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The Grandmaster

Joseph McAleer
Source: Catholic News Service

Chen Chang stars in a scene from the movie "The Grandmaster."
Romance and kung-fu fighting may seem like incompatible film ingredients. But in "The Grandmaster" (Weinstein), these unlikely elements meld into the lush and lyrical re-creation of a neglected era of recent Chinese history. Director Wong Kar Wai ("My Blueberry Nights"), who also wrote the screenplay, recounts the true story of the development of the martial arts in early 20th-century China. He offers up the expected, namely, highly stylized fights in slow motion. But, happily, he also presents viewers with more surprising sights: lingering tight close-ups of facial expressions, a raindrop, a flower blossom. The result is an arty, immersive experience resurrecting a lost world where honor, family and tradition were sacrosanct. In 1930s China, the nation was divided regarding the practice of the martial arts. In the south, Ip Man (Tony Leung) claimed supremacy as the "grandmaster" of the "Wing Chun" style of kung fu, which focuses on proper stance and the skillful use of poles and swords. Ip Man sums up kung fu in two words: horizontal and vertical. "If you're wrong, you'll be left lying down. If you're right, you're left standing -- and only the ones who stand have the right to talk." Standing tall in the north, where jumping and kicking are the norm, is grandmaster Gong Baosen (Wang Qingxiang). Before retirement he decides to challenge Ip Man in one last duel (held in the local brothel, which masquerades as a fight club). Gong Baosen loses, much to the humiliation of his daughter, Gong Er (Ziyi Zhang), a fierce fighter herself. Gong Er is ambitious, and a potential contender for grandmaster status, were it not for her gender and the rigid tradition that stands in her way. Even that doesn't stop Gong Er from heading south to challenge Ip Man so that she can restore her father's honor. That's when the sparks really fly. Their intense battle -- akin to a mildly erotic aerial ballet -- is decided only when someone breaks a piece of furniture. When Ip Man lands hard and snaps a stair, he concedes defeat -- but not his heart. Their love is not consummated -- Ip Man is happily married -- but a strong bond of mutual respect and admiration is forged. Time marches on, followed by the Japanese invaders, and then the communists. As their respective worlds crumble, Ip Man and Gong Er face different challenges for survival. Eventually, he becomes a world-renowned teacher of kung fu, and secures his place in history by acquiring a young student of unusual promise by the name of Bruce Lee. In Chinese. Subtitles. The film contains intense but largely bloodless martial arts fighting, brief drug use, a prostitution theme and some rough language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. ***** Joseph McAleer is a guest reviewer for Catholic News Service.

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Bruno: This saint has the honor of having founded a religious order which, as the saying goes, has never had to be reformed because it was never deformed. No doubt both the founder and the members would reject such high praise, but it is an indication of the saint's intense love of a penitential life in solitude. 
<p>Bruno was born in Cologne, Germany, became a famous teacher at Rheims and was appointed chancellor of the archdiocese at the age of 45. He supported Pope Gregory VII in his fight against the decadence of the clergy and took part in the removal of his own scandalous archbishop, Manasses. Bruno suffered the plundering of his house for his pains. </p><p>He had a dream of living in solitude and prayer, and persuaded a few friends to join him in a hermitage. After a while he felt the place unsuitable and, through a friend, was given some land which was to become famous for his foundation "in the Chartreuse" (from which comes the word Carthusians). The climate, desert, mountainous terrain and inaccessibility guaranteed silence, poverty and small numbers. </p><p>Bruno and his friends built an oratory with small individual cells at a distance from each other. They met for Matins and Vespers each day and spent the rest of the time in solitude, eating together only on great feasts. Their chief work was copying manuscripts. </p><p>The pope, hearing of Bruno's holiness, called for his assistance in Rome. When the pope had to flee Rome, Bruno pulled up stakes again, and spent his last years (after refusing a bishopric) in the wilderness of Calabria. </p><p>He was never formally canonized, because the Carthusians were averse to all occasions of publicity. However Pope Clement X extended his feast to the whole Church in 1674.</p> American Catholic Blog The saints in heaven love and care for us, and so it is fitting that we pray to them and ask for their prayers, as we on earth assist one another through prayer.

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