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ON FAITH & MEDIA View Comments

Fast & Furious 6

By
John Mulderig
Source: Catholic News Service


Paul Walker, Dwayne Johnson and Vin Diesel star in a scene from the movie "Fast & Furious 6."
The title-shifting franchise that now gives us "Fast & Furious 6" (Universal) may be unreliable where the use of definite articles and the representation of conjunctions are concerned. But its underlying recipe is far more predictable.

So it's unlikely that potential audience members really need a review to tell them that director Justin Lin has turned out yet another barroom brawl of a movie. Or that screenwriter Chris Morgan's script conjures up a teenage boy's vision of the good life, an adolescent "la dolce vita" unencumbered by such killjoy detritus as stop signs and speed limits.

Those tiresome markers of conventionality have never bothered the crew of law-flouting underground car racers who make up the recurring characters of this series. And yes, their endless run-ins with the authorities may have left them on the lam from justice. But at least, as our current adventure begins, they're living out their respective exiles in glamorous places (whence the heavy-duty product placement, in early scenes, for the tourism board of the Canary Islands).

The funds keeping them high on the hog, devotees will remember, were liberated from the coffers of bad guys during their last collective caper, staged down in colorful but corrupt Rio de Janeiro. Rio, Gran Canaria. ... Oh, it's a giddy whirl!

Still, America being home and all, it would be nice to be rehabilitated.

Well, gather round boys and girls because Federal Agent Luke Hobbs (Dwayne Johnson) has just the proposition you've been waiting for: Help him thwart the civilization-threatening schemes of criminal mastermind Owen Shaw (Luke Evans) -- who uses hotrods to speed his heists of top-secret military equipment -- and Uncle Sam will dole out pardons to everyone.

Just in case team leaders Dom Toretto (Vin Diesel) and Brian O'Conner (Paul Walker) should require further inducement, Agent Hobbs has come armed with photos -- recent photos! -- of Dom's presumed-dead love interest, Letty Ortiz (Michelle Rodriguez). Far from taking the Long Nap, it turns out, Letty is alive and well -- a case of amnesia perhaps excepted -- and serving as Shaw's No. 2.

Time to cut to the chase or, in this case, the well-orchestrated series of chases that constitute the very essence of the exercise. Sit back and thrill to the sight of muscle cars flashing and zooming their way through the streets of London, leaving those stodgy double-decker buses far behind.

Lin softens the prevailing tone of grunting machismo with the occasional flourish of vague religiosity. Thus the cross Dom wears around his neck becomes a symbol of his bond with Letty, and the wrap-up includes a grace over backyard barbecue.

Yet the self-determined code which these ostensible heroes substitute for civil obedience -- it seems to center on loyalty to their self-created "family" -- is morally dubious and certainly not for the impressionable.

The film contains murky moral values, considerable stylized violence including a scene of torture, cohabitation, partial nudity, a few uses of profanity, at least one rough term, much crude and crass language and an obscene gesture. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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Augustine of Canterbury: In the year 596, some 40 monks set out from Rome to evangelize the Anglo-Saxons in England. Leading the group was Augustine, the prior of their monastery in Rome. Hardly had he and his men reached Gaul (France) when they heard stories of the ferocity of the Anglo-Saxons and of the treacherous waters of the English Channel. Augustine returned to Rome and to the pope who had sent them—St. Gregory the Great (September 3 )—only to be assured by him that their fears were groundless. 
<p>Augustine again set out. This time the group crossed the English Channel and landed in the territory of Kent, ruled by King Ethelbert, a pagan married to a Christian, Bertha. Ethelbert received them kindly, set up a residence for them in Canterbury and within the year, on Pentecost Sunday, 597, was himself baptized. After being consecrated a bishop in France, Augustine returned to Canterbury, where he founded his see. He constructed a church and monastery near where the present cathedral, begun in 1070, now stands. As the faith spread, additional sees were established at London and Rochester. </p><p>Work was sometimes slow and Augustine did not always meet with success. Attempts to reconcile the Anglo-Saxon Christians with the original Briton Christians (who had been driven into western England by Anglo-Saxon invaders) ended in dismal failure. Augustine failed to convince the Britons to give up certain Celtic customs at variance with Rome and to forget their bitterness, helping him evangelize their Anglo-Saxon conquerors </p><p>Laboring patiently, Augustine wisely heeded the missionary principles—quite enlightened for the times—suggested by Pope Gregory the Great: purify rather than destroy pagan temples and customs; let pagan rites and festivals be transformed into Christian feasts; retain local customs as far as possible. The limited success Augustine achieved in England before his death in 605, a short eight years after he arrived in England, would eventually bear fruit long after in the conversion of England. Augustine of Canterbury can truly be called the “Apostle of England.”</p> American Catholic Blog A hero isn’t someone born with unconquerable strength and selflessness. Heroes are not formed in a cataclysmic instant. Heroism is developed over time, one decision after another, moment by moment, formed by a deliberate, chosen, and habitual response to life.

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