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ON FAITH & MEDIA View Comments

Prisoners

By
John Mulderig
Source: Catholic News Service


Hugh Jackman and Paul Dano star in a scene from the movie "Prisoners."
Any film that begins with a character earnestly reciting the Our Father is well calculated to grab the attention of Christian viewers. And, in the case of the powerful drama "Prisoners" (Warner Bros.), such concentration on the part of believers will be, in some respects at least, well rewarded by what follows.

Yet, for all its thematic and symbolic richness, this foray into psychological darkness is too bleak to pass for casual fare. Weighty but wrenching, it can only be endorsed for older moviegoers of considerable fortitude.

The voice delivering the Lord's Prayer belongs to devout family man Keller Dover (Hugh Jackman). A working stiff in a hardscrabble Pennsylvania suburb, Keller is a seemingly decent man who operates by traditional values.

His commitment to such ethics is put to the test, however, by a horrifying scenario: On a rainy Thanksgiving Day, Keller's 6-year-old daughter Anna disappears, together with one of her playmates. It soon becomes apparent that the girls have been kidnapped, and suspicion focuses on mentally challenged local loner Alex Jones (Paul Dano).

Though the lead investigator on the case, Detective Loki (Jake Gyllenhaal), takes Jones in for questioning, the evidence against him is insufficient to press charges. Outraged by Jones' release, and desperate to locate Anna, Keller turns vicious vigilante. He abducts Jones at gunpoint and holds him prisoner while trying to beat information out of him.

Loki, meanwhile, doggedly pursues other angles, eventually uncovering a hidden web of satanically evil events and relationships.

Though it presents the facade of a thriller, director Denis Villeneuve's film is primarily an exploration of the human condition, including the chain reaction by which sin begets sin, as well as of the role of religious faith in a fallen world.

Keller is never identified with a particular denomination, and the question of his specific beliefs is muddled by the fact that his devotions include both Catholic and Protestant prayers. But he is a test case for faith under fire and an illustration of the dangers involved in any attempt to make the ends justify the means.

Screenwriter Aaron Guzikowski's script is unflinching in its portrayal of the increasingly brutal measures to which Keller is driven. Add to that such seamy details as an incidental priest figure who is both a sex offender and an alcoholic, and it becomes clear that "Prisoners" requires of its audience not only a capacity for grim material but mature interpretive skills as well.

The film contains harrowing violence, including beatings, torture and a gory suicide, mature themes, a negative treatment of Catholic clergy, at least one use of profanity and constant rough and crude language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.





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Joseph Calasanz: 
		<p>From Aragon, where he was born in 1556, to Rome, where he died 92 years later, fortune alternately smiled and frowned on the work of Joseph Calasanz. A priest with university training in canon law and theology, respected for his wisdom and administrative expertise, he put aside his career because he was deeply concerned with the need for education of poor children.</p>
		<p>When he was unable to get other institutes to undertake this apostolate at Rome, he and several companions personally provided a free school for deprived children. So overwhelming was the response that there was a constant need for larger facilities to house their effort. Soon Pope Clement VIII gave support to the school, and this aid continued under Pope Paul V. Other schools were opened; other men were attracted to the work and in 1621 the community (for so the teachers lived) was recognized as a religious community, the Clerks Regular of Religious Schools (Piarists or Scolopi). Not long after, Joseph was appointed superior for life.</p>
		<p>A combination of various prejudices and political ambition and maneuvering caused the institute much turmoil. Some did not favor educating the poor, for education would leave the poor dissatisfied with their lowly tasks for society! Others were shocked that some of the Piarists were sent for instruction to Galileo (a friend of Joseph) as superior, thus dividing the members into opposite camps. Repeatedly investigated by papal commissions, Joseph was demoted; when the struggle within the institute persisted, the Piarists were suppressed. Only after Joseph’s death were they formally recognized as a religious community.</p>
American Catholic Blog The Church’s motherhood is a spiritual reality that profoundly affects the lives of believers. In fact, the famous convert to Catholicism Cardinal John Henry Newman once said that it was through his reading and encounter with the Church of the Fathers that “I found my spiritual Mother.”

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