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ON FAITH & MEDIA View Comments

Captain Phillips

By
John P. McCarthy
Source: Catholic News Service


Tom Hanks, left, and Barkhad Abdirahman star in a scene from the movie "Captain Phillips."
Docudramas tend to underwhelm emotionally, intellectually or both. That's not the case with "Captain Phillips" (Columbia), a complex and compassionate film that engrosses from the start and builds inexorably toward a devastating conclusion. Prepare to be hooked.

Considered alongside his 2006 project "United 93," about the airplane that crashed into a Pennsylvania field on 9/11, this movie establishes director Paul Greengrass as a master of the docudrama format. Not only does he skillfully re-create a harrowing maritime ordeal, he keeps the humanity of all those concerned in the foreground. Exhibiting a rare combination of empathy and technical virtuosity, the picture highlights numerous moral dilemmas without passing conclusive judgment on any of them.

Tom Hanks portrays Richard Phillips, the American skipper of a container ship who was kidnapped by Somali pirates off the horn of Africa in 2009. As Phillips and his wife, Andrea (Catherine Keener), drive to the airport from their Vermont home in the first scene, the tension is already profound. Then we're shown male villagers on the coast of Somalia preparing to target vessels in international waters.

When Phillips' command, the Maersk Alabama, leaves Oman with a crew of 20 en route to its first port of call, Mombasa, Kenya—where it will unload humanitarian supplies—an encounter between the two sides becomes inevitable. Mindful of increased pirate activity, Phillips focuses on security, but water hoses constitute his unarmed crew's primary defense.

Led by a skinny man called Muse (Barkhad Abdi), four fishermen-turned-pirates board the Alabama and eventually take Phillips hostage on a lifeboat. A U.S. naval task force responds. Its mission is to intercept the boat before it reaches the Somali coast and Phillips is ransomed for millions of dollars. After a Navy SEAL team arrives, the situation devolves into one of desperation for the Somalis -- and for Phillips.

Being aware of the general outcome doesn't diminish the intensity for viewers. A surprising amount of emotion is wrung from the story and many resonant themes bob to the surface. These motifs cluster around one form of power disparity or another -- economic, military and interpersonal. And the vulnerability of each party is keenly felt at some point.

There are moments when it seems on the verge of striking a triumphal note, but "Captain Phillips" never trumpets American military might. Nor are the Somalis demonized. They're motivation is money, not a terrorist ideology, and they answer to a warlord. For their part, the American forces act at the behest of politicians.

Greengrass and screenwriter Billy Ray, who based the script on Phillips' memoir—written with Stephan Talty—home in on the emotional heart of each scene. Although there's no reason to doubt its accuracy, fealty to the facts, or at least the facts according to Phillips, becomes a secondary concern as artistry supersedes genre distinctions.

Henry Jackman's intrusive score is the only major flaw. By trying to carry too much of the expressive burden, the music threatens to overwhelm the experience. Still, other aspects of the production, such as taut editing and cinematography and sterling acting, diminish the negative impact of the aural onslaught.

Hanks delivers one of his most nuanced performances. Often when interacting with his captors, it's unclear whether Phillips is being wily or considerate, scheming for his release or behaving altruistically. This uncertainty adds another layer of depth. And Abdi's memorable turn as Muse provides a fascinating counterweight to the title character.

"Captain Phillips" leaves the viewer with mixed feelings yet few unanswered questions. Its equanimity and determination to keep everyone's humanity intact, even those who lose their lives, implies that human beings are always the most precious cargo, no matter the circumstances.

Because its fair and empathetic treatment provides a model for processing the events depicted, "Captain Phillips" is probably suitable for older teens, the elements listed below notwithstanding.

The film contains numerous menacing sequences, several violent episodes with nongraphic bloody images, substance abuse, two instances of profanity and three uses of crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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John Paul II: “Open wide the doors to Christ,” urged John Paul II during the homily at the Mass when he was installed as pope in 1978. <br /><br />Born in Wadowice, Poland, Karol Jozef Wojtyla had lost his mother, father and older brother before his 21st birthday. Karol’s promising academic career at Krakow’s Jagiellonian University was cut short by the outbreak of World War II. While working in a quarry and a chemical factory, he enrolled in an “underground” seminary in Kraków. Ordained in 1946, he was immediately sent to Rome where he earned a doctorate in theology. <br /><br />Back in Poland, a short assignment as assistant pastor in a rural parish preceded his very fruitful chaplaincy for university students. Soon he earned a doctorate in philosophy and began teaching that subject at Poland’s University of Lublin. <br /><br />Communist officials allowed him to be appointed auxiliary bishop of Kraków in 1958, considering him a relatively harmless intellectual. They could not have been more wrong! <br /><br />He attended all four sessions of Vatican II and contributed especially to its <em>Pastoral Constitution on the Church in the Modern World</em>. Appointed as archbishop of Kraków in 1964, he was named a cardinal three years later. <br /><br />Elected pope in October 1978, he took the name of his short-lived, immediate predecessor. Pope John Paul II was the first non-Italian pope in 455 years. In time, he made pastoral visits to 124 countries, including several with small Christian populations. <br /><br />He promoted ecumenical and interfaith initiatives, especially the 1986 Day of Prayer for World Peace in Assisi. He visited Rome’s Main Synagogue and the Western Wall in Jerusalem; he also established diplomatic relations between the Holy See and Israel. He improved Catholic-Muslim relations and in 2001 visited a mosque in Damascus, Syria. <br /><br />The Great Jubilee of the Year 2000, a key event in John Paul’s ministry, was marked by special celebrations in Rome and elsewhere for Catholics and other Christians. Relations with the Orthodox Churches improved considerably during his ministry as pope. <br /><br />“Christ is the center of the universe and of human history” was the opening line of his 1979 encyclical, <em>Redeemer of the Human Race</em>. In 1995, he described himself to the United Nations General Assembly as “a witness to hope.” <br /><br />His 1979 visit to Poland encouraged the growth of the Solidarity movement there and the collapse of communism in central and eastern Europe 10 years later. He began World Youth Day and traveled to several countries for those celebrations. He very much wanted to visit China and the Soviet Union but the governments in those countries prevented that. <br /><br />One of the most well-remembered photos of his pontificate was his one-on-one conversation in 1983 with Mehmet Ali Agca, who had attempted to assassinate him two years earlier. <br /><br />In his 27 years of papal ministry, John Paul II wrote 14 encyclicals and five books, canonized 482 saints and beatified 1,338 people. <br /><br />In the last years of his life, he suffered from Parkinson’s disease and was forced to cut back on some of his activities. <br /><br />Pope Benedict XVI beatified John Paul II in 2011, and Pope Francis canonized him in 2014. American Catholic Blog Lord, may I have balance and measure in everything—except in Love. —St. Josemaría Escrivá

 
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