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ON FAITH & MEDIA View Comments

Carrie

By
Kurt Jensen
Source: Catholic News Service


Chloe Grace Moretz and Julianne Moore star in a scene from the movie "Carrie."
Since high school bullying can now bring felony charges, the telekinetic revenge of "Carrie" (Screen Gems) seems almost quaint.

Someone decided that a reboot of the 1976 horror film based on Stephen King's 1974 novel was a good idea, though. So by gosh, by golly and by rote, director Kimberly Peirce has taken a crack at it, and here we are.

In the wake of the original film headlining Sissy Spacek, there followed a disastrous 1988 Broadway musical, a 1999 big-screen sequel, "The Rage: Carrie 2," and a 2002 TV movie on NBC. Troubled, naive Carrie White, humiliatingly splattered at the senior prom by a bucket of blood, now ranks in the remake league somewhere between "Anna Karenina" and "Dracula."

Peirce's version, scripted by Lawrence D. Cohen and Roberto Aguirre-Sacasa, stars Chloe Grace Moretz as Carrie and Julianne Moore as her deranged fundamentalist Christian mother, Margaret.

Let's be clear what we mean by deranged: Margaret likes to lock her daughter into a closet to repent whenever she feels the girl has sinned, she refers to breasts as "dirty pillows" and she nearly killed Carrie at birth with a pair of scissors.

Peirce's religious imagery includes reproducing one of the earlier film's famous scenes in which Carrie directs a drawer full of cutlery at her mother, who's then stuck onto a door like the arrow-riven St. Sebastian. Pierce also makes a nod to the novel's use of Tennessee Ernie Ford's gospel classic, "Let the Lower Lights Be Burning."

The plot, set in the present day, remains the same. Carrie does not understand menstruation; her ignorance leads to a mortifying scene in the communal high school showers. A cruel classmate, Chris Hargensen (Portia Doubleday), takes advantage of current technology to capture this on her cellphone and upload it to YouTube.

Kindly gym teacher Ms. Desjardin (Judy Greer) bans Chris from the prom as punishment, and Tommy Ross (Ansel Elgort) breaks through Carrie's shyness to ask her to the dance. Carrie's so happy, she makes her own gown. Chris is so angry, she plots a very public revenge.

In the meantime, though, Carrie discovers her ability to move objects around by directing them with her hands or by just glaring at them. She begins with water jugs and a restroom mirror, moves up to Stickley chairs and her mother, and by the time she's queen of the prom, is ready to unleash mayhem.

Blood, and lots of it, is the leitmotif here. There's so much gore, in fact, that it quickly loses all shock value. What's left is a pretty tame gross-out attempt.

The film contains considerable gory violence, implied premarital sexual activity, disturbing imagery, mature themes, a few uses of profanity and fleeting crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.





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Joachim and Anne: In the Scriptures, Matthew and Luke furnish a legal family history of Jesus, tracing ancestry to show that Jesus is the culmination of great promises. Not only is his mother’s family neglected, we also know nothing factual about them except that they existed. Even the names <i>Joachim</i> and <i>Anne</i> come from a legendary source written more than a century after Jesus died. 
<p>The heroism and holiness of these people, however, is inferred from the whole family atmosphere around Mary in the Scriptures. Whether we rely on the legends about Mary’s childhood or make guesses from the information in the Bible, we see in her a fulfillment of many generations of prayerful persons, herself steeped in the religious traditions of her people. </p><p>The strong character of Mary in making decisions, her continuous practice of prayer, her devotion to the laws of her faith, her steadiness at moments of crisis, and her devotion to her relatives—all indicate a close-knit, loving family that looked forward to the next generation even while retaining the best of the past. </p><p>Joachim and Anne—whether these are their real names or not—represent that entire quiet series of generations who faithfully perform their duties, practice their faith and establish an atmosphere for the coming of the Messiah, but remain obscure.</p> American Catholic Blog My hope is that my children reach beyond me in character. I don’t want to be their moral ceiling. That makes me responsible to guide and discipline them in directions I don’t always follow. And above all, to show them mercy for their human frailty, as I ask them to show me that same mercy for mine.

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