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ON FAITH & MEDIA View Comments

Battle of the Year

By
John Mulderig
Source: Catholic News Service


Steve Terada, Chris Brown and Anis Cherufa star in a scene from the movie "Battle of the Year."
In 2007, director Benson Lee countered the widespread but erroneous impression that break dancing (aka b-boying) was a thing of the past with his documentary look at its continued worldwide vibrancy, "Planet B-Boy."

Now he returns with a wide-eyed fictional variation on the same theme titled "Battle of the Year" (Screen Gems).

The street vocabulary deployed by all as this trite underdog story unfolds sets it off limits to younger moviegoers. But grown-ups will find little to bother them amid the energetic precision exercises of Lee's exploration of—and salute to—a subculture that dates back to the South Bronx of the 1970s.

Hip-hop mogul Dante Graham (Laz Alonso) is anxious for the American team he sponsors to win the international competition of the title, a contest in which they have consistently underperformed in recent years. So he hires Jason Blake (Josh Holloway), an old friend from his own groove-busting days, to shake things up and break the losing spell.

Blake's challenge is to put together an all-star "dream team" made up of the best dancers from across the country and, partly by drawing on his experience as a basketball coach, mold them into a cohesive unit.

Aided by Franklyn (Josh Peck), a young employee of Dante's company who becomes his assistant, and by Stacey (Caity Lotz), a choreographer Franklyn introduces into the mix, Blake works to instill notions of unity and teamwork into his ego-driven charges. Typical of the uphill struggle he faces is the acrimonious romantic rivalry that has ex-partners Rooster (singer Chris Brown) and Do Knock (Jon Cruz) trading insults and giving each other the finger at every opportunity.

Unbeknownst to the youngsters, Blake is also battling the drinking problem he developed following the tragic death of his wife and teenage son.

As scripted by Brin Hill and Chris Parker, "Battle of the Year" preaches predictable Hollywood homilies about the need for self-confidence, cooperation and hard work.

Tolerance is also extolled through the story of Lil Adonis (Richard Maguire), an openly gay b-boy who initially finds himself shunned by one of his teammates. Since his only aim is to be treated with respect as an individual and a peer, however, viewers of faith will be as supportive of Lil Adonis' cause as anyone else in the audience.

The film contains a fleeting scatological image, mature references, including to homosexuality, a few uses of profanity, considerable crude and crass language and numerous obscene gestures. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Mark: Most of what we know about Mark comes directly from the New Testament. He is usually identified with the Mark of Acts 12:12. (When Peter escaped from prison, he went to the home of Mark's mother.) 
<p>Paul and Barnabas took him along on the first missionary journey, but for some reason Mark returned alone to Jerusalem. It is evident, from Paul's refusal to let Mark accompany him on the second journey despite Barnabas's insistence, that Mark had displeased Paul. Because Paul later asks Mark to visit him in prison, we may assume the trouble did not last long. </p><p>The oldest and the shortest of the four Gospels, the Gospel of Mark emphasizes Jesus' rejection by humanity while being God's triumphant envoy. Probably written for Gentile converts in Rome—after the death of Peter and Paul sometime between A.D. 60 and 70—Mark's Gospel is the gradual manifestation of a "scandal": a crucified Messiah. </p><p>Evidently a friend of Mark (Peter called him "my son"), Peter is only one of the Gospel sources, others being the Church in Jerusalem (Jewish roots) and the Church at Antioch (largely Gentile). </p><p>Like one other Gospel writer, Luke, Mark was not one of the 12 apostles. We cannot be certain whether he knew Jesus personally. Some scholars feel that the evangelist is speaking of himself when describing the arrest of Jesus in Gethsemane: "Now a young man followed him wearing nothing but a linen cloth about his body. They seized him, but he left the cloth behind and ran off naked" (Mark 14:51-52). </p><p>Others hold Mark to be the first bishop of Alexandria, Egypt. Venice, famous for the Piazza San Marco, claims Mark as its patron saint; the large basilica there is believed to contain his remains. </p><p>A winged lion is Mark's symbol. The lion derives from Mark's description of John the Baptist as a "voice of one crying out in the desert" (Mark 1:3), which artists compared to a roaring lion. The wings come from the application of Ezekiel's vision of four winged creatures (Ezekiel, chapter one) to the evangelists.</p> American Catholic Blog Moodiness is nothing else but the fruit of pride.

 
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