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ON FAITH & MEDIA View Comments

Carrie

By
Kurt Jensen
Source: Catholic News Service


Chloe Grace Moretz and Julianne Moore star in a scene from the movie "Carrie."
Since high school bullying can now bring felony charges, the telekinetic revenge of "Carrie" (Screen Gems) seems almost quaint.

Someone decided that a reboot of the 1976 horror film based on Stephen King's 1974 novel was a good idea, though. So by gosh, by golly and by rote, director Kimberly Peirce has taken a crack at it, and here we are.

In the wake of the original film headlining Sissy Spacek, there followed a disastrous 1988 Broadway musical, a 1999 big-screen sequel, "The Rage: Carrie 2," and a 2002 TV movie on NBC. Troubled, naive Carrie White, humiliatingly splattered at the senior prom by a bucket of blood, now ranks in the remake league somewhere between "Anna Karenina" and "Dracula."

Peirce's version, scripted by Lawrence D. Cohen and Roberto Aguirre-Sacasa, stars Chloe Grace Moretz as Carrie and Julianne Moore as her deranged fundamentalist Christian mother, Margaret.

Let's be clear what we mean by deranged: Margaret likes to lock her daughter into a closet to repent whenever she feels the girl has sinned, she refers to breasts as "dirty pillows" and she nearly killed Carrie at birth with a pair of scissors.

Peirce's religious imagery includes reproducing one of the earlier film's famous scenes in which Carrie directs a drawer full of cutlery at her mother, who's then stuck onto a door like the arrow-riven St. Sebastian. Pierce also makes a nod to the novel's use of Tennessee Ernie Ford's gospel classic, "Let the Lower Lights Be Burning."

The plot, set in the present day, remains the same. Carrie does not understand menstruation; her ignorance leads to a mortifying scene in the communal high school showers. A cruel classmate, Chris Hargensen (Portia Doubleday), takes advantage of current technology to capture this on her cellphone and upload it to YouTube.

Kindly gym teacher Ms. Desjardin (Judy Greer) bans Chris from the prom as punishment, and Tommy Ross (Ansel Elgort) breaks through Carrie's shyness to ask her to the dance. Carrie's so happy, she makes her own gown. Chris is so angry, she plots a very public revenge.

In the meantime, though, Carrie discovers her ability to move objects around by directing them with her hands or by just glaring at them. She begins with water jugs and a restroom mirror, moves up to Stickley chairs and her mother, and by the time she's queen of the prom, is ready to unleash mayhem.

Blood, and lots of it, is the leitmotif here. There's so much gore, in fact, that it quickly loses all shock value. What's left is a pretty tame gross-out attempt.

The film contains considerable gory violence, implied premarital sexual activity, disturbing imagery, mature themes, a few uses of profanity and fleeting crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Madeleine Sophie Barat: The legacy of Madeleine Sophie Barat can be found in the more than 100 schools operated by her Society of the Sacred Heart, institutions known for the quality of the education made available to the young. 
<p>Sophie herself received an extensive education, thanks to her brother, Louis, 11 years older and her godfather at Baptism. Himself a seminarian, he decided that his younger sister would likewise learn Latin, Greek, history, physics and mathematics—always without interruption and with a minimum of companionship. By age 15, she had received a thorough exposure to the Bible, the teachings of the Fathers of the Church and theology. Despite the oppressive regime Louis imposed, young Sophie thrived and developed a genuine love of learning. </p><p>Meanwhile, this was the time of the French Revolution and of the suppression of Christian schools. The education of the young, particularly young girls, was in a troubled state. At the same time, Sophie, who had concluded that she was called to the religious life, was persuaded to begin her life as a nun and as a teacher. She founded the Society of the Sacred Heart, which would focus on schools for the poor as well as boarding schools for young women of means; today, co-ed Sacred Heart schools can be found as well as schools exclusively for boys. </p><p>In 1826, her Society of the Sacred Heart received formal papal approval. By then she had served as superior at a number of convents. In 1865, she was stricken with paralysis; she died that year on the feast of the Ascension. </p><p>Madeleine Sophie Barat was canonized in 1925.</p> American Catholic Blog When you go to Jesus, you’re not going to a God who only knows heaven; instead, you’re placing your hurting heart into pierced hands that understand both the pain of suffering and the glory of redemption.

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