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ON FAITH & MEDIA View Comments

Elysium

By
John Mulderig
Source: Catholic News Service


Jose Pablo Cantillo and Matt Damon star in a scene from the movie "Elysium."
Back in 2009, South Africa-born writer-director Neill Blomkamp made quite a stir in Hollywood with his low-budget, high-box office science fiction film "District 9."

Penned in collaboration with Terri Tatchell, the movie used its human characters' interaction with an invading race of unpleasant-looking, insectlike extraterrestrials as a prism through which to examine topics like racism, colonialism, apartheid and xenophobia.

Similarly serious aims underlie Blomkamp's latest project (this one scripted solo), the dystopian action picture "Elysium" (TriStar). In crafting what might be termed a thinking person's shoot-'em-up, Blomkamp envisions a future society with numerous -- and uncomfortable -- analogous ties to our own.

Though obviously well-intentioned --viewers of faith will sympathize with the narrative's point of view on a range of subjects -- the resulting parable is also laden with harsh vocabulary and visuals. As such, it's suitable only for stalwart grown-ups.

Considered aesthetically, moreover, caricature and oversimplification weaken the impact of the film's implicit messages concerning such contemporary ills as the plight of immigrants, restricted access to health care and the unequal division of resources.

Familiar social and environmental blights have run rampant in the mid-22nd-century world of "Elysium." So much so that the Los Angeles in which its protagonist, an industrial laborer named Max (Matt Damon), ekes out his existence is one vast ruined slum peopled by demoralized and oppressed drones.

Since similar conditions prevail across the despoiled globe, the rich have retreated to the idyllic satellite from which the movie takes its title. There they live a life of ease -- and enjoy miraculous medical technology not shared with their underlings on the home planet.

After a workplace accident exposes him to a lethal dose of radiation, Max is desperate to reach this orbiting world of privilege where he knows he can be healed.

In exchange for passage there, he agrees to undertake a perilous spying mission for underground guerilla leader Spider (Wagner Moura). A master of high-tech innovation and a dabbler in all sorts of illegal activities, Spider has the necessary resources to smuggle Max aloft.

Since the secrets Max is out to steal have the potential to undermine the whole system protecting Elysium's way of life, his assignment brings him into conflict with one of the habitat's top leaders, ruthless Secretary of Defense Delacourt (Jodie Foster).

Up to her neck in high-stakes political intrigue, Delacourt also has personal reasons for wanting to stop Max. And she has just the man for the job: a brutal mercenary called Kruger (Sharlto Copley). As Delacourt's long-standing secret agent on Earth, Kruger specializes in keeping the downtrodden in line -- by any means necessary.

Flashbacks to childhood reveal that the orphaned Max was befriended and nurtured by a deeply sympathetic nun (Yolanda Abbud L.) -- a figure whose portrayal Catholic moviegoers in particular will appreciate.

She serves as Max's steady moral compass, though she's not a guide on whom he always relies. But the lack of balance or shading among other representative characters means that "Elysium" succeeds more as a suspenseful adventure than as anything of deeper significance.

The film contains much gory violence, some gruesome images, a few uses of profanity, considerable rough and crude language and several obscene gestures. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Antônio de Sant’Anna Galvão: God’s plan in a person’s life often takes unexpected turns which become life-giving through cooperation with God’s grace. 
<p>Born in Guarantingueta near São Paulo (Brazil), Antônio attended the Jesuit seminary in Belem but later decided to become a Franciscan friar. Invested in 1760, he made final profession the following year and was ordained in 1762. </p><p>In São Paulo, he served as preacher, confessor and porter. Within a few years he was appointed confessor to the Recollects of St. Teresa, a group of nuns in that city. He and Sister Helena Maria of the Holy Spirit founded a new community of sisters under the patronage of Our Lady of the Conception of Divine Providence. Sister Helena Maria’s premature death the next year left Father Antônio responsible for the new congregation, especially for building a convent and church adequate for their growing numbers. </p><p>He served as novice master for the friars in Macacu and as guardian of St. Francis Friary in São Paulo. He founded St. Clare Friary in Sorocaba. With the permission of his provincial and the bishop, he spent his last days at the Recolhimento de Nossa Senhora da Luz, the convent of the sisters’ congregation he had helped establish. </p><p>He was beatified in Rome on October 25, 1998, and canonized in 2007.</p> American Catholic Blog Christians must realize that the Christian faith is a love affair between God and man. Not just a simple love affair: It is a passionate love affair. God so loved man that he became man himself, died on a cross, was raised from the dead by the Father, ascended into heaven—and all this in order to bring man back to himself, to that heaven which he had lost through his own fault. —Catherine de Hueck Doherty

 
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