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ON FAITH & MEDIA View Comments

42

By
John Mulderig
Source: Catholic News Service


Lucas Black and Chadwick Boseman star in a scene from the movie "42."
To paraphrase the title of an earlier movie about the national pastime, hate strikes out in the historical drama "42" (Warner Bros.). Writer-director Brian Helgeland's uplifting -- if sometimes heavy-handed -- film recounts the 1947 reintegration of professional baseball after decades of segregated play.

As Helgeland's script shows us, this racial breakthrough -- which marked a significant milestone in the onward march of the civil rights movement -- was made possible by the collaborative efforts of Brooklyn Dodgers general manager Branch Rickey (Harrison Ford) and Negro League star Jackie Robinson (Chadwick Boseman).

In the aftermath of World War II, Rickey was determined to add a black player to the roster of "Dem Bums." In Robinson -- whose Dodgers uniform, once he eventually donned it, bore the number of the title -- Rickey found a sportsman with sufficient character to endure all the abuse that would have to be faced to make this change a reality.

Rickey's motivation was in part, of course, financial; in a diverse city like New York, integrated play would lead to an expanded fan base. But, if the narrative here is accurate, both his vision and Robinson's courage also can be attributed to their shared Christian faith.

This bond is first indicated in a humorous way when Rickey, reviewing Robinson's file, observes that everything is going to work out fine since "he's a Methodist, I'm a Methodist, God's a Methodist ... ."

Later, in describing to Robinson the forbearance he will need to demonstrate, Rickey gravely compares it to that of "our Savior." And, while remonstrating with a racist opponent, Rickey reminds him -- albeit somewhat jokingly -- that he will someday stand before God to be judged.

Catholicism is only specifically referred to in passing -- and in a retrospectively curious light. Rickey learns from the commissioner of baseball that his manager, the legendary Leo Durocher (Christopher Meloni), is being suspended from the game for a year. The Catholic Youth Organization, it seems, objects to the flagrantly adulterous affair Durocher has been carrying on with his mistress. The organization's threat of a boycott, so the commissioner assures Rickey, is not to be ignored.

Robinson's marriage, by contrast, is shown to be both a model of success and a crucial source of support in his struggle. As he courts and marries his sweetheart Rachel (Nicole Beharie) -- and as they embark on parenthood together -- she proves a tower of strength to her husband, by turns egging him on and cooling him down.

Swelling music and other atmospherics occasionally convey the impression that Helgeland's picture is too convinced of its own importance. But the proceedings are buoyed by the feisty righteousness with which Ford, in a splendid turn, endows Rickey and by the inspiring example of Robinson's unbreakable determination.

While the elements listed below would normally exclude youthful viewers, the moral impact of Rickey and Robinson's history-altering partnership may make their story acceptable for older teens.

The film contains an adultery theme, racial slurs, fleeting humor implicitly referencing homosexuality, a few uses of profanity, at least one crude term and occasional crass language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Angela Merici: Angela has the double distinction of founding the first teaching congregation of women in the Church and what is now called a “secular institute” of religious women. 
<p>As a young woman she became a member of the Third Order of St. Francis (now known as the Secular Franciscan Order), and lived a life of great austerity, wishing, like St. Francis, to own nothing, not even a bed. Early in life she was appalled at the ignorance among poorer children, whose parents could not or would not teach them the elements of religion. Angela’s charming manner and good looks complemented her natural qualities of leadership. Others joined her in giving regular instruction to the little girls of their neighborhood. </p><p>She was invited to live with a family in Brescia (where, she had been told in a vision, she would one day found a religious community). Her work continued and became well known. She became the center of a group of people with similar ideals. </p><p>She eagerly took the opportunity for a trip to the Holy Land. When they had gotten as far as Crete, she was struck with blindness. Her friends wanted to return home, but she insisted on going through with the pilgrimage, and visited the sacred shrines with as much devotion and enthusiasm as if she had her sight. On the way back, while praying before a crucifix, her sight was restored at the same place where it had been lost. </p><p>At 57, she organized a group of 12 girls to help her in catechetical work. Four years later the group had increased to 28. She formed them into the Company of St. Ursula (patroness of medieval universities and venerated as a leader of women) for the purpose of re-Christianizing family life through solid Christian education of future wives and mothers. The members continued to live at home, had no special habit and took no formal vows, though the early Rule prescribed the practice of virginity, poverty and obedience. The idea of a teaching congregation of women was new and took time to develop. The community thus existed as a “secular institute” until some years after Angela’s death.</p> American Catholic Blog I hear far more people discuss the presence of evil in their lives than they do the supreme power of grace. God is bigger than evil!

 
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