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ON FAITH & MEDIA View Comments

Getaway

By
John Mulderig
Source: Catholic News Service


Selena Gomez and Ethan Hawke star in a scene from the movie "Getaway."
Can the trauma of having your wife kidnapped make you drive faster and more, um, furiouser? Ethan Hawke finds out in the senseless car-chase flick "Getaway" (Warner Bros.).

Hawke plays ex-racer and devoted hubby Brent Magna. Poor Brent's yuletide gets off to a bad start when he returns to his apartment to find that his lovely spouse Leanne (Rebecca Budig) has been violently abducted while decorating their Christmas tree.

And you thought Grandma getting run over by that reindeer was a bummer!

Well, anyway, it seems that the unnamed criminal mastermind (Jon Voight) behind the whole thing isn't after a ransom. Instead, he wants Brent to use a souped-up vehicle he's purloined to cause mayhem on the streets of Sofia, Bulgaria, in order to facilitate a bank heist he's planning.

What's a red-blooded American like Brent doing in exotic Sofia? A belated exchange of dialogue eventually informs us that it's Leanne's hometown and that Brent and Leanne moved there after Brent said goodbye to the speedway. And fire-sale production costs had nothing to do with it.

No sooner has Brent begun to follow orders than his designated auto's teenage owner (Selena Gomez)—who also remains nameless throughout—shows up, waving a gun and demanding her classy chassis back.

Brent, who no doubt recognizes Selena from the Disney Channel, or perhaps "Ramona and Beezus," is having none of that. So the hood toting Miss Anonymous winds up becoming first Brent's unwilling passenger and later his computer-savvy partner in the ongoing effort to foil his adversary.

Though Brent refuses a direct order to kill what's-her-name, director Courtney Solomon does place him in the morally shaky position of endangering hordes of innocent bystanders—and innumerable pursuing police officers—for the sake of safeguarding a single life. But ethical considerations take a back seat as the wheels squeal and the windshields shatter—and as viewers run a gauntlet of crashes, collisions and illogical plot developments.

Since Brent only has eyes for the absent Leanne, there's no bedroom detour on his journey. But Selena puts distance between herself and her magical-kingdom past by labeling everyone she doesn't like with the A-word. Presumably for variety's sake, on one occasion, she settles for flipping some opponent the bird instead.

On the whole, moviegoers would do well to take this woeful picture's title as a piece of friendly advice.

The film contains much action violence, a few uses of profanity, considerable crude and crass language and an obscene gesture. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Pierre Toussaint: 
		<p>Born in modern-day Haiti and brought to New York City as a slave, Pierre died a free man, a renowned hairdresser and one of New York City’s most well-known Catholics. <br /><br />Pierre Bérard, a plantation owner, made Toussaint a house slave and allowed his grandmother to teach her grandson how to read and write. In his early 20s, Pierre, his younger sister, his aunt and two other house slaves accompanied their master’s son to New York City because of political unrest at home. Apprenticed to a local hairdresser, Pierre learned the trade quickly and eventually worked very successfully in the homes of rich women in New York City. <br /><br />When his master died, Pierre was determined to support his master’s widow, himself and the other house slaves. He was freed shortly before the widow’s death in 1807. </p>
		<p>Four years later he married Marie Rose Juliette, whose freedom he had purchased. They later adopted Euphémie, his orphaned niece. Both preceded him in death. He attended daily Mass at St. Peter’s Church on Barclay Street, the same parish that St. Elizabeth Seton attended. <br /><br />Pierre donated to various charities, generously assisting blacks and whites in need. He and his wife opened their home to orphans and educated them. The couple also nursed abandoned people who were suffering from yellow fever. Urged to retire and enjoy the wealth he had accumulated, Pierre responded, “I have enough for myself, but if I stop working I have not enough for others.” <br /><br />He was originally buried outside St. Patrick’s Old Cathedral, where he was once refused entrance because of his race. His sanctity and the popular devotion to him caused his body to be moved to St. Patrick’s Cathedral on Fifth Avenue. <br /><br />Pierre Toussaint was declared Venerable in 1996.</p>
American Catholic Blog It’s through suffering that we grow in endurance, character, and ultimately, in hope. Our suffering is not without value if we know Jesus. When you are suffering, you can pray and unite your sufferings to the only one who truly loves you perfectly or knows all you are feeling.

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This former slave is one of many American holy people whose life particularly models Christian values.

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