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ON FAITH & MEDIA View Comments

The Spectacular Now

By
Joseph McAleer
Source: Catholic News Service


Shailene Woodley and Miles Teller star in a scene from the movie "The Spectacular Now."

"Teen Alcoholics in Love" would be a more accurate title for "The Spectacular Now" (A24), a coming-of-age saga that paints a disturbing picture of high-school life in small-town America. Based on the novel by Tim Tharp and directed by James Ponsoldt (who tackled another drinking theme in 2012's "Smashed"), the film—a familiar story of good girl meets popular but flawed guy—takes an indifferent stance toward a multitude of sins as it charts the romance between these attracted opposites.

Over the course of much angst, the audience wonders whether she will redeem him before he has the chance to corrupt her. High school has never seemed so complicated. Sutter (Miles Teller) is the most popular senior in school, with not a care in the world. He prefers to live—and party—in the moment (the "now" which he finds "spectacular"), rather than accept any responsibility or plan for his future, let alone graduate.

His fecklessness repels his longtime girlfriend Cassidy (Brie Larson), who has the good sense to want more out of life. Sutter is also an alcoholic, forever sipping from a cup of "soda" fortified with booze from his hip flask, drifting through each day in a drunken fog. Worse still, everyone around him seems to be aware of his problem, but excuses his addiction because of his sunny personality. After an all-night bender, Sutter is found, unconscious, on a stranger's front lawn by Aimee (Shailene Woodley), who thinks he's dead.

Prince Charming awakens, however, and Aimee is besotted. Aimee has never had a boyfriend, yet the Big Man on Campus has just landed in her lap. Aimee, a dreamer who longs for companionship, ignores all the red-flag signals that should tell her to flee. Sutter leads her on but is also intrigued by her goodness. Both of them come from troubled backgrounds, but Aimee works to support her widowed mom, while Sutter is consistently enabled by his mother, divorced nurse Sara (Jennifer Jason Leigh).

Over tutoring sessions and rolls in the hay, Aimee plans their future together, while Sutter buys her a flask. Fortunately, Aimee keeps her wits (if not her sobriety), and gently encourages Sutter to mend his selfish ways. First, Sutter must confront the past, and his absent father (Kyle Chandler). Sara has done everything in her power to prevent contact, and for good reason. For Dad is revealed to be a grown-up version of his son, a drunk and drifter, life of the local bar and not interested in anyone but himself.

This should be an epiphany for Sutter, but "The Spectacular Now" has more drama in store, including an ambiguous ending. The movie inhabits an irritating judgment-free zone, which works only so long Aimee is sober and able to keep a grip on the moral compass. The film contains underage drinking, nongraphic, nonmarital, possibly underage sexual activity and occasional profane and crude language.

The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Giles: Despite the fact that much about St. Giles is shrouded in mystery, we can say that he was one of the most popular saints in the Middle Ages. Likely, he was born in the first half of the seventh century in southeastern France. That is where he built a monastery that became a popular stopping-off point for pilgrims making their way to Compostela in Spain and the Holy Land.<br /><br />In England, many ancient churches and hospitals were dedicated to Giles. One of the sections of the city of Brussels is named after him. In Germany, Giles was included among the so-called 14 Holy Helpers, a popular group of saints to whom people prayed, especially for recovery from disease and for strength at the hour of death. Also among the 14 were Sts. Christopher, Barbara and Blaise. Interestingly, Giles was the only non-martyr among them. Devotion to the "Holy Helpers" was especially strong in parts of Germany and in Hungary and Sweden. Such devotion made his popularity spread. Giles was soon invoked as the patron of the poor and the disabled.<br /><br />The pilgrimage center that once drew so many fell into disrepair some centuries after Giles' death. American Catholic Blog The ascension is about the final reunion of what appeared to be separated for a while: earth and heaven, human and divine, matter and Spirit. If the Christ is the archetype of the full human journey, now we know how it all resolves itself in the end. “So that where I am, you also will be” (John 14:3).

 
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