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ON FAITH & MEDIA View Comments

The Hangover Part III

By
Kurt Jensen
Source: Catholic News Service


Zach Galifianakis, Bradley Cooper and Ed Helms star in a scene from the movie "The Hangover Part III."
On its surface a defanged and declawed version of the first two installments, "The Hangover Part III" (Warner Bros.) has no sex, no alcohol or drug abuse and almost no nudity, albeit that last element is eventually -- perhaps inevitably -- included via a closing-credits sight gag.

What's left from director Todd Phillips, who co-wrote with Craig Mazin, is what used to be called a "caper comedy" filled with car chases, a few scattershot ethnic slurs involving Asians and Jews and, unsettlingly enough, what proves to be a quite benign view of coldblooded murder.

This time, Alan Garner (Zach Galifianakis), the spoiled rich boy, finally has to mature -- at age 42, it's about time -- following the death of his father, Sid (Jeffrey Tambor). Alan's friends Phil Wenneck (Bradley Cooper) and Stu Price (Ed Helms) stage an intervention to get their unstable pal the help he needs at a mental health facility in Arizona.

En route, "The Wolfpack," as they call themselves, are waylaid by gangster Marshall (John Goodman). Marshall wants them to help retrieve $21 million in gold bars stolen by archcriminal Mr. Chow (Ken Jeong), who recently escaped from a Bangkok prison. Marshall holds Alan's brother-in-law, Doug (Justin Bartha), hostage until the loot is returned.

There are long stretches involving bungled criminal activity and hit-and-miss non-sequitur dialogue before a final showdown in Las Vegas, a place "The Wolfpack" now dreads after the group's drug-fueled adventure there in the first film. They reconnect with Jade (Heather Graham), who launched their initial debauch, and Alan finds love with Cassie (Melissa McCarthy), a pawnshop owner.

While the shenanigans that made the earlier entries repellent may mercifully be absent, there's a different, deeper -- and philosophically, at least, potentially more troubling -- recklessness at work in this picture. In the inkiest vein of nihilistic black humor, the frequent intrusion of death -- whether that of disposable animals or of equally disposable people -- is presented as a cue for guffaws.

Thus, whenever the filmmakers run out of uses for a character, as they do for Black Doug (Mike Epps), they simply have him killed.

The film contains stylized gun violence, a fleeting glimpse of frontal male nudity, a brief but vulgar reference to sexual activity, some profanity and pervasive rough and crude language. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Oliver Plunkett: The name of today's saint is especially familiar to the Irish and the English—and with good reason. The English martyred Oliver Plunkett for defending the faith in his native Ireland during a period of severe persecution. 
<p>Born in County Meath in 1629, he studied for the priesthood in Rome and was ordained there in 1654. After some years of teaching and service to the poor of Rome he was appointed Archbishop of Armagh in Ireland. Four years later, in 1673, a new wave of anti-Catholic persecution began, forcing Archbishop Plunkett to do his pastoral work in secrecy and disguise and to live in hiding. Meanwhile, many of his priests were sent into exile; schools were closed; Church services had to be held in secret and convents and seminaries were suppressed. As archbishop, he was viewed as ultimately responsible for any rebellion or political activity among his parishioners. 
</p><p>Archbishop Plunkett was arrested and imprisoned in Dublin Castle in 1679, but his trial was moved to London. After deliberating for 15 minutes, a jury found him guilty of fomenting revolt. He was hanged, drawn and quartered in July 1681. 
</p><p>Pope Paul VI canonized Oliver Plunkett in 1975.</p> American Catholic Blog God had a plan even before he created Adam and Eve. God is never caught off guard. He knows all. He sees all. And he is working all things together for the good of his children. Nothing can stop his plan of mercy and love.

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