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ON FAITH & MEDIA View Comments

The Grandmaster

By
Joseph McAleer
Source: Catholic News Service


Chen Chang stars in a scene from the movie "The Grandmaster."
Romance and kung-fu fighting may seem like incompatible film ingredients. But in "The Grandmaster" (Weinstein), these unlikely elements meld into the lush and lyrical re-creation of a neglected era of recent Chinese history. Director Wong Kar Wai ("My Blueberry Nights"), who also wrote the screenplay, recounts the true story of the development of the martial arts in early 20th-century China. He offers up the expected, namely, highly stylized fights in slow motion. But, happily, he also presents viewers with more surprising sights: lingering tight close-ups of facial expressions, a raindrop, a flower blossom. The result is an arty, immersive experience resurrecting a lost world where honor, family and tradition were sacrosanct. In 1930s China, the nation was divided regarding the practice of the martial arts. In the south, Ip Man (Tony Leung) claimed supremacy as the "grandmaster" of the "Wing Chun" style of kung fu, which focuses on proper stance and the skillful use of poles and swords. Ip Man sums up kung fu in two words: horizontal and vertical. "If you're wrong, you'll be left lying down. If you're right, you're left standing -- and only the ones who stand have the right to talk." Standing tall in the north, where jumping and kicking are the norm, is grandmaster Gong Baosen (Wang Qingxiang). Before retirement he decides to challenge Ip Man in one last duel (held in the local brothel, which masquerades as a fight club). Gong Baosen loses, much to the humiliation of his daughter, Gong Er (Ziyi Zhang), a fierce fighter herself. Gong Er is ambitious, and a potential contender for grandmaster status, were it not for her gender and the rigid tradition that stands in her way. Even that doesn't stop Gong Er from heading south to challenge Ip Man so that she can restore her father's honor. That's when the sparks really fly. Their intense battle -- akin to a mildly erotic aerial ballet -- is decided only when someone breaks a piece of furniture. When Ip Man lands hard and snaps a stair, he concedes defeat -- but not his heart. Their love is not consummated -- Ip Man is happily married -- but a strong bond of mutual respect and admiration is forged. Time marches on, followed by the Japanese invaders, and then the communists. As their respective worlds crumble, Ip Man and Gong Er face different challenges for survival. Eventually, he becomes a world-renowned teacher of kung fu, and secures his place in history by acquiring a young student of unusual promise by the name of Bruce Lee. In Chinese. Subtitles. The film contains intense but largely bloodless martial arts fighting, brief drug use, a prostitution theme and some rough language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. ***** Joseph McAleer is a guest reviewer for Catholic News Service.

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Andrew Dung-Lac and Companions: Andrew Dung-Lac was one of 117 people martyred in Vietnam between 1820 and 1862. Members of this group were beatified on four different occasions between 1900 and 1951. All were canonized by St. John Paul II. 
<p>Christianity came to Vietnam (then three separate kingdoms) through the Portuguese. Jesuits opened the first permanent mission at Da Nang in 1615. They ministered to Japanese Catholics who had been driven from Japan. </p><p>The king of one of the kingdoms banned all foreign missionaries and tried to make all Vietnamese deny their faith by trampling on a crucifix. Like the priest-holes in Ireland during English persecution, many hiding places were offered in homes of the faithful. </p><p>Severe persecutions were again launched three times in the 19th century. During the six decades after 1820, between 100,000 and 300,000 Catholics were killed or subjected to great hardship. Foreign missionaries martyred in the first wave included priests of the Paris Mission Society, and Spanish Dominican priests and tertiaries. </p><p>Persecution broke out again in 1847 when the emperor suspected foreign missionaries and Vietnamese Christians of sympathizing with a rebellion led by of one of his sons. </p><p>The last of the martyrs were 17 laypersons, one of them a 9-year-old, executed in 1862. That year a treaty with France guaranteed religious freedom to Catholics, but it did not stop all persecution. </p><p>By 1954 there were over a million and a half Catholics—about seven percent of the population—in the north. Buddhists represented about 60 percent. Persistent persecution forced some 670,000 Catholics to abandon lands, homes and possessions and flee to the south. In 1964, there were still 833,000 Catholics in the north, but many were in prison. In the south, Catholics were enjoying the first decade of religious freedom in centuries, their numbers swelled by refugees. </p><p>During the Vietnamese war, Catholics again suffered in the north, and again moved to the south in great numbers. Now the whole country is under Communist rule.</p> American Catholic Blog To replace our sins with virtues may seem like a daunting task, but fortunately we can follow the example of the saints who have 
successfully defeated these sins in their lifetimes. They provide us with a way forward so that we, too, can live holy, virtuous lives.

 
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