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ON FAITH & MEDIA View Comments

The Counselor

By
John Mulderig
Source: Catholic News Service


Michael Fassbender and Penelope Cruz star in a scene from the movie "The Counselor."
A peepshow of human degradation, the ensemble drama "The Counselor" (Fox) alternates between glamorizing evil and parading its most torturous results—both physical and emotional—for shock value.

Working from the debut script of novelist-turned-screenwriter Cormac McCarthy, director Ridley Scott adds disdain for the Catholic Church and a debased view of human sexuality to a nihilist moral vision—with repellent results.

Ostensibly, this is meant to be a cautionary tale about essentially good people whose personality flaws lead them to dabble in darkness. The example at hand: the otherwise unnamed character of the title (Michael Fassbender), a previously legitimate lawyer out to make a quick jackpot through his involvement in a cross-border drug deal.

This new enterprise entangles our eponymous barrister with shady nightclub owner Reiner (Javier Bardem), Reiner's sociopathic girlfriend, Malkina (Cameron Diaz), and Westray (Brad Pitt), the streetwise middleman in the transaction.

At the other extreme of the Counselor's compartmentalized world stands the love of his life, Laura (Penelope Cruz). A practicing, though far from ideal, Catholic, Laura represents the film's sole embodiment of innocence.

When the hoped-for trade unexpectedly begins to unravel, however, the Mexican drug lords on the other side of the sale seek revenge, threatening doom not only for our errant attorney but for Laura as well.

From the extended bedroom encounter that opens the picture, to a scene in which Malkina goes to confession as a practical joke and on through various gory means of execution—one so creative it requires explanation in the dialogue—viewers run a gauntlet of unsettling material.

Our counsel? Spare yourself.

The film contains gruesome bloody violence, sacrilegious humor and ridicule of Catholicism, strong sexual content, including graphic premarital sexual activity and masturbation, numerous uses of profanity and frequent rough and crude language. The Catholic News Service classification is O— morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Mark: Most of what we know about Mark comes directly from the New Testament. He is usually identified with the Mark of Acts 12:12. (When Peter escaped from prison, he went to the home of Mark's mother.) 
<p>Paul and Barnabas took him along on the first missionary journey, but for some reason Mark returned alone to Jerusalem. It is evident, from Paul's refusal to let Mark accompany him on the second journey despite Barnabas's insistence, that Mark had displeased Paul. Because Paul later asks Mark to visit him in prison, we may assume the trouble did not last long. </p><p>The oldest and the shortest of the four Gospels, the Gospel of Mark emphasizes Jesus' rejection by humanity while being God's triumphant envoy. Probably written for Gentile converts in Rome—after the death of Peter and Paul sometime between A.D. 60 and 70—Mark's Gospel is the gradual manifestation of a "scandal": a crucified Messiah. </p><p>Evidently a friend of Mark (Peter called him "my son"), Peter is only one of the Gospel sources, others being the Church in Jerusalem (Jewish roots) and the Church at Antioch (largely Gentile). </p><p>Like one other Gospel writer, Luke, Mark was not one of the 12 apostles. We cannot be certain whether he knew Jesus personally. Some scholars feel that the evangelist is speaking of himself when describing the arrest of Jesus in Gethsemane: "Now a young man followed him wearing nothing but a linen cloth about his body. They seized him, but he left the cloth behind and ran off naked" (Mark 14:51-52). </p><p>Others hold Mark to be the first bishop of Alexandria, Egypt. Venice, famous for the Piazza San Marco, claims Mark as its patron saint; the large basilica there is believed to contain his remains. </p><p>A winged lion is Mark's symbol. The lion derives from Mark's description of John the Baptist as a "voice of one crying out in the desert" (Mark 1:3), which artists compared to a roaring lion. The wings come from the application of Ezekiel's vision of four winged creatures (Ezekiel, chapter one) to the evangelists.</p> American Catholic Blog Our Father’s love can be summed up in one word: Jesus! Throughout history, God has reached out to His people with unconditional love. This love reached its climax when He sent His Son to become our redeemer.


 
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