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ON FAITH & MEDIA View Comments

42

By
John Mulderig
Source: Catholic News Service


Lucas Black and Chadwick Boseman star in a scene from the movie "42."
To paraphrase the title of an earlier movie about the national pastime, hate strikes out in the historical drama "42" (Warner Bros.). Writer-director Brian Helgeland's uplifting -- if sometimes heavy-handed -- film recounts the 1947 reintegration of professional baseball after decades of segregated play.

As Helgeland's script shows us, this racial breakthrough -- which marked a significant milestone in the onward march of the civil rights movement -- was made possible by the collaborative efforts of Brooklyn Dodgers general manager Branch Rickey (Harrison Ford) and Negro League star Jackie Robinson (Chadwick Boseman).

In the aftermath of World War II, Rickey was determined to add a black player to the roster of "Dem Bums." In Robinson -- whose Dodgers uniform, once he eventually donned it, bore the number of the title -- Rickey found a sportsman with sufficient character to endure all the abuse that would have to be faced to make this change a reality.

Rickey's motivation was in part, of course, financial; in a diverse city like New York, integrated play would lead to an expanded fan base. But, if the narrative here is accurate, both his vision and Robinson's courage also can be attributed to their shared Christian faith.

This bond is first indicated in a humorous way when Rickey, reviewing Robinson's file, observes that everything is going to work out fine since "he's a Methodist, I'm a Methodist, God's a Methodist ... ."

Later, in describing to Robinson the forbearance he will need to demonstrate, Rickey gravely compares it to that of "our Savior." And, while remonstrating with a racist opponent, Rickey reminds him -- albeit somewhat jokingly -- that he will someday stand before God to be judged.

Catholicism is only specifically referred to in passing -- and in a retrospectively curious light. Rickey learns from the commissioner of baseball that his manager, the legendary Leo Durocher (Christopher Meloni), is being suspended from the game for a year. The Catholic Youth Organization, it seems, objects to the flagrantly adulterous affair Durocher has been carrying on with his mistress. The organization's threat of a boycott, so the commissioner assures Rickey, is not to be ignored.

Robinson's marriage, by contrast, is shown to be both a model of success and a crucial source of support in his struggle. As he courts and marries his sweetheart Rachel (Nicole Beharie) -- and as they embark on parenthood together -- she proves a tower of strength to her husband, by turns egging him on and cooling him down.

Swelling music and other atmospherics occasionally convey the impression that Helgeland's picture is too convinced of its own importance. But the proceedings are buoyed by the feisty righteousness with which Ford, in a splendid turn, endows Rickey and by the inspiring example of Robinson's unbreakable determination.

While the elements listed below would normally exclude youthful viewers, the moral impact of Rickey and Robinson's history-altering partnership may make their story acceptable for older teens.

The film contains an adultery theme, racial slurs, fleeting humor implicitly referencing homosexuality, a few uses of profanity, at least one crude term and occasional crass language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Jerome: Most of the saints are remembered for some outstanding virtue or devotion which they practiced, but Jerome is frequently remembered for his bad temper! It is true that he had a very bad temper and could use a vitriolic pen, but his love for God and his Son Jesus Christ was extraordinarily intense; anyone who taught error was an enemy of God and truth, and St. Jerome went after him or her with his mighty and sometimes sarcastic pen. 
<p>He was above all a Scripture scholar, translating most of the Old Testament from the Hebrew. He also wrote commentaries which are a great source of scriptural inspiration for us today. He was an avid student, a thorough scholar, a prodigious letter-writer and a consultant to monk, bishop and pope. St. Augustine (August 28) said of him, "What Jerome is ignorant of, no mortal has ever known." </p><p>St. Jerome is particularly important for having made a translation of the Bible which came to be called the Vulgate. It is not the most critical edition of the Bible, but its acceptance by the Church was fortunate. As a modern scholar says, "No man before Jerome or among his contemporaries and very few men for many centuries afterwards were so well qualified to do the work." The Council of Trent called for a new and corrected edition of the Vulgate, and declared it the authentic text to be used in the Church. </p><p>In order to be able to do such work, Jerome prepared himself well. He was a master of Latin, Greek, Hebrew and Chaldaic. He began his studies at his birthplace, Stridon in Dalmatia (in the former Yugoslavia). After his preliminary education he went to Rome, the center of learning at that time, and thence to Trier, Germany, where the scholar was very much in evidence. He spent several years in each place, always trying to find the very best teachers. He once served as private secretary of Pope Damasus (December 11).</p><p>After these preparatory studies he traveled extensively in Palestine, marking each spot of Christ's life with an outpouring of devotion. Mystic that he was, he spent five years in the desert of Chalcis so that he might give himself up to prayer, penance and study. Finally he settled in Bethlehem, where he lived in the cave believed to have been the birthplace of Christ. On September 30 in the year 420, Jerome died in Bethlehem. The remains of his body now lie buried in the Basilica of St. Mary Major in Rome.</p> American Catholic Blog O fire of love! Was it not enough to gift us with creation in your image and likeness, and to create us anew to grace in your Son’s blood, without giving us yourself as food, the whole of divine being, the whole of God? What drove you? Nothing but your charity, mad with love as your are! –St. Catherine of Siena

 
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