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ON FAITH & MEDIA View Comments

Prisoners

By
John Mulderig
Source: Catholic News Service


Hugh Jackman and Paul Dano star in a scene from the movie "Prisoners."
Any film that begins with a character earnestly reciting the Our Father is well calculated to grab the attention of Christian viewers. And, in the case of the powerful drama "Prisoners" (Warner Bros.), such concentration on the part of believers will be, in some respects at least, well rewarded by what follows.

Yet, for all its thematic and symbolic richness, this foray into psychological darkness is too bleak to pass for casual fare. Weighty but wrenching, it can only be endorsed for older moviegoers of considerable fortitude.

The voice delivering the Lord's Prayer belongs to devout family man Keller Dover (Hugh Jackman). A working stiff in a hardscrabble Pennsylvania suburb, Keller is a seemingly decent man who operates by traditional values.

His commitment to such ethics is put to the test, however, by a horrifying scenario: On a rainy Thanksgiving Day, Keller's 6-year-old daughter Anna disappears, together with one of her playmates. It soon becomes apparent that the girls have been kidnapped, and suspicion focuses on mentally challenged local loner Alex Jones (Paul Dano).

Though the lead investigator on the case, Detective Loki (Jake Gyllenhaal), takes Jones in for questioning, the evidence against him is insufficient to press charges. Outraged by Jones' release, and desperate to locate Anna, Keller turns vicious vigilante. He abducts Jones at gunpoint and holds him prisoner while trying to beat information out of him.

Loki, meanwhile, doggedly pursues other angles, eventually uncovering a hidden web of satanically evil events and relationships.

Though it presents the facade of a thriller, director Denis Villeneuve's film is primarily an exploration of the human condition, including the chain reaction by which sin begets sin, as well as of the role of religious faith in a fallen world.

Keller is never identified with a particular denomination, and the question of his specific beliefs is muddled by the fact that his devotions include both Catholic and Protestant prayers. But he is a test case for faith under fire and an illustration of the dangers involved in any attempt to make the ends justify the means.

Screenwriter Aaron Guzikowski's script is unflinching in its portrayal of the increasingly brutal measures to which Keller is driven. Add to that such seamy details as an incidental priest figure who is both a sex offender and an alcoholic, and it becomes clear that "Prisoners" requires of its audience not only a capacity for grim material but mature interpretive skills as well.

The film contains harrowing violence, including beatings, torture and a gory suicide, mature themes, a negative treatment of Catholic clergy, at least one use of profanity and constant rough and crude language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Rose of Lima: The first canonized saint of the New World has one characteristic of all saints—the suffering of opposition—and another characteristic which is more for admiration than for imitation—excessive practice of mortification. 
<p>She was born to parents of Spanish descent in Lima, Peru, at a time when South America was in its first century of evangelization. She seems to have taken Catherine of Siena (April 29) as a model, in spite of the objections and ridicule of parents and friends. </p><p>The saints have so great a love of God that what seems bizarre to us, and is indeed sometimes imprudent, is simply a logical carrying out of a conviction that anything that might endanger a loving relationship with God must be rooted out. So, because her beauty was so often admired, Rose used to rub her face with pepper to produce disfiguring blotches. Later, she wore a thick circlet of silver on her head, studded on the inside, like a crown of thorns. </p><p>When her parents fell into financial trouble, she worked in the garden all day and sewed at night. Ten years of struggle against her parents began when they tried to make Rose marry. They refused to let her enter a convent, and out of obedience she continued her life of penance and solitude at home as a member of the Third Order of St. Dominic. So deep was her desire to live the life of Christ that she spent most of her time at home in solitude. </p><p>During the last few years of her life, Rose set up a room in the house where she cared for homeless children, the elderly and the sick. This was a beginning of social services in Peru. Though secluded in life and activity, she was brought to the attention of Inquisition interrogators, who could only say that she was influenced by grace. </p><p>What might have been a merely eccentric life was transfigured from the inside. If we remember some unusual penances, we should also remember the greatest thing about Rose: a love of God so ardent that it withstood ridicule from without, violent temptation and lengthy periods of sickness. When she died at 31, the city turned out for her funeral. Prominent men took turns carrying her coffin.</p> American Catholic Blog Father, open our minds and our hearts so we can be more understanding of the obstacles faced by so many hurting people. Help us to be more like Jesus in accepting people for who are they are and not for what we think they should be. We ask for this grace through Jesus, your Son and our model. Amen.

 
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