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ON FAITH & MEDIA View Comments

The Hangover Part III

By
Kurt Jensen
Source: Catholic News Service


Zach Galifianakis, Bradley Cooper and Ed Helms star in a scene from the movie "The Hangover Part III."
On its surface a defanged and declawed version of the first two installments, "The Hangover Part III" (Warner Bros.) has no sex, no alcohol or drug abuse and almost no nudity, albeit that last element is eventually -- perhaps inevitably -- included via a closing-credits sight gag.

What's left from director Todd Phillips, who co-wrote with Craig Mazin, is what used to be called a "caper comedy" filled with car chases, a few scattershot ethnic slurs involving Asians and Jews and, unsettlingly enough, what proves to be a quite benign view of coldblooded murder.

This time, Alan Garner (Zach Galifianakis), the spoiled rich boy, finally has to mature -- at age 42, it's about time -- following the death of his father, Sid (Jeffrey Tambor). Alan's friends Phil Wenneck (Bradley Cooper) and Stu Price (Ed Helms) stage an intervention to get their unstable pal the help he needs at a mental health facility in Arizona.

En route, "The Wolfpack," as they call themselves, are waylaid by gangster Marshall (John Goodman). Marshall wants them to help retrieve $21 million in gold bars stolen by archcriminal Mr. Chow (Ken Jeong), who recently escaped from a Bangkok prison. Marshall holds Alan's brother-in-law, Doug (Justin Bartha), hostage until the loot is returned.

There are long stretches involving bungled criminal activity and hit-and-miss non-sequitur dialogue before a final showdown in Las Vegas, a place "The Wolfpack" now dreads after the group's drug-fueled adventure there in the first film. They reconnect with Jade (Heather Graham), who launched their initial debauch, and Alan finds love with Cassie (Melissa McCarthy), a pawnshop owner.

While the shenanigans that made the earlier entries repellent may mercifully be absent, there's a different, deeper -- and philosophically, at least, potentially more troubling -- recklessness at work in this picture. In the inkiest vein of nihilistic black humor, the frequent intrusion of death -- whether that of disposable animals or of equally disposable people -- is presented as a cue for guffaws.

Thus, whenever the filmmakers run out of uses for a character, as they do for Black Doug (Mike Epps), they simply have him killed.

The film contains stylized gun violence, a fleeting glimpse of frontal male nudity, a brief but vulgar reference to sexual activity, some profanity and pervasive rough and crude language. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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David of Wales: David is the patron saint of Wales and perhaps the most famous of British saints. Ironically, we have little reliable information about him. 
<p>It is known that he became a priest, engaged in missionary work and founded many monasteries, including his principal abbey in southwestern Wales. Many stories and legends sprang up about David and his Welsh monks. Their austerity was extreme. They worked in silence without the help of animals to till the soil. Their food was limited to bread, vegetables and water. </p><p>In about the year 550, David attended a synod where his eloquence impressed his fellow monks to such a degree that he was elected primate of the region. The episcopal see was moved to Mynyw, where he had his monastery (now called St. David's). He ruled his diocese until he had reached a very old age. His last words to his monks and subjects were: "Be joyful, brothers and sisters. Keep your faith, and do the little things that you have seen and heard with me." </p><p>St. David is pictured standing on a mound with a dove on his shoulder. The legend is that once while he was preaching a dove descended to his shoulder and the earth rose to lift him high above the people so that he could be heard. Over 50 churches in South Wales were dedicated to him in pre-Reformation days.</p> American Catholic Blog When we recognize the wounded Jesus in ourselves, we are quite likely to go out of our hearts and minds to recognize Him in those around us. And, as we tend our own selves, we are moved to tend others as we can, whether through action or prayer. Our lives can truly echo the caring words and provide the caring touch of Christ.


 
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