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ON FAITH & MEDIA View Comments

I, Frankenstein

By
John Mulderig
Source: Catholic News Service


Aaron Eckhart stars in a scene from the movie "I, Frankenstein."

Overblown but mostly harmless, the gothic actioner "I, Frankenstein" (Lionsgate) does little to offend but equally little to command audience interest. Tricked out with a surprising amount of Catholic imagery, it otherwise fails to make much of an impression.

Mary Shelley's classic novel provides only the premise—and, of course, the tormented main character, played by Aaron Eckhart—for this dark fantasy. The substance of the story, such as it is, comes from co-screenwriter Kevin Grevioux's graphic novel.

This source apparently endows Dr. Frankenstein's unholy creation not only with unwanted life but with unwelcome immortality as well. Accordingly, after some 18th-century exposition, and 200 years of self-imposed exile, he pops back up to do battle in the age of cellphones.

Here he once again gets mixed up in the fairly straightforward good-vs.-evil struggle at the heart of the post-Shelley mythos. As we know from the first glimpse of it we were given back in the era of powdered wigs, this contest pits an armed band of angels-turned-animated gargoyles, led by their queen, Leonore (Miranda Otto), against the hordes of hell under the earthly command of a well-tailored demon prince by the name of Naberius (Bill Nighy).

Though they stop short of explicitly acknowledging the primacy of the pope, the gargoyles—who can also take human shape—are unmistakably Catholic. They live in a cathedral, refer to their weapons, which must be blessed before being employed, as sacramentals and honor their fallen by hanging each departed angel's scapular on the wall.

They also claim to be taking their marching orders directly from St. Michael the Archangel, whose aid, in a moment of crisis, Queen Leonore can be heard invoking via the familiar prayer that was once recited at the end of every Low Mass. Another scene finds the same character assuring Frankenstein —who prefers to go by the name Adam—that "all life is sacred."

And all combat, in director and co-writer Stuart Beattie's adaptation of Grevioux's book, is gore-free: Defeated angels return to heaven in beams of light, while dispatched demons explode into, well, great balls of fire. So, despite some idle metaphysical speculation that might confuse the poorly catechized—does Adam have a soul or not?—and despite the elements listed below, "I, Frankenstein" is likely acceptable for mature adolescents.

The film contains constant but bloodless violence, brief images of a gory wound and a single crude term. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Elizabeth of Portugal: Elizabeth is usually depicted in royal garb with a dove or an olive branch. At her birth in 1271, her father, Pedro III, future king of Aragon, was reconciled with his father, James, the reigning monarch. This proved to be a portent of things to come. Under the healthful influences surrounding her early years, she quickly learned self-discipline and acquired a taste for spirituality. Thus fortunately prepared, she was able to meet the challenge when, at the age of 12, she was given in marriage to Denis, king of Portugal. She was able to establish for herself a pattern of life conducive to growth in God’s love, not merely through her exercises of piety, including daily Mass, but also through her exercise of charity, by which she was able to befriend and help pilgrims, strangers, the sick, the poor—in a word, all those whose need came to her notice. At the same time she remained devoted to her husband, whose infidelity to her was a scandal to the kingdom. 
<p>He, too, was the object of many of her peace endeavors. She long sought peace for him with God, and was finally rewarded when he gave up his life of sin. She repeatedly sought and effected peace between the king and their rebellious son, Alfonso, who thought that he was passed over to favor the king’s illegitimate children. She acted as peacemaker in the struggle between Ferdinand, king of Aragon, and his cousin James, who claimed the crown. And finally from Coimbra, where she had retired as a Franciscan tertiary to the monastery of the Poor Clares after the death of her husband, she set out and was able to bring about a lasting peace between her son Alfonso, now king of Portugal, and his son-in-law, the king of Castile.</p> American Catholic Blog In the name of the Father, use my mind to bring you honor, and of the Son, fill my heart to spread your word, and of the Holy Spirit, strengthen me to carry you out to all the world. Amen.

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