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ON FAITH & MEDIA View Comments

42

By
John Mulderig
Source: Catholic News Service


Lucas Black and Chadwick Boseman star in a scene from the movie "42."
To paraphrase the title of an earlier movie about the national pastime, hate strikes out in the historical drama "42" (Warner Bros.). Writer-director Brian Helgeland's uplifting -- if sometimes heavy-handed -- film recounts the 1947 reintegration of professional baseball after decades of segregated play.

As Helgeland's script shows us, this racial breakthrough -- which marked a significant milestone in the onward march of the civil rights movement -- was made possible by the collaborative efforts of Brooklyn Dodgers general manager Branch Rickey (Harrison Ford) and Negro League star Jackie Robinson (Chadwick Boseman).

In the aftermath of World War II, Rickey was determined to add a black player to the roster of "Dem Bums." In Robinson -- whose Dodgers uniform, once he eventually donned it, bore the number of the title -- Rickey found a sportsman with sufficient character to endure all the abuse that would have to be faced to make this change a reality.

Rickey's motivation was in part, of course, financial; in a diverse city like New York, integrated play would lead to an expanded fan base. But, if the narrative here is accurate, both his vision and Robinson's courage also can be attributed to their shared Christian faith.

This bond is first indicated in a humorous way when Rickey, reviewing Robinson's file, observes that everything is going to work out fine since "he's a Methodist, I'm a Methodist, God's a Methodist ... ."

Later, in describing to Robinson the forbearance he will need to demonstrate, Rickey gravely compares it to that of "our Savior." And, while remonstrating with a racist opponent, Rickey reminds him -- albeit somewhat jokingly -- that he will someday stand before God to be judged.

Catholicism is only specifically referred to in passing -- and in a retrospectively curious light. Rickey learns from the commissioner of baseball that his manager, the legendary Leo Durocher (Christopher Meloni), is being suspended from the game for a year. The Catholic Youth Organization, it seems, objects to the flagrantly adulterous affair Durocher has been carrying on with his mistress. The organization's threat of a boycott, so the commissioner assures Rickey, is not to be ignored.

Robinson's marriage, by contrast, is shown to be both a model of success and a crucial source of support in his struggle. As he courts and marries his sweetheart Rachel (Nicole Beharie) -- and as they embark on parenthood together -- she proves a tower of strength to her husband, by turns egging him on and cooling him down.

Swelling music and other atmospherics occasionally convey the impression that Helgeland's picture is too convinced of its own importance. But the proceedings are buoyed by the feisty righteousness with which Ford, in a splendid turn, endows Rickey and by the inspiring example of Robinson's unbreakable determination.

While the elements listed below would normally exclude youthful viewers, the moral impact of Rickey and Robinson's history-altering partnership may make their story acceptable for older teens.

The film contains an adultery theme, racial slurs, fleeting humor implicitly referencing homosexuality, a few uses of profanity, at least one crude term and occasional crass language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Hilary of Arles: It’s been said that youth is wasted on the young. In some ways, that was true for today’s saint. 
<p>Born in France in the early fifth century, Hilary came from an aristocratic family. In the course of his education he encountered his relative, Honoratus, who encouraged the young man to join him in the monastic life. Hilary did so. He continued to follow in the footsteps of Honoratus as bishop. Hilary was only 29 when he was chosen bishop of Arles. </p><p>The new, youthful bishop undertook the role with confidence. He did manual labor to earn money for the poor. He sold sacred vessels to ransom captives. He became a magnificent orator. He traveled everywhere on foot, always wearing simple clothing. </p><p>That was the bright side. Hilary encountered difficulty in his relationships with other bishops over whom he had some jurisdiction. He unilaterally deposed one bishop. He selected another bishop to replace one who was very ill–but, to complicate matters, did not die! Pope St. Leo the Great kept Hilary a bishop but stripped him of some of his powers. </p><p>Hilary died at 49. He was a man of talent and piety who, in due time, had learned how to be a bishop.</p> American Catholic Blog You, you're the one! You're the one who does something nice for one person, and they turn around and do something nice for someone else. You're the one who changes the world!

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