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ON FAITH & MEDIA View Comments

Mud

By
John Mulderig
Source: Catholic News Service


Jacob Lofland, Matthew McConaughey and Tye Sheridan star in a scene from the movie "Mud."
Set in rural Arkansas, along the banks of the Mississippi, writer-director Jeff Nichols' leisurely coming of age story "Mud" (Lionsgate/Roadside) owes an obvious debt to Mark Twain's classic tale "The Adventures of Huckleberry Finn."

Realistically updating some of the most famous passages of Twain's iconic story, Nichols' script uses the template of what is arguably the Great American Novel to explore delicate moral shadings, the nature of friendship and the interplay of innocence and disillusionment in the mind of one of its main characters.

The still-shaping consciousness in question belongs to 14-year-old Ellis (Tye Sheridan). Gentle and idealistic, Ellis is opposites-attract best friends with peppery Neckbone (Jacob Lofland). With no parents on the scene -- he's being raised by his caring but hardly authoritative Uncle Galen (Michael Shannon) -- Neckbone is far less cautious than Ellis, but also more cynical.

Together, the two boys like to escape their hardscrabble environment by taking motorboat outings on the river. During one such journey, they discover a man named Mud (Matthew McConaughey) living on an otherwise uninhabited island in the waterway.

It emerges that Mud is a fugitive. Reared nearby, he's returned to the area on the run from his mysterious, but clearly freighted past.

Drawn by the stranger's charismatic personality and eccentric ways, the initially frightened Ellis goodheartedly agrees to help him, bringing him food and keeping his presence a secret. Characteristically, Neckbone takes more convincing, but Mud eventually wins him over as well.

As they assist Mud in refitting a disabled boat so he can make a waterborne getaway to the Gulf of Mexico, Ellis and Neckbone are increasingly drawn into -- and endangered by -- the tangled relationships in their new friend's life. The most significant of these is his obsessive on-again, off-again romance with comely girl-next-door Juniper (Reese Witherspoon).

According to Mud's version of events, the pair first fell for each other while they were still children. And it was his love for Juniper -- and the need to protect her from harm -- that drove Mud to commit the crime that now has both the police and a team of bounty hunters on his trail. He hopes to arrange for Juniper to be with him when he makes his escape.

Disputing Mud's account of all this is one of his few adult allies, Ellis' reclusive neighbor Tom Blankenship (Sam Shepard). Though he sympathizes with Mud, and has been something of a father figure to him in the past, Tom warns Ellis not to be swayed by Mud's charm or too persuaded by his glib discourse.

The complex bond between Mud and Juniper becomes a shifting prism through which Ellis views other relationships in his life.

At home, Ellis is coping with his quarreling parents' (Sarah Paulson and Ray McKinnon) impending divorce. He's also grappling with his puppy love for May Pearl (Bonnie Sturdivant), a sometimes disdainful older girl who's unsure whether, as an exalted high school student, she should lower herself to date a mere ninth grader.

Viewers conversant with scripture will note that the dangerous serpents who call the Mississippi home become a recurring symbol of evil in Nichols' narrative. The ambiguous mix of light and dark elements in Mud's personality, for example -- an embodiment of the effects of original sin -- can be connected to his past interaction with these malign creatures.

Character-centered and moving, "Mud" provides thoughtful entertainment for mature moviegoers.

The film contains intense but largely bloodless violence, some adolescent sex talk, including references to pornography, a couple of uses of profanity and considerable crude and crass language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Angela Merici: Angela has the double distinction of founding the first teaching congregation of women in the Church and what is now called a “secular institute” of religious women. 
<p>As a young woman she became a member of the Third Order of St. Francis (now known as the Secular Franciscan Order), and lived a life of great austerity, wishing, like St. Francis, to own nothing, not even a bed. Early in life she was appalled at the ignorance among poorer children, whose parents could not or would not teach them the elements of religion. Angela’s charming manner and good looks complemented her natural qualities of leadership. Others joined her in giving regular instruction to the little girls of their neighborhood. </p><p>She was invited to live with a family in Brescia (where, she had been told in a vision, she would one day found a religious community). Her work continued and became well known. She became the center of a group of people with similar ideals. </p><p>She eagerly took the opportunity for a trip to the Holy Land. When they had gotten as far as Crete, she was struck with blindness. Her friends wanted to return home, but she insisted on going through with the pilgrimage, and visited the sacred shrines with as much devotion and enthusiasm as if she had her sight. On the way back, while praying before a crucifix, her sight was restored at the same place where it had been lost. </p><p>At 57, she organized a group of 12 girls to help her in catechetical work. Four years later the group had increased to 28. She formed them into the Company of St. Ursula (patroness of medieval universities and venerated as a leader of women) for the purpose of re-Christianizing family life through solid Christian education of future wives and mothers. The members continued to live at home, had no special habit and took no formal vows, though the early Rule prescribed the practice of virginity, poverty and obedience. The idea of a teaching congregation of women was new and took time to develop. The community thus existed as a “secular institute” until some years after Angela’s death.</p> American Catholic Blog I hear far more people discuss the presence of evil in their lives than they do the supreme power of grace. God is bigger than evil!

 
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