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ON FAITH & MEDIA View Comments

The Fifth Estate

By
John Mulderig
Source: Catholic News Service


Daniel Bruhl and Benedict Cumberbatch star in a scene from the movie "The Fifth Estate."
Even a masterful performance by one of its leads doesn't always make for a satisfying movie overall. And so it proves with "The Fifth Estate" (DreamWorks).

At the center of this fact-based drama, Benedict Cumberbatch turns in a splendid portrayal of Julian Assange, founder of the whistle-blowing website WikiLeaks. He skillfully captures both the charismatic and hostile aspects of his subject's enigmatic persona.

Yet director Bill Condon's picture as a whole only engrosses attention fitfully. In part, perhaps, that's because the story is told through the eyes of one of Assange's closest collaborators, German tech whiz Daniel Domscheit-Berg (Daniel Bruhl). Domscheit-Berg, who helped maintain the secrecy of his work by using the alias Daniel Schmitt, comes across as a far less compelling personality than his mentor—but not one ordinary enough to serve as an Everyman figure and guide.

On the plus side, weighty issues regarding free speech, personal privacy and public safety are raised and debated in screenwriter Josh Singer's script, which draws on both Domscheit-Berg's book "Inside WikiLeaks: My Time with Julian Assange at the World's Most Dangerous Website" and "WikiLeaks: Inside Julian Assange's War on Secrecy" by David Leigh and Luke Harding.

Singer manages to elicit sympathy for Assange, moreover, by giving us a glimpse into his troubled childhood: His mother was drawn, through her boyfriend, into membership in an Australian cult called The Family. The sect is depicted here at least as fostering abusive treatment toward its adherents' children.

Despite these strong points, however, the proceedings are weighed down by an exaggerated sense of their own historical importance. Is WikiLeaks really ushering in an entirely new society? Is it a technological innovation so great that it ranks with the invention of movable print, as an opening montage suggests? Whether factual or otherwise, such claims make the film's tone sound, at times, either pompous or feverish.

The main personal conflict that arises for Domscheit-Berg because of the all-consuming demands Assange eventually places on him involves his relationship with his girlfriend Anke (Alicia Vikander). Though the two maintain separate dwellings, they are shown to be essentially living together, and a turning-point quarrel is touched off between them by the interruption of one of their sexual encounters.

Together with a short scene depicting a brutal shooting and the vulgar character of some of the dialogue, this domestic situation restricts the acceptable audience for "The Fifth Estate" to those mature viewers willing to overlook its shortcomings for the sake of a single memorable turn.

The film contains brief but intense violence with gore, cohabitation, semi-graphic premarital sexual activity, several uses of profanity, about a half-dozen rough terms and some crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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John Bosco: John Bosco’s theory of education could well be used in today’s schools. It was a preventive system, rejecting corporal punishment and placing students in surroundings removed from the likelihood of committing sin. He advocated frequent reception of the sacraments of Penance and Holy Communion. He combined catechetical training and fatherly guidance, seeking to unite the spiritual life with one’s work, study and play. 
<p>Encouraged during his youth to become a priest so he could work with young boys, John was ordained in 1841. His service to young people started when he met a poor orphan and instructed him in preparation for receiving Holy Communion. He then gathered young apprentices and taught them catechism. </p><p>After serving as chaplain in a hospice for working girls, John opened the Oratory of St. Francis de Sales for boys. Several wealthy and powerful patrons contributed money, enabling him to provide two workshops for the boys, shoemaking and tailoring. </p><p>By 1856, the institution had grown to 150 boys and had added a printing press for publication of religious and catechetical pamphlets. His interest in vocational education and publishing justify him as patron of young apprentices and Catholic publishers. </p><p>John’s preaching fame spread and by 1850 he had trained his own helpers because of difficulties in retaining young priests. In 1854 he and his followers informally banded together, inspired by St. Francis de Sales [January 24]. </p><p>With Pope Pius IX’s encouragement, John gathered 17 men and founded the Salesians in 1859. Their activity concentrated on education and mission work. Later, he organized a group of Salesian Sisters to assist girls.</p> American Catholic Blog How do you expect to reach your own perfection by leading someone else’s life? His sanctity will never be yours; you must have the humility to work out your own salvation in a darkness where you are absolutely alone.

 
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