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ON FAITH & MEDIA View Comments

The Fifth Estate

By
John Mulderig
Source: Catholic News Service


Daniel Bruhl and Benedict Cumberbatch star in a scene from the movie "The Fifth Estate."
Even a masterful performance by one of its leads doesn't always make for a satisfying movie overall. And so it proves with "The Fifth Estate" (DreamWorks).

At the center of this fact-based drama, Benedict Cumberbatch turns in a splendid portrayal of Julian Assange, founder of the whistle-blowing website WikiLeaks. He skillfully captures both the charismatic and hostile aspects of his subject's enigmatic persona.

Yet director Bill Condon's picture as a whole only engrosses attention fitfully. In part, perhaps, that's because the story is told through the eyes of one of Assange's closest collaborators, German tech whiz Daniel Domscheit-Berg (Daniel Bruhl). Domscheit-Berg, who helped maintain the secrecy of his work by using the alias Daniel Schmitt, comes across as a far less compelling personality than his mentor—but not one ordinary enough to serve as an Everyman figure and guide.

On the plus side, weighty issues regarding free speech, personal privacy and public safety are raised and debated in screenwriter Josh Singer's script, which draws on both Domscheit-Berg's book "Inside WikiLeaks: My Time with Julian Assange at the World's Most Dangerous Website" and "WikiLeaks: Inside Julian Assange's War on Secrecy" by David Leigh and Luke Harding.

Singer manages to elicit sympathy for Assange, moreover, by giving us a glimpse into his troubled childhood: His mother was drawn, through her boyfriend, into membership in an Australian cult called The Family. The sect is depicted here at least as fostering abusive treatment toward its adherents' children.

Despite these strong points, however, the proceedings are weighed down by an exaggerated sense of their own historical importance. Is WikiLeaks really ushering in an entirely new society? Is it a technological innovation so great that it ranks with the invention of movable print, as an opening montage suggests? Whether factual or otherwise, such claims make the film's tone sound, at times, either pompous or feverish.

The main personal conflict that arises for Domscheit-Berg because of the all-consuming demands Assange eventually places on him involves his relationship with his girlfriend Anke (Alicia Vikander). Though the two maintain separate dwellings, they are shown to be essentially living together, and a turning-point quarrel is touched off between them by the interruption of one of their sexual encounters.

Together with a short scene depicting a brutal shooting and the vulgar character of some of the dialogue, this domestic situation restricts the acceptable audience for "The Fifth Estate" to those mature viewers willing to overlook its shortcomings for the sake of a single memorable turn.

The film contains brief but intense violence with gore, cohabitation, semi-graphic premarital sexual activity, several uses of profanity, about a half-dozen rough terms and some crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.





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Mary Magdalene de' Pazzi: Mystical ecstasy is the elevation of the spirit to God in such a way that the person is aware of this union with God while both internal and external senses are detached from the sensible world. Mary Magdalene de' Pazzi was so generously given this special gift of God that she is called the "ecstatic saint." 
<p>She was born into a noble family in Florence in 1566. The normal course would have been for Catherine de' Pazzi to have married wealth and enjoyed comfort, but she chose to follow her own path. At nine she learned to meditate from the family confessor. She made her first Communion at the then-early age of 10 and made a vow of virginity one month later. When 16, she entered the Carmelite convent in Florence because she could receive Communion daily there. </p><p>Catherine had taken the name Mary Magdalene and had been a novice for a year when she became critically ill. Death seemed near so her superiors let her make her profession of vows from a cot in the chapel in a private ceremony. Immediately after, she fell into an ecstasy that lasted about two hours. This was repeated after Communion on the following 40 mornings. These ecstasies were rich experiences of union with God and contained marvelous insights into divine truths. </p><p>As a safeguard against deception and to preserve the revelations, her confessor asked Mary Magdalene to dictate her experiences to sister secretaries. Over the next six years, five large volumes were filled. The first three books record ecstasies from May of 1584 through Pentecost week the following year. This week was a preparation for a severe five-year trial. The fourth book records that trial and the fifth is a collection of letters concerning reform and renewal. Another book, <i>Admonitions</i>, is a collection of her sayings arising from her experiences in the formation of women religious. </p><p>The extraordinary was ordinary for this saint. She read the thoughts of others and predicted future events. During her lifetime, she appeared to several persons in distant places and cured a number of sick people. </p><p>It would be easy to dwell on the ecstasies and pretend that Mary Magdalene only had spiritual highs. This is far from true. It seems that God permitted her this special closeness to prepare her for the five years of desolation that followed when she experienced spiritual dryness. She was plunged into a state of darkness in which she saw nothing but what was horrible in herself and all around her. She had violent temptations and endured great physical suffering. She died in 1607 at 41, and was canonized in 1669.</p> American Catholic Blog Lord, keep me in your care. Guard me in my actions. Teach me to love, and help me to turn to you throughout the day. The world is filled with temptations. As I move through my day, keep me close. May those I encounter feel your loving presence. Lord, be the work of my hands and my heart. Amen.

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