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The Great Gatsby

By
John Mulderig
Source: Catholic News Service


Leonardo DiCaprio and Carey Mulligan star in a scene from the movie "The Great Gatsby."
A great American novel doesn't always, it seems, translate into a sure-fire film property. A case in point: F. Scott Fitzgerald's classic 1925 tale, "The Great Gatsby."

Director and co-writer Baz Luhrmann's current 3-D adaptation (Warner Bros.) is at least the fourth effort to being Fitzgerald's chronicle of the Jazz Age to the big screen, the first of which dates back to the silent era.

Since that 1926 production -- helmed by Herbert Brenon -- has long been lost, it's impossible to assess its merits from this remove. But neither of its successors -- director Elliott Nugent's 1949 version starring Alan Ladd and Betty Field and Jack Clayton's 1974 release featuring Robert Redford and Mia Farrow -- generated much critical enthusiasm.

Despite its star power and a script by Francis Ford Coppola, Clayton's offering was widely regarded as pretty but listless. Though that's unlikely to be anyone's assessment of Luhrmann's film -- which is, if anything, overcharged and bursting at the seams -- there are other problems afoot.

In particular, Luhrmann's splashy, sometimes cartoonish approach to the material creates a fablelike setting that distances viewers from Fitzgerald's characters -- and thereby lessens the emotional impact of their downfall.

For those who failed to peruse even the Cliff Notes during high school or college, here's the setup: Narrator Nick Carraway (Tobey Maguire), Mid-western-bred scion of the WASP establishment, moves to New York, becomes a tyro bond salesman and rents an inexpensive summer cottage on Long Island as a venue for weekend getaways.

His neighbor there, the occupant of a vast, fantastical mansion, is iconic self-made man and would-be social insider Jay Gatsby (Leonardo DiCaprio). Gatsby's past is shadowy; so too is the source of his seemingly inexhaustible wealth.

Besides sharing the same neighborhood, Nick and Gatsby have something else in common as well: Nick's alluring cousin Daisy (Carey Mulligan), whom Gatsby, as a World War I-era G.I., once romanced and for whom he continues to carry an obsessively-blazing torch. There's just one difficulty: Daisy is now married to old-money millionaire and despicable cad Tom Buchanan (Joel Edgerton).

At Gatsby's request, Nick engineers a reunion for the duo, hardly guessing that the renewed connection will lead on, first to adultery, then to a disastrous confrontation with Tom and finally, through convoluted circumstances, to tragedy.

Luhrmann revels in the frenzied decadence of Gatsby's lifestyle, choreographing the riotous, gin-laden parties the mystery man hosts in a manner that suggests Busby Berkeley on hallucinogens.

Additionally, Luhrmann's script, penned in collaboration with Craig Pearce, tends to glamorize the sinful relationship at the heart of the story, suggesting that an unpleasant spouse and the inherent superiority of the illicit lovers are reason enough to ignore the Sixth Commandment.

As Gatsby himself might put it: Not so, old sport.

The film contains scenes of both lethal and nonlethal violence with minimal gore, an uncritical view of adultery, brief semi-graphic adulterous activity as well as some other sexual content, a glimpse of partial nudity, a few uses of profanity, a couple of crude terms and a religious slur. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Anthony Grassi: Anthony’s father died when his son was only 10 years old, but the young lad inherited his father’s devotion to Our Lady of Loreto. As a schoolboy he frequented the local church of the Oratorian Fathers, joining the religious order when he was 17.
<p>Already a fine student, he soon gained a reputation in his religious community as a "walking dictionary" who quickly grasped Scripture and theology. For some time he was tormented by scruples, but they reportedly left him at the very hour he celebrated his first Mass. From that day, serenity penetrated his very being.
</p><p>In 1621, at age 29, Anthony was struck by lightning while praying in the church of the Holy House at Loreto. He was carried paralyzed from the church, expecting to die. When he recovered in a few days he realized that he had been cured of acute indigestion. His scorched clothes were donated to the Loreto church as an offering of thanks for his new gift of life.
</p><p>More important, Anthony now felt that his life belonged entirely to God. Each year thereafter he made a pilgrimage to Loreto to express his thanks.
</p><p>He also began hearing confessions, and came to be regarded as an outstanding confessor. Simple and direct, he listened carefully to penitents, said a few words and gave a penance and absolution, frequently drawing on his gift of reading consciences.
</p><p>In 1635 he was elected superior of the Fermo Oratory. He was so well regarded that he was reelected every three years until his death. He was a quiet person and a gentle superior who did not know how to be severe. At the same time he kept the Oratorian constitutions literally, encouraging the community to do likewise.
</p><p>He refused social or civic commitments and instead would go out day or night to visit the sick or dying or anyone else needing his services. As he grew older, he had a God-given awareness of the future, a gift which he frequently used to warn or to console.
</p><p>But age brought its challenges as well. He suffered the humility of having to give up his physical faculties one by one. First was his preaching, necessitated after he lost his teeth. Then he could no longer hear confessions. Finally, after a fall, he was confined to his room. The archbishop himself came each day to give him holy Communion. One of Anthony’s final acts was to reconcile two fiercely quarreling brothers.</p> American Catholic Blog God of love, as I come to the end of this Advent season, my heart is ready to celebrate the birth of Jesus. I join with Mary in saying, “Here am I, the servant of the Lord; let it be with me according to your word.” Nothing is impossible with you, O God.

 
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