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John Mulderig
Source: Catholic News Service

Jose Pablo Cantillo and Matt Damon star in a scene from the movie "Elysium."
Back in 2009, South Africa-born writer-director Neill Blomkamp made quite a stir in Hollywood with his low-budget, high-box office science fiction film "District 9."

Penned in collaboration with Terri Tatchell, the movie used its human characters' interaction with an invading race of unpleasant-looking, insectlike extraterrestrials as a prism through which to examine topics like racism, colonialism, apartheid and xenophobia.

Similarly serious aims underlie Blomkamp's latest project (this one scripted solo), the dystopian action picture "Elysium" (TriStar). In crafting what might be termed a thinking person's shoot-'em-up, Blomkamp envisions a future society with numerous -- and uncomfortable -- analogous ties to our own.

Though obviously well-intentioned --viewers of faith will sympathize with the narrative's point of view on a range of subjects -- the resulting parable is also laden with harsh vocabulary and visuals. As such, it's suitable only for stalwart grown-ups.

Considered aesthetically, moreover, caricature and oversimplification weaken the impact of the film's implicit messages concerning such contemporary ills as the plight of immigrants, restricted access to health care and the unequal division of resources.

Familiar social and environmental blights have run rampant in the mid-22nd-century world of "Elysium." So much so that the Los Angeles in which its protagonist, an industrial laborer named Max (Matt Damon), ekes out his existence is one vast ruined slum peopled by demoralized and oppressed drones.

Since similar conditions prevail across the despoiled globe, the rich have retreated to the idyllic satellite from which the movie takes its title. There they live a life of ease -- and enjoy miraculous medical technology not shared with their underlings on the home planet.

After a workplace accident exposes him to a lethal dose of radiation, Max is desperate to reach this orbiting world of privilege where he knows he can be healed.

In exchange for passage there, he agrees to undertake a perilous spying mission for underground guerilla leader Spider (Wagner Moura). A master of high-tech innovation and a dabbler in all sorts of illegal activities, Spider has the necessary resources to smuggle Max aloft.

Since the secrets Max is out to steal have the potential to undermine the whole system protecting Elysium's way of life, his assignment brings him into conflict with one of the habitat's top leaders, ruthless Secretary of Defense Delacourt (Jodie Foster).

Up to her neck in high-stakes political intrigue, Delacourt also has personal reasons for wanting to stop Max. And she has just the man for the job: a brutal mercenary called Kruger (Sharlto Copley). As Delacourt's long-standing secret agent on Earth, Kruger specializes in keeping the downtrodden in line -- by any means necessary.

Flashbacks to childhood reveal that the orphaned Max was befriended and nurtured by a deeply sympathetic nun (Yolanda Abbud L.) -- a figure whose portrayal Catholic moviegoers in particular will appreciate.

She serves as Max's steady moral compass, though she's not a guide on whom he always relies. But the lack of balance or shading among other representative characters means that "Elysium" succeeds more as a suspenseful adventure than as anything of deeper significance.

The film contains much gory violence, some gruesome images, a few uses of profanity, considerable rough and crude language and several obscene gestures. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

John Mulderig is on the staff of Catholic News Service.

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Rafal Chylinski: 
		<p>Born near Buk in the Poznan region of Poland, Melchior showed early signs of religious devotion; family members nicknamed him "the little monk." After completing his studies at the Jesuit college in Poznan, Melchior joined the cavalry and was promoted to officer rank within three years.</p>
		<p>In 1715, against the urgings of his military comrades, Melchior joined the Conventual Franciscans in Krakow. Receiving the name Rafal, he was ordained two years later. After pastoral assignments in nine cities, he came to Lagiewniki (central Poland), where he spent the last 13 years of his life, except for 20 months ministering to flood and epidemic victims in Warsaw. In all these places, Rafal was known for his simple and candid sermons, for his generosity, as well as his ministry in the confessional. People of all levels of society were drawn to the self-sacrificing way he lived out his religious profession and priestly ministry. </p>
		<p>Rafal played the harp, lute, and mandolin to accompany liturgical hymns. In Lagiewniki he distributed food, supplies, and clothing to the poor. After his death, the Conventual church in that city became a place of pilgrimage for people throughout Poland. He was beatified in Warsaw in 1991.</p>
American Catholic Blog In celebrating the birth of Christ, let us carefully consider what his birth reveals about God. This is a God who comes not to condemn but to give life. Once we begin to grasp this life, then the vision of Isaiah, as remarkable as it seems, cannot hold a candle to the light that will shine from us.

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