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ON FAITH & MEDIA View Comments

Blue Jasmine

By
Joseph McAleer
Source: Catholic News Service


Cate Blanchett and Alec Baldwin star in a scene from the movie "Blue Jasmine."

At his best, Woody Allen is a brilliant writer-director of comedic films as insightful as they are hilarious. But in his latest venture, "Blue Jasmine" (Sony Classics), Allen turns the lights down low, presenting the dark and depressing tale of a crazed woman whose life is spiraling out of control. The grim tone comes as no real surprise, though, since Allen's inspiration here is Tennessee Williams' classic play "A Streetcar Named Desire."

Thus his title character, played by Cate Blanchett, experiences a decline that parallels the deterioration of Williams' doomed heroine Blanche DuBois. Unfortunately, despite a bravura performance by Blanchett, "Blue Jasmine" misfires by trying to derive most of its humor from Jasmine's mental illness -- anything but a laughing matter.

In a story that might have been ripped from the headlines, Jasmine is a Park Avenue socialite fallen on hard times. She had no idea her high-rolling financier husband, Hal (Alec Baldwin), was both a philanderer and a fraud. Hal's Ponzi-like scheme, which destroyed the fortunes of his investors, has landed him in prison and Jasmine on the street. Already delusional and an alcoholic, she suffers a nervous breakdown. With nowhere to turn, Jasmine heads west for San Francisco, to move in with her sister Ginger (Sally Hawkins). It's a risky choice, as Ginger and her ex-husband, Augie (Andrew Dice Clay), invested in Hal's enterprise and lost their life savings, which in turn destroyed their marriage.

To Ginger's credit, she puts familial bonds above past hurts, and shelters Jasmine. But Jasmine's gratitude quickly turns to disgust. She's repelled by Ginger's middle-class lifestyle and, especially, by her beefy mechanic boyfriend, Chili (Bobby Cannavale). As she descends into madness on a diet of vodka and Xanax, Jasmine strikes out in all directions. She makes a stab at self-improvement, taking a receptionist job and computer classes. She also decides to remake Ginger's seemingly happy life, encouraging her to dump Chili and seek a "better" match in respectable salesman Al (Louis C.K.) -- with disastrous results. But Jasmine is not made for hard labor or study, only for shallow appearances.

She finds a potential means of escape in Dwight (Peter Sarsgaard), a wealthy diplomat with political ambitions. Jasmine puts on a good show, concealing her past while presenting herself as an ideal and sophisticated partner. She comes close to pulling it off. In the end, "Blue Jasmine" plays the selfish card. It's every character for him- or herself, seemingly without concern for the welfare of others, least of all Jasmine.

The film contains cohabitation, implied nonmarital sexual activity, an adultery theme and much profane and crude language. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Cyril and Methodius: Because their father was an officer in a part of Greece inhabited by many Slavs, these two Greek brothers ultimately became missionaries, teachers and patrons of the Slavic peoples. 
<p>After a brilliant course of studies, Cyril (called Constantine until he became a monk shortly before his death) refused the governorship of a district such as his brother had accepted among the Slavic-speaking population. Cyril withdrew to a monastery where his brother Methodius had become a monk after some years in a governmental post. </p><p>A decisive change in their lives occurred when the Duke of Moravia (present-day Czech Republic) asked the Eastern Emperor Michael for political independence from German rule and ecclesiastical autonomy (having their own clergy and liturgy). Cyril and Methodius undertook the missionary task. </p><p>Cyril’s first work was to invent an alphabet, still used in some Eastern liturgies. His followers probably formed the Cyrillic alphabet (for example, modern Russian) from Greek capital letters. Together they translated the Gospels, the psalter, Paul’s letters and the liturgical books into Slavonic, and composed a Slavonic liturgy, highly irregular then. </p><p>That and their free use of the vernacular in preaching led to opposition from the German clergy. The bishop refused to consecrate Slavic bishops and priests, and Cyril was forced to appeal to Rome. On the visit to Rome, he and Methodius had the joy of seeing their new liturgy approved by Pope Adrian II. Cyril, long an invalid, died in Rome 50 days after taking the monastic habit. </p><p>Methodius continued mission work for 16 more years. He was papal legate for all the Slavic peoples, consecrated a bishop and then given an ancient see (now in the Czech Republic). When much of their former territory was removed from their jurisdiction, the Bavarian bishops retaliated with a violent storm of accusation against Methodius. As a result, Emperor Louis the German exiled Methodius for three years. Pope John VIII secured his release. </p><p>Because the Frankish clergy, still smarting, continued their accusations, Methodius had to go to Rome to defend himself against charges of heresy and uphold his use of the Slavonic liturgy. He was again vindicated. </p><p>Legend has it that in a feverish period of activity, Methodius translated the whole Bible into Slavonic in eight months. He died on Tuesday of Holy Week, surrounded by his disciples, in his cathedral church. </p><p>Opposition continued after his death, and the work of the brothers in Moravia was brought to an end and their disciples scattered. But the expulsions had the beneficial effect of spreading the spiritual, liturgical and cultural work of the brothers to Bulgaria, Bohemia and southern Poland. Patrons of Moravia, and specially venerated by Catholic Czechs, Slovaks, Croatians, Orthodox Serbians and Bulgarians, Cyril and Methodius are eminently fitted to guard the long-desired unity of East and West. In 1980, Pope John Paul II named them additional co-patrons of Europe (with Benedict).</p> American Catholic Blog This is the beauty of self-giving love: Men and women, driven by love, freely choose to give up their autonomy, to limit their freedom, by committing themselves to the good of the spouse. Love is so powerful that it impels them to want to surrender their will to their beloved in this profound way.

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