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ON FAITH & MEDIA View Comments

Turbo

By
Joseph McAleer
Source: Catholic News Service


Turbo, center, voiced by Ryan Reynolds, is shown in a scene from the animated movie "Turbo."
Aesop's fable of the tortoise and the hare gets a Formula One makeover in "Turbo" (DreamWorks), a rollicking 3-D animated comedy about a garden snail whose wish for super-speed is unexpectedly granted.

Directed and co-written by newcomer David Soren, "Turbo" is a warmhearted family adventure that champions the underdog in the spirit of Rocky Balboa.

In the tomato patch of a suburban Los Angeles home lives a colony of snails, whose daily regimen is to harvest the ripest of fruit for consumption, while avoiding predators like birds, lawnmowers and obnoxious kids. It's a mundane existence from which Theo (voice of Ryan Reynolds) longs to escape.

Theo's passion is speed, and he commandeers the homeowner's VCR at night to watch Grand Prix racing, especially the exploits of champion driver Guy Gagne (voice of Bill Hader).

He takes to heart Guy's mantra, "No dream's too big and no dreamer's too small," much to the chagrin of Theo's more practical-minded brother snail, Chet (voice of Paul Giamatti).

Watching the cars zooming along the freeway one evening, Theo is sucked into the engine of a souped-up drag racer. Doused with chemicals, he undergoes a physical transformation a la Spider-Man. Suddenly, he's capable of speeds exceeding 200 mph -- and adopts a new moniker, Turbo.

Turbo's superpowers are put to good use when he chases a crow that has snatched Chet. He saves his brother, but they find themselves in a down-and-out strip mall anchored by the Dos Bros Tacos shack, run by brothers Angelo (voice of Luis Guzman) and Tito (voice of Michael Pena).

Sensible Angelo manages the failing business, while lazy Tito schemes for new customers. When the snails drop into his lap, he's delighted, as he "races" snails in his spare time. But Turbo is no ordinary snail now, and his super-speed shocks Tito ("Santa Maria!" he exclaims, in the film's sole reference to Christianity) and inspires him to dream big.

Against Angelo's wishes, Tito rallies his fellow shopowners to join him on a cross-country odyssey to enter Turbo in the Indianapolis 500, where he will be pitted against his idol, Guy.

Joining Turbo as his pit crew are a rout of eccentric but similar-minded snails with names like Whiplash (voice of Samuel L. Jackson), Burn (voice of Maya Rudolph), and Skid Mark (voice of Ben Schwartz).

What ensues is a tale of two brothers, human and escargot, and how chasing a seemingly impossible dream strengthens the bonds of love and trust.

Chet, like Angelo, is a realist, concerned for his brother's safety and mental health.

"What will happen if you wake up tomorrow and your powers are gone?" he asks.

"Then I better make the most of today," Turbo replies.

Indeed he does, and this Little Mollusk That Could roars around the track to a thumping soundtrack which includes -- naturally -- Survivor's "Eye of the Tiger" theme from "Rocky III."

Cartoonish action sequences involving menacing birds and car crashes may frighten the smallest youngsters, but "Turbo" is silly and innocent fun for all ages.

The film contains a few perilous situations. The Catholic News Service classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Philip Neri: Philip Neri was a sign of contradiction, combining popularity with piety against the background of a corrupt Rome and a disinterested clergy, the whole post-Renaissance malaise. 
<p>At an early age, he abandoned the chance to become a businessman, moved to Rome from Florence and devoted his life and individuality to God. After three years of philosophy and theology studies, he gave up any thought of ordination. The next 13 years were spent in a vocation unusual at the time—that of a layperson actively engaged in prayer and the apostolate. </p><p>As the Council of Trent (1545-63) was reforming the Church on a doctrinal level, Philip’s appealing personality was winning him friends from all levels of society, from beggars to cardinals. He rapidly gathered around himself a group of laypersons won over by his audacious spirituality. Initially they met as an informal prayer and discussion group, and also served poor people in Rome. </p><p>At the urging of his confessor, he was ordained a priest and soon became an outstanding confessor, gifted with the knack of piercing the pretenses and illusions of others, though always in a charitable manner and often with a joke. He arranged talks, discussions and prayers for his penitents in a room above the church. He sometimes led “excursions” to other churches, often with music and a picnic on the way. </p><p>Some of his followers became priests and lived together in community. This was the beginning of the Oratory, the religious institute he founded. A feature of their life was a daily afternoon service of four informal talks, with vernacular hymns and prayers. Giovanni Palestrina was one of Philip’s followers, and composed music for the services. </p><p>The Oratory was finally approved after suffering through a period of accusations of being an assembly of heretics, where laypersons preached and sang vernacular hymns! (Cardinal Newman founded the first English-speaking house of the Oratory three centuries later.) </p><p>Philip’s advice was sought by many of the prominent figures of his day. He is one of the influential figures of the Counter-Reformation, mainly for converting to personal holiness many of the influential people within the Church itself. His characteristic virtues were humility and gaiety.</p> American Catholic Blog When we suffer, we don’t just come to understand the pain of Christ’s cross more, we come to understand the depth of God’s love for us: that he would endure such pain for us—in our place. We have a God who endured death so we would never have to do so.

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