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The Host

John Mulderig
Source: Catholic News Service

Max Irons and Saoirse Ronan star in a scene from the movie "The Host."
Derived from a novel by "Twilight" author Stephenie Meyer, the ponderous, dramatically inept science fiction tale "The Host" (Open Road) is clearly aimed at teen viewers. But the murky circumstances of its central love affair make it too morally obscure for most adolescents.

As for those in a more mature demographic, while they may be better equipped to discern an ethically acceptable path through it all, they may not want to bother.

This ill-conceived dystopian project rests on the premise that alien spirits have taken over the bodies of most human beings.

As the opening narrative informs us, these highly evolved hijackers, with their tranquil personalities, have managed to resolve most of humanity's most pressing problems: war, world hunger, you name it. But, while they may be enlightened and unflappable, they also brook no opposition—just ask our youthful heroine Melanie Stryder (Saoirse Ronan).

Understandably unwilling to be transformed into an intergalactic Stepford wife, Melanie has been on the lam. But her fugitive days come to an abrupt end when she's captured and subjected to the forced infusion of an extraterrestrial consciousness (visualized as a kind of luminous creepy-crawly surgically inserted into the back of Melanie's neck).

Far from going quietly, however, spunky Melanie manages to retain her own soul through the process, much to the surprise of her new corporeal roommate, an entity called Wanderer. Here the fatal absurdity that undermines all that follows kicks in as Melanie and Wanderer begin an endless debate with each other via voice-over (Melanie) and dialogue (Wanderer).

The result might aptly be called "Sybil Meets the Body Snatchers."

If only this were an old-fashioned Western, Wanderer could put us all out of our misery by declaring: "This body ain't big enough for the both of us!" Instead, the increasingly sympathetic invader allows Melanie to convince her to return to, and aid, the band of earthlings with whom Melanie sheltered while on the run.

Led by folksy Uncle Jeb (William Hurt), these refugees include both Melanie's long-standing boyfriend, Jared (Max Irons), and the lad destined to win Wanderer's heart, Ian (Jake Abel). With two competing love interests, but only one mouth to kiss with, romantic complications—and more schizophrenic squabbling—inevitably ensue.

Flashbacks reveal that, before they came under Uncle Jeb's protection, Melanie and Jared were living together as a couple and doing their best to rear Melanie's kid brother, Jamie (Chandler Canterbury). The duo's relationship became physical, we learn, at Melanie's explicit invitation.

The extreme situation—talk about a clergy shortage!—may excuse this improvised marriage between two characters clearly destined to make their way into the sunset together. But, even so, immature moviegoers might easily be led astray by such a do-it-yourself approach to bonded bliss.

With Uncle Jeb, et al., struggling to trust Wanderer and Wanderer discovering some of the less savory aspects of human nature, writer-director Andrew Niccol earnestly introduces honorable themes concerning tolerance, nonviolence and altruism. But cavernous aesthetic flaws hopelessly undermine all his good intentions.

The film contains much action violence, fleeting gore, a suicide theme, cohabitation with brief semi-graphic sexual activity and a couple of crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

John Mulderig is on the staff of Catholic News Service.

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Our Lady of the Rosary: St. Pius V established this feast in 1573. The purpose was to thank God for the victory of Christians over the Turks at Lepanto—a victory attributed to the praying of the rosary. Clement XI extended the feast to the universal Church in 1716. 
<p>The development of the rosary has a long history. First, a practice developed of praying 150 Our Fathers in imitation of the 150 Psalms. Then there was a parallel practice of praying 150 Hail Marys. Soon a mystery of Jesus' life was attached to each Hail Mary. Though Mary's giving the rosary to St. Dominic is recognized as a legend, the development of this prayer form owes much to the followers of St. Dominic. One of them, Alan de la Roche, was known as "the apostle of the rosary." He founded the first Confraternity of the Rosary in the 15th century. In the 16th century the rosary was developed to its present form—with the 15 mysteries (joyful, sorrowful and glorious). In 2002, Pope John Paul II added five Mysteries of Light to this devotion.</p> American Catholic Blog Just as God, in his loving providence, nourishes and sustains our bodies with food, so does he nourish and sustain our souls in the sacraments, the spiritual nutrition that animates, heals, and strengthens us during our sojourn in this earthly life. Receiving the sacraments often will help you live out the faith and keep you on the road to heaven.


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