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ON FAITH & MEDIA View Comments

Star Trek Into Darkness

By
John Mulderig
Source: Catholic News Service


Chris Pine and Zachary Quinto star in a scene from the movie "Star Trek Into Darkness."
The original fans of the long-lived "Star Trek" franchise may be getting older; the TV series that started everything off, after all, first hit antennas (remember them?) nearly 50 years ago.

But director J.J. Abrams continues to keep the perennially appealing characters of this sci-fi stalwart young with his second chronicle of their early professional lives, "Star Trek Into Darkness" (Paramount).

In following up on his 2009 reboot of -- and prequel to -- Gene Roddenberry's mythos, Abrams crafts a snappy adventure on a spectacular scale. And the story -- penned by Alex Kurtzman, Roberto Orci and Damon Lindelof -- carries an ethically respectable thematic cargo.

Still, the parents of teen Trekkies will need to weigh the profit of the film's positive central message against the debit of some sensual imagery and vulgar talk.

You'd have to have been living in a dark cave on Kronos since at least the Johnson administration not to know that Capt. James T. Kirk (Chris Pine) is dynamic and impetuous. But just in case, early scenes confirm that he hasn't changed his ways.

Neither has his seemingly emotionless half-Vulcan, half-human first officer Spock (Zachary Quinto). Spock's devotion to pure logic endures, so too does his exactitude where regulations are concerned.

Despite their apparent oil-and-water chemistry, of course, the two share a deep bond. They also collaborate successfully in providing leadership to the intrepid crew of the Starship Enterprise. This United Nations-like ensemble includes such familiar figures as Communications Officer Uhura (Zoe Saldana), Medical Officer McCoy (Karl Urban), Chief Engineer Scott (Simon Pegg), navigator Chekov (Anton Yelchin) and helmsman Sulu (John Cho).

The Enterprise's current quest involves a high-stakes, sometimes morally fraught crusade against Starfleet officer-turned- intergalactic-terrorist John Harrison (Benedict Cumberbatch, oozing elegant evil). Kirk and company are helped along the way by a new crew member, fetching auxiliary Science Officer Carol Marcus (Alice Eve).

Marcus pushes Kirk's buttons even as she steps on Spock's toes (science being Spock's traditional bailiwick). But neither she nor Harrison, it turns out, are quite who they initially appear to be.

To solve at least one of these mysteries, Kirk will have to resist both his own impulse to wreak revenge on Harrison -- one of whose victims was someone close to Kirk's heart -- and the orders he's been issued to eliminate the fugitive without trial.

As Kirk struggles to be true to his own better nature, with sage encouragement from Spock, the script issues a warning against employing immoral means to overcome evil -- an admonition that registers as both scripturally resonant and timely. Other, equally weighty, subjects touched on include friendship and even death.

In connection with the latter topic, it cuts somewhat against the grain that McCoy manages to produce a deus ex machina-style plot reversal by means of a chemically engineered resurrection. Christian viewers may be willing to dismiss this as either trivial or desperate. But it doesn't help matters that Spock, at another juncture, flatly denies the possibility of miracles.

Perhaps only a great theologian like St. Thomas Aquinas could work through such a contradiction. A saying attributed to him holds that everything that happens has a natural explanation; and everything that happens is a miracle.

Many youthful viewers may lack the angelic doctor's far-seeing wisdom, and may also be edged out of the appropriate audience for "Star Trek Into Darkness" by the elements listed below. But at least some adult guardians may consider the picture acceptable for older adolescents.

"Star Trek Into Darkness" will be shown on both Imax and conventional screens.

The film contains much bloodless battling but also occasional harsh violence, some sexual content -- including a trio glimpsed waking up together and scenes with skimpy costuming -- a few uses of crude language and a half-dozen crass terms. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Philip Neri: Philip Neri was a sign of contradiction, combining popularity with piety against the background of a corrupt Rome and a disinterested clergy, the whole post-Renaissance malaise. 
<p>At an early age, he abandoned the chance to become a businessman, moved to Rome from Florence and devoted his life and individuality to God. After three years of philosophy and theology studies, he gave up any thought of ordination. The next 13 years were spent in a vocation unusual at the time—that of a layperson actively engaged in prayer and the apostolate. </p><p>As the Council of Trent (1545-63) was reforming the Church on a doctrinal level, Philip’s appealing personality was winning him friends from all levels of society, from beggars to cardinals. He rapidly gathered around himself a group of laypersons won over by his audacious spirituality. Initially they met as an informal prayer and discussion group, and also served poor people in Rome. </p><p>At the urging of his confessor, he was ordained a priest and soon became an outstanding confessor, gifted with the knack of piercing the pretenses and illusions of others, though always in a charitable manner and often with a joke. He arranged talks, discussions and prayers for his penitents in a room above the church. He sometimes led “excursions” to other churches, often with music and a picnic on the way. </p><p>Some of his followers became priests and lived together in community. This was the beginning of the Oratory, the religious institute he founded. A feature of their life was a daily afternoon service of four informal talks, with vernacular hymns and prayers. Giovanni Palestrina was one of Philip’s followers, and composed music for the services. </p><p>The Oratory was finally approved after suffering through a period of accusations of being an assembly of heretics, where laypersons preached and sang vernacular hymns! (Cardinal Newman founded the first English-speaking house of the Oratory three centuries later.) </p><p>Philip’s advice was sought by many of the prominent figures of his day. He is one of the influential figures of the Counter-Reformation, mainly for converting to personal holiness many of the influential people within the Church itself. His characteristic virtues were humility and gaiety.</p> American Catholic Blog When we suffer, we don’t just come to understand the pain of Christ’s cross more, we come to understand the depth of God’s love for us: that he would endure such pain for us—in our place. We have a God who endured death so we would never have to do so.

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