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ON FAITH & MEDIA View Comments

Battle of the Year

By
John Mulderig
Source: Catholic News Service


Steve Terada, Chris Brown and Anis Cherufa star in a scene from the movie "Battle of the Year."
In 2007, director Benson Lee countered the widespread but erroneous impression that break dancing (aka b-boying) was a thing of the past with his documentary look at its continued worldwide vibrancy, "Planet B-Boy."

Now he returns with a wide-eyed fictional variation on the same theme titled "Battle of the Year" (Screen Gems).

The street vocabulary deployed by all as this trite underdog story unfolds sets it off limits to younger moviegoers. But grown-ups will find little to bother them amid the energetic precision exercises of Lee's exploration of—and salute to—a subculture that dates back to the South Bronx of the 1970s.

Hip-hop mogul Dante Graham (Laz Alonso) is anxious for the American team he sponsors to win the international competition of the title, a contest in which they have consistently underperformed in recent years. So he hires Jason Blake (Josh Holloway), an old friend from his own groove-busting days, to shake things up and break the losing spell.

Blake's challenge is to put together an all-star "dream team" made up of the best dancers from across the country and, partly by drawing on his experience as a basketball coach, mold them into a cohesive unit.

Aided by Franklyn (Josh Peck), a young employee of Dante's company who becomes his assistant, and by Stacey (Caity Lotz), a choreographer Franklyn introduces into the mix, Blake works to instill notions of unity and teamwork into his ego-driven charges. Typical of the uphill struggle he faces is the acrimonious romantic rivalry that has ex-partners Rooster (singer Chris Brown) and Do Knock (Jon Cruz) trading insults and giving each other the finger at every opportunity.

Unbeknownst to the youngsters, Blake is also battling the drinking problem he developed following the tragic death of his wife and teenage son.

As scripted by Brin Hill and Chris Parker, "Battle of the Year" preaches predictable Hollywood homilies about the need for self-confidence, cooperation and hard work.

Tolerance is also extolled through the story of Lil Adonis (Richard Maguire), an openly gay b-boy who initially finds himself shunned by one of his teammates. Since his only aim is to be treated with respect as an individual and a peer, however, viewers of faith will be as supportive of Lil Adonis' cause as anyone else in the audience.

The film contains a fleeting scatological image, mature references, including to homosexuality, a few uses of profanity, considerable crude and crass language and numerous obscene gestures. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Anselm: Indifferent toward religion as a young man, Anselm became one of the Church's greatest theologians and leaders. He received the title "Father of Scholasticism" for his attempt to analyze and illumine the truths of faith through the aid of reason. 
<p>At 15, Anselm wanted to enter a monastery, but was refused acceptance because of his father's opposition. Twelve years later, after careless disinterest in religion and years of worldly living, he finally fulfilled his desire to be a monk. He entered the monastery of Bec in Normandy, three years later was elected prior and 15 years later was unanimously chosen abbot. </p><p>Considered an original and independent thinker, Anselm was admired for his patience, gentleness and teaching skill. Under his leadership, the abbey of Bec became a monastic school, influential in philosophical and theological studies. </p><p>During these years, at the community's request, Anselm began publishing his theological works, comparable to those of St. Augustine (August 28). His best-known work is the book <i>Cur Deus Homo</i> ("Why God Became Man"). </p><p>At 60, against his will, Anselm was appointed archbishop of Canterbury in 1093. His appointment was opposed at first by England's King William Rufus and later accepted. Rufus persistently refused to cooperate with efforts to reform the Church. </p><p>Anselm finally went into voluntary exile until Rufus died in 1100. He was then recalled to England by Rufus's brother and successor, Henry I. Disagreeing fearlessly with Henry over the king's insistence on investing England's bishops, Anselm spent another three years in exile in Rome. </p><p>His care and concern extended to the very poorest people; he opposed the slave trade. Anselm obtained from the national council at Westminster the passage of a resolution prohibiting the sale of human beings.</p> American Catholic Blog When we have joy in the hour of humiliation, then we are truly humble after the heart of Jesus.

 
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