paul gives us a great example: "On my own behalf I will not boast, except of my weaknesses" (2 Corinthians 12:5).


 
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