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ON FAITH & MEDIA View Comments

I, Frankenstein

By
John Mulderig
Source: Catholic News Service


Aaron Eckhart stars in a scene from the movie "I, Frankenstein."

Overblown but mostly harmless, the gothic actioner "I, Frankenstein" (Lionsgate) does little to offend but equally little to command audience interest. Tricked out with a surprising amount of Catholic imagery, it otherwise fails to make much of an impression.

Mary Shelley's classic novel provides only the premise—and, of course, the tormented main character, played by Aaron Eckhart—for this dark fantasy. The substance of the story, such as it is, comes from co-screenwriter Kevin Grevioux's graphic novel.

This source apparently endows Dr. Frankenstein's unholy creation not only with unwanted life but with unwelcome immortality as well. Accordingly, after some 18th-century exposition, and 200 years of self-imposed exile, he pops back up to do battle in the age of cellphones.

Here he once again gets mixed up in the fairly straightforward good-vs.-evil struggle at the heart of the post-Shelley mythos. As we know from the first glimpse of it we were given back in the era of powdered wigs, this contest pits an armed band of angels-turned-animated gargoyles, led by their queen, Leonore (Miranda Otto), against the hordes of hell under the earthly command of a well-tailored demon prince by the name of Naberius (Bill Nighy).

Though they stop short of explicitly acknowledging the primacy of the pope, the gargoyles—who can also take human shape—are unmistakably Catholic. They live in a cathedral, refer to their weapons, which must be blessed before being employed, as sacramentals and honor their fallen by hanging each departed angel's scapular on the wall.

They also claim to be taking their marching orders directly from St. Michael the Archangel, whose aid, in a moment of crisis, Queen Leonore can be heard invoking via the familiar prayer that was once recited at the end of every Low Mass. Another scene finds the same character assuring Frankenstein —who prefers to go by the name Adam—that "all life is sacred."

And all combat, in director and co-writer Stuart Beattie's adaptation of Grevioux's book, is gore-free: Defeated angels return to heaven in beams of light, while dispatched demons explode into, well, great balls of fire. So, despite some idle metaphysical speculation that might confuse the poorly catechized—does Adam have a soul or not?—and despite the elements listed below, "I, Frankenstein" is likely acceptable for mature adolescents.

The film contains constant but bloodless violence, brief images of a gory wound and a single crude term. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Peter Canisius: The energetic life of Peter Canisius should demolish any stereotypes we may have of the life of a saint as dull or routine. Peter lived his 76 years at a pace which must be considered heroic, even in our time of rapid change. A man blessed with many talents, Peter is an excellent example of the scriptural man who develops his talents for the sake of the Lord’s work. 
<p>He was one of the most important figures in the Catholic Reformation in Germany. His was such a key role that he has often been called the “second apostle of Germany” in that his life parallels the earlier work of Boniface (June 5). </p><p>Although Peter once accused himself of idleness in his youth, he could not have been idle too long, for at the age of 19 he received a master’s degree from the university at Cologne. Soon afterwards he met Peter Faber, the first disciple of Ignatius Loyola (July 31), who influenced Peter so much that he joined the recently formed Society of Jesus. </p><p>At this early age Peter had already taken up a practice he continued throughout his life—a process of study, reflection, prayer and writing. After his ordination in 1546, he became widely known for his editions of the writings of St. Cyril of Alexandria and St. Leo the Great. Besides this reflective literary bent, Peter had a zeal for the apostolate. He could often be found visiting the sick or prisoners, even when his assigned duties in other areas were more than enough to keep most people fully occupied. </p><p>In 1547 Peter attended several sessions of the Council of Trent, whose decrees he was later assigned to implement. After a brief teaching assignment at the Jesuit college at Messina, Peter was entrusted with the mission to Germany—from that point on his life’s work. He taught in several universities and was instrumental in establishing many colleges and seminaries. He wrote a catechism that explained the Catholic faith in a way which common people could understand—a great need of that age. </p><p>Renowned as a popular preacher, Peter packed churches with those eager to hear his eloquent proclamation of the gospel. He had great diplomatic ability, often serving as a reconciler between disputing factions. In his letters (filling eight volumes) one finds words of wisdom and counsel to people in all walks of life. At times he wrote unprecedented letters of criticism to leaders of the Church—yet always in the context of a loving, sympathetic concern. </p><p>At 70 Peter suffered a paralytic seizure, but he continued to preach and write with the aid of a secretary until his death in his hometown (Nijmegen, Netherlands) on December 21, 1597.</p> American Catholic Blog While we await the full and unending experience of God drawing near to us, we must continue to work in the vineyard. We must continue to make God’s love real in every condition and circumstance of our lives.

 
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