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ON FAITH & MEDIA View Comments

Ender's Game

By
John P. McCarthy
Source: Catholic News Service


Ben Kingsley, Harrison Ford and Asa Butterfield star in a scene from the movie "Enders' Game."
On its surface, "Ender's Game" (Summit) appears to be another futuristic science-fiction movie in which the fate of humanity hinges on the outcome of an epic battle waged in space. Countless aircraft will be obliterated and the hero will overcome significant adversity in order to vanquish a pernicious alien enemy.

Not so fast. Those unfamiliar with the source material, Orson Scott Card's 1985 book of the same name, will be surprised to discover a film appreciably more thoughtful and daring. Admirers of the book will likely emerge pleased, even if the adaptation doesn't live up to all their expectations.

Thematically, what elevates "Ender's Game" is that it offers a searching look at the morality of war and the unthinking manner in which it is often waged. It targets our more bellicose instincts, specifically, the tendency to strike first and ask questions later.

The story rests on the premise, prescient in 1985, that warfare in the near future will be so altered by technology that children will be better equipped to conduct it than adults. As one character says, "Young people integrate complex data better than adults." In other words, all that time spent playing video games, using computers and staring at the LED screens on electronic devices is ideal preparation for military action.

But there's more to becoming an effective fighter than digital dexterity and comfort in the virtual realm; other skills and sensitivities are required. Because he possesses these elusive qualities, 12-year-old Ender Wiggin (Asa Butterfield) is chosen to lead the Earth's military, the International Fleet, against an alien species called Formics. Fifty years earlier, the Formics tried to colonize the planet and were repelled thanks to the exploits of legendary pilot Mazer Rackham (Ben Kingsley).

Since that war, in which tens of millions perished, mankind has been assiduously preparing for a second invasion attempt. Col. Hyrum Graff (Harrison Ford), who oversees recruitment and training for the military, brings Ender to Battle School, located in a facility orbiting Earth, where trainees study and carry out mock team exercises. Ender excels and is promoted to Command School, where Rackham becomes his mentor. There, Ender and other elite fighters conduct an exhaustive battery of simulations in preparation for a showdown with the Formics.

Impressively limned by Butterfield, Ender is able to combine empathy and tactical killer instinct. His ability to understand what his opponent is thinking gives rise to his strategic brilliance, but he's troubled by the ruthlessness his compassion enables.

Director and screenwriter Gavin Hood faced a major challenge having to condense the complicated story for the screen. He focuses on Ender's maturation and interaction with his peers during their training and the story seems overweighted toward the buildup to the climactic battle. The visual effects, while not mind-blowing, are admirably clear and often elegant; the filmmakers should be applauded for not resorting to Imax or 3-D formats.

A key to the movie's success is that, unlike many of this ilk, it doesn't undercut its salubrious message by trying to have it both ways—by endorsing what it also cautions against. The anti-war motif is the end game, so to speak.

One plot feature concerning population control and a limit on the number of children families are permitted will trouble Catholic viewers. As for other objectionable elements, because warfare is conducted remotely and largely by drones, there's nothing problematic in that context. Skirmishes between the young trainees are hard-hitting yet not excessive or graphic.

The film contains a number of scenes with fighting and bullying behavior among teenagers, several classroom slurs, some scary imagery, some mild innuendo, and one use of crass language. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.





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Joan of Arc: 
		<p>Burned at the stake as a heretic after a politically-motivated trial, Joan was beatified in 1909 and canonized in 1920.</p>
		<p>Born of a fairly well-to-do peasant couple in Domremy-Greux (southeast of Paris), Joan was only 12 when she experienced a vision and heard voices that she later identified as Sts. Michael the Archangel, Catherine of Alexandria, and Margaret of Antioch.</p>
		<p>During the Hundred Years War, she led French troops against the English and recaptured the cities of Orléans and Troyes. This enabled Charles VII to be crowned as king in Reims in 1429. Captured near Compiegne the following year, she was sold to the English and placed on trial for heresy and witchcraft. Professors at the University of Paris supported Bishop Pierre Cauchon of Beauvis, the judge at her trial; Cardinal Henry Beaufort of Winchester, England, participated in the questioning of Joan in prison. In the end, she was condemned for wearing men's clothes. The English resented France's military success–to which Joan contributed. </p>
		<p>On this day in 1431, she was burned at the stake in Rouen, and her ashes were scattered in the Seine River. A second Church trial 25 years later nullified the earlier verdict, which was reached under political pressure.</p>
		<p>Remembered by most people for her military exploits, Joan had a great love for the sacraments, which strengthened her compassion toward the poor. Popular devotion to her increased greatly in 19th-century France and later among French soldiers during World War I. Theologian George Tavard writes that her life "offers a perfect example of the conjunction of contemplation and action" because her spiritual insight is that there should be a "unity of heaven and earth."</p>
		<p>Joan of Arc has been the subject of many books, plays, operas, and movies. </p>
American Catholic Blog A surfer becomes a better surfer as he spends more time in the water and learns from his friends and experiences how to improve. It is so with the virtues too. They’re actionable—which means our ability to pursue the good improves with practice!

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