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ON FAITH & MEDIA View Comments

Baggage Claim

By
Joseph McAleer
Source: Catholic News Service


Jill Scott, Adam Brody, and Paula Patton star in a scene from the movie "Baggage Claim."
 A good man is hard to find, especially at 30,000 feet. So a determined flight attendant searching for a soul mate among her passengers discovers in the romantic comedy "Baggage Claim" (Fox Searchlight).

Director David E. Talbert ("First Sunday"), who also adapted the screenplay from his 2005 novel, charts an old-fashioned, predictable course with some thematic turbulence along the way. Though riddled with cliches and overly sentimental, "Baggage Claim" is ultimately a trip worth taking. It's that Hollywood rarity, a film that upholds and promotes the institution of marriage.

Montana Moore (Paula Patton) thinks she's finally found Mr. Right in wealthy businessman Graham (Boris Kodjoe). Unfortunately, on the eve of their "engagement," he turns out to be married.

"My relationships have never been cleared for takeoff," Montana laments to William (Derek Luke), her neighbor and friend since childhood. "I don't want to end up alone in a house full of cats."

Her mother, Catherine (Jenifer Lewis), has the opposite problem, having been married five times.

When Montana's younger sister, Sheree, (Lauren London), announces her engagement, Montana is determined to make it to the altar at last (and shed her relationship "baggage"). With the help of colleagues Gail (Jill Scott) and Sam (Adam Brody), Montana arranges in-flight rendezvous' with a series of ex-boyfriends, hoping to rekindle a past romance.

We follow Montana's slapstick adventures in the air and on the ground as she reunites with, among others, record producer Damon (Tremaine "Trey Songz" Neverson), rising politician Langston (Taye Diggs), and millionaire Quinton (Djimon Hounsou).

To her credit, Montana resists the temptation to settle for second-best and a life of submission and exploitation. She's looking for true love, a lifelong commitment, and mutual respect, and is willing to wait. Unfortunately, she's not always so patient where sex is concerned.

In the end, Montana realizes that staying married is a bigger challenge than just getting hitched. For that reason alone, "Baggage Claim" deserves a test flight.

The film contains implied nonmarital sex, mature references, including to homosexuality and contraception, a same-sex kiss, innuendo and some crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Anthony Grassi: Anthony’s father died when his son was only 10 years old, but the young lad inherited his father’s devotion to Our Lady of Loreto. As a schoolboy he frequented the local church of the Oratorian Fathers, joining the religious order when he was 17.
<p>Already a fine student, he soon gained a reputation in his religious community as a "walking dictionary" who quickly grasped Scripture and theology. For some time he was tormented by scruples, but they reportedly left him at the very hour he celebrated his first Mass. From that day, serenity penetrated his very being.
</p><p>In 1621, at age 29, Anthony was struck by lightning while praying in the church of the Holy House at Loreto. He was carried paralyzed from the church, expecting to die. When he recovered in a few days he realized that he had been cured of acute indigestion. His scorched clothes were donated to the Loreto church as an offering of thanks for his new gift of life.
</p><p>More important, Anthony now felt that his life belonged entirely to God. Each year thereafter he made a pilgrimage to Loreto to express his thanks.
</p><p>He also began hearing confessions, and came to be regarded as an outstanding confessor. Simple and direct, he listened carefully to penitents, said a few words and gave a penance and absolution, frequently drawing on his gift of reading consciences.
</p><p>In 1635 he was elected superior of the Fermo Oratory. He was so well regarded that he was reelected every three years until his death. He was a quiet person and a gentle superior who did not know how to be severe. At the same time he kept the Oratorian constitutions literally, encouraging the community to do likewise.
</p><p>He refused social or civic commitments and instead would go out day or night to visit the sick or dying or anyone else needing his services. As he grew older, he had a God-given awareness of the future, a gift which he frequently used to warn or to console.
</p><p>But age brought its challenges as well. He suffered the humility of having to give up his physical faculties one by one. First was his preaching, necessitated after he lost his teeth. Then he could no longer hear confessions. Finally, after a fall, he was confined to his room. The archbishop himself came each day to give him holy Communion. One of Anthony’s final acts was to reconcile two fiercely quarreling brothers.</p> American Catholic Blog God of love, as I come to the end of this Advent season, my heart is ready to celebrate the birth of Jesus. I join with Mary in saying, “Here am I, the servant of the Lord; let it be with me according to your word.” Nothing is impossible with you, O God.

 
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