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ON FAITH & MEDIA View Comments

Rush

By
John Mulderig
Source: Catholic News Service


Chris Hemsworth and James Hunt star in a scene from the movie "Rush."
The 1976 Formula One racing season provides the backdrop for the fact-based drama "Rush" (Universal).

As he portrays the rivalry between that year's two leading drivers—freewheeling British playboy James Hunt (Chris Hemsworth) and obsessively disciplined Austrian Niki Lauda (Daniel Bruhl)—director Ron Howard skillfully ratchets up the suspense, and the foreboding.

Yet, as scripted by Peter Morgan, Howard's film presents audiences with a range of morally unsettling elements as well as with an emotionally wrenching sequence involving gory wounds. Accordingly, it makes appropriate viewing neither for the squeamish nor for those lacking in maturity and discernment.

Hunt's dissolute ways draw his relentlessly focused chief competitor's jealousy and resentment; while Lauda's humorless Teutonic temperament becomes the target of Hunt's contempt. Recklessly, the two contenders spur each other on to ever more dangerous tactics.

Off the track, in a bid to mute his own excesses, Hunt impulsively proposes to high-profile model Suzy Miller (Olivia Wilde). Though their union reins in his alley-cat impulses, it does nothing to curb his drinking or his self-centeredness, and the stage is set for future conflicts.

Lauda, meanwhile, falls for chance acquaintance Marlene (Alexandra Maria Lara), a fellow German-speaker who knows nothing, initially, of his fame as a racer. Though their romance is a predictably low-key affair, events prove their connection durable, Lauda's prickly personality notwithstanding.

The movie's climax highlights the folly of Hunt and Lauda's safety-disdaining feud. Still, viewers committed to the sanctity of life will note that the prospect of some fatal disaster is precisely what imbues both their sport—and this picture about it—with the dynamics of high-stakes drama.

As for the sexual escapades that make up a significant aspect of Hunt's private life, they're presented not only unblinkingly, but in a way that tends to glamorize them as well. Such bedroom scenes, however, take up only a tiny fraction of the running time.

Though it's equally fleeting, and set within the context of an extremely stressful situation, an exchange of dialogue showing one central character's obscenely expressed aversion to the ministrations of a Catholic priest can hardly fail to give offense to those who cherish the faith.

In the larger scheme of things, though, Hunt and Lauda's respective fates, detailed before the final credits roll, can be taken as a cautionary tale—one that would seem to vindicate moderation over decadence.

The film contains strong sexual content—including graphic casual sexual activity, an aberrant situation, and upper female and rear nudity—drug use, gruesome medical images, brief harsh violence, an instance of highly irreverent humor, an adultery theme, about a half-dozen uses of profanity and frequent rough and crude language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.





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Cyril of Alexandria: Saints are not born with halos around their heads. Cyril, recognized as a great teacher of the Church, began his career as archbishop of Alexandria, Egypt, with impulsive, often violent, actions. He pillaged and closed the churches of the Novatian heretics (who required those who denied the faith to be rebaptized), participated in the deposing of St. John Chrysostom (September 13) and confiscated Jewish property, expelling the Jews from Alexandria in retaliation for their attacks on Christians. 
<p>Cyril’s importance for theology and Church history lies in his championing the cause of orthodoxy against the heresy of Nestorius, who taught that in Christ there were two persons, one human and one divine.</p><p>The controversy centered around the two natures in Christ. Nestorius would not agree to the title “God-bearer” for Mary (January 1). He preferred “Christ-bearer,” saying there are two distinct persons in Christ (divine and human) joined only by a moral union. He said Mary was not the mother of God but only of the man Christ, whose humanity was only a temple of God. Nestorianism implied that the humanity of Christ was a mere disguise. </p><p>Presiding as the pope’s representative at the Council of Ephesus (431), Cyril condemned Nestorianism and proclaimed Mary truly the “God-bearer” (the mother of the one Person who is truly God and truly human). In the confusion that followed, Cyril was deposed and imprisoned for three months, after which he was welcomed back to Alexandria as a second Athanasius (the champion against Arianism). </p><p>Besides needing to soften some of his opposition to those who had sided with Nestorius, Cyril had difficulties with some of his own allies, who thought he had gone too far, sacrificing not only language but orthodoxy. Until his death, his policy of moderation kept his extreme partisans under control. On his deathbed, despite pressure, he refused to condemn the teacher of Nestorius.</p> American Catholic Blog Father, I have come to the understanding that Jesus asks very little from us, only that we accept him as our friend and love him and care for one another. How simple! And yet how difficult! Please give me grace not to disappoint him, who has given his all for me. I ask this in Jesus's name, Amen.

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