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ON FAITH & MEDIA View Comments

42

By
John Mulderig
Source: Catholic News Service


Lucas Black and Chadwick Boseman star in a scene from the movie "42."
To paraphrase the title of an earlier movie about the national pastime, hate strikes out in the historical drama "42" (Warner Bros.). Writer-director Brian Helgeland's uplifting -- if sometimes heavy-handed -- film recounts the 1947 reintegration of professional baseball after decades of segregated play.

As Helgeland's script shows us, this racial breakthrough -- which marked a significant milestone in the onward march of the civil rights movement -- was made possible by the collaborative efforts of Brooklyn Dodgers general manager Branch Rickey (Harrison Ford) and Negro League star Jackie Robinson (Chadwick Boseman).

In the aftermath of World War II, Rickey was determined to add a black player to the roster of "Dem Bums." In Robinson -- whose Dodgers uniform, once he eventually donned it, bore the number of the title -- Rickey found a sportsman with sufficient character to endure all the abuse that would have to be faced to make this change a reality.

Rickey's motivation was in part, of course, financial; in a diverse city like New York, integrated play would lead to an expanded fan base. But, if the narrative here is accurate, both his vision and Robinson's courage also can be attributed to their shared Christian faith.

This bond is first indicated in a humorous way when Rickey, reviewing Robinson's file, observes that everything is going to work out fine since "he's a Methodist, I'm a Methodist, God's a Methodist ... ."

Later, in describing to Robinson the forbearance he will need to demonstrate, Rickey gravely compares it to that of "our Savior." And, while remonstrating with a racist opponent, Rickey reminds him -- albeit somewhat jokingly -- that he will someday stand before God to be judged.

Catholicism is only specifically referred to in passing -- and in a retrospectively curious light. Rickey learns from the commissioner of baseball that his manager, the legendary Leo Durocher (Christopher Meloni), is being suspended from the game for a year. The Catholic Youth Organization, it seems, objects to the flagrantly adulterous affair Durocher has been carrying on with his mistress. The organization's threat of a boycott, so the commissioner assures Rickey, is not to be ignored.

Robinson's marriage, by contrast, is shown to be both a model of success and a crucial source of support in his struggle. As he courts and marries his sweetheart Rachel (Nicole Beharie) -- and as they embark on parenthood together -- she proves a tower of strength to her husband, by turns egging him on and cooling him down.

Swelling music and other atmospherics occasionally convey the impression that Helgeland's picture is too convinced of its own importance. But the proceedings are buoyed by the feisty righteousness with which Ford, in a splendid turn, endows Rickey and by the inspiring example of Robinson's unbreakable determination.

While the elements listed below would normally exclude youthful viewers, the moral impact of Rickey and Robinson's history-altering partnership may make their story acceptable for older teens.

The film contains an adultery theme, racial slurs, fleeting humor implicitly referencing homosexuality, a few uses of profanity, at least one crude term and occasional crass language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Bernadette Soubirous: Bernadette Soubirous was born in 1844, the first child of an extremely poor miller in the town of Lourdes in southern France. The family was living in the basement of a dilapidated building when on February 11,1858, the Blessed Virgin Mary appeared to Bernadette in a cave above the banks of the Gave River near Lourdes. Bernadette, 14 years old, was known as a virtuous girl though a dull student who had not even made her first Holy Communion. In poor health, she had suffered from asthma from an early age. 
<p>There were 18 appearances in all, the final one occurring on the feast of Our Lady of Mt. Carmel, July 16. Although Bernadette's initial reports provoked skepticism, her daily visions of "the Lady" brought great crowds of the curious. The Lady, Bernadette explained, had instructed her to have a chapel built on the spot of the visions. There the people were to come to wash in and drink of the water of the spring that had welled up from the very spot where Bernadette had been instructed to dig. </p><p>According to Bernadette, the Lady of her visions was a girl of 16 or 17 who wore a white robe with a blue sash. Yellow roses covered her feet, a large rosary was on her right arm. In the vision on March 25 she told Bernadette, "I am the Immaculate Conception." It was only when the words were explained to her that Bernadette came to realize who the Lady was. </p><p>Few visions have ever undergone the scrutiny that these appearances of the Immaculate Virgin were subject to. Lourdes became one of the most popular Marian shrines in the world, attracting millions of visitors. Miracles were reported at the shrine and in the waters of the spring. After thorough investigation Church authorities confirmed the authenticity of the apparitions in 1862. </p><p>During her life Bernadette suffered much. She was hounded by the public as well as by civic officials until at last she was protected in a convent of nuns. Five years later she petitioned to enter the Sisters of Notre Dame. After a period of illness she was able to make the journey from Lourdes and enter the novitiate. But within four months of her arrival she was given the last rites of the Church and allowed to profess her vows. She recovered enough to become infirmarian and then sacristan, but chronic health problems persisted. She died on April 16, 1879, at the age of 35. </p><p>She was canonized in 1933.</p> American Catholic Blog In humility, a woman ultimately forgets 
herself; forgets both her shortcomings and accomplishments equally and 
strives to remain empty of self to make room for Jesus, just as Mary 
did.

 
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