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ON FAITH & MEDIA View Comments

Getaway

By
John Mulderig
Source: Catholic News Service


Selena Gomez and Ethan Hawke star in a scene from the movie "Getaway."
Can the trauma of having your wife kidnapped make you drive faster and more, um, furiouser? Ethan Hawke finds out in the senseless car-chase flick "Getaway" (Warner Bros.).

Hawke plays ex-racer and devoted hubby Brent Magna. Poor Brent's yuletide gets off to a bad start when he returns to his apartment to find that his lovely spouse Leanne (Rebecca Budig) has been violently abducted while decorating their Christmas tree.

And you thought Grandma getting run over by that reindeer was a bummer!

Well, anyway, it seems that the unnamed criminal mastermind (Jon Voight) behind the whole thing isn't after a ransom. Instead, he wants Brent to use a souped-up vehicle he's purloined to cause mayhem on the streets of Sofia, Bulgaria, in order to facilitate a bank heist he's planning.

What's a red-blooded American like Brent doing in exotic Sofia? A belated exchange of dialogue eventually informs us that it's Leanne's hometown and that Brent and Leanne moved there after Brent said goodbye to the speedway. And fire-sale production costs had nothing to do with it.

No sooner has Brent begun to follow orders than his designated auto's teenage owner (Selena Gomez)—who also remains nameless throughout—shows up, waving a gun and demanding her classy chassis back.

Brent, who no doubt recognizes Selena from the Disney Channel, or perhaps "Ramona and Beezus," is having none of that. So the hood toting Miss Anonymous winds up becoming first Brent's unwilling passenger and later his computer-savvy partner in the ongoing effort to foil his adversary.

Though Brent refuses a direct order to kill what's-her-name, director Courtney Solomon does place him in the morally shaky position of endangering hordes of innocent bystanders—and innumerable pursuing police officers—for the sake of safeguarding a single life. But ethical considerations take a back seat as the wheels squeal and the windshields shatter—and as viewers run a gauntlet of crashes, collisions and illogical plot developments.

Since Brent only has eyes for the absent Leanne, there's no bedroom detour on his journey. But Selena puts distance between herself and her magical-kingdom past by labeling everyone she doesn't like with the A-word. Presumably for variety's sake, on one occasion, she settles for flipping some opponent the bird instead.

On the whole, moviegoers would do well to take this woeful picture's title as a piece of friendly advice.

The film contains much action violence, a few uses of profanity, considerable crude and crass language and an obscene gesture. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Giles: Despite the fact that much about St. Giles is shrouded in mystery, we can say that he was one of the most popular saints in the Middle Ages. Likely, he was born in the first half of the seventh century in southeastern France. That is where he built a monastery that became a popular stopping-off point for pilgrims making their way to Compostela in Spain and the Holy Land.<br /><br />In England, many ancient churches and hospitals were dedicated to Giles. One of the sections of the city of Brussels is named after him. In Germany, Giles was included among the so-called 14 Holy Helpers, a popular group of saints to whom people prayed, especially for recovery from disease and for strength at the hour of death. Also among the 14 were Sts. Christopher, Barbara and Blaise. Interestingly, Giles was the only non-martyr among them. Devotion to the "Holy Helpers" was especially strong in parts of Germany and in Hungary and Sweden. Such devotion made his popularity spread. Giles was soon invoked as the patron of the poor and the disabled.<br /><br />The pilgrimage center that once drew so many fell into disrepair some centuries after Giles' death. American Catholic Blog The ascension is about the final reunion of what appeared to be separated for a while: earth and heaven, human and divine, matter and Spirit. If the Christ is the archetype of the full human journey, now we know how it all resolves itself in the end. “So that where I am, you also will be” (John 14:3).

 
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