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ON FAITH & MEDIA View Comments

The Incredible Burt Wonderstone

By
Joseph McAleer
Source: Catholic News Service


Alan Arkin, Jim Carrey, Steve Carell, Michael Bully and Jay Mohr star in a scene from the movie "The Incredible Burt Wonderstone."
By turns repellent and charming, "The Incredible Burt Wonderstone" (Warner Bros.) comically charts the rise and fall of dueling magicians on the famed Las Vegas Strip.

On the surface, the film, directed by television veteran Don Scardino ("30 Rock"), seeks its laughs the conventional Hollywood way, via sexual innuendo or gross-out sight gags. Regrettably, such sleaze—together with a morally flawed conclusion—obscures interesting commentaries on the wickedness of narcissism and a fallen idol's potential path to redemption.

For years, the hottest ticket in Sin City has been "A Magical Friendship," headlined by the superstar—and colorfully named—magicians Burt Wonderstone (Steve Carell) and Anton Marvelton (Steve Buscemi). The two have been pals since elementary school, when a shared love for sleight-of-hand built confidence and provided armor against bullies.

"Everyone loves a magician," intoned the great illusionist Rance Holloway (Alan Arkin) in his how-to videotape watched by the wide-eyed boys. "And they will all love you, too."

Audiences did, but lately changing tastes and increased competition have dimmed the spotlight and strained the friendship. Burt, channeling Siegfried and Roy with his flowing blond locks, spray tan and sequined jumpsuit, has become an obnoxious diva who beds lady volunteers from the audience. He's bored with the act and, especially, with Anton, who has never wavered in his self-discipline and loyalty.

When a new stunt fails in spectacular fashion, the duo parts ways, and Burt falls on hard times, forced to work as an entertainer in an old folks' home.

Meanwhile, a new star is rising in the person of outrageous street performer Steve Gray (Jim Carrey), who goes by the title "The Brain Rapist." Steve's form of magic involves squeamish physical challenges, such as using his head to pound nails into wood or holding his urine for days on end.

To Steve, magicians such as Burt and Anton are old school and must be destroyed. "It's natural for a dying leaf to be frightened of this autumn wind," he tells Burt.

To make matters worse, Burt and Anton's former assistant, the lovely Jane (Olivia Wilde), has become Steve's aide. But Jane, a magician herself, has a soft spot for the down-and-out Burt, and supports efforts to turn his life around.

"The Incredible Burt Wonderstone" takes a decisive wrong turn at its climax—when a big comeback stunt depends more on narcotics than on magic. Coming on top of all the dubious humor on display, this development ramps up the problematic content of the picture—and will leave viewers questioning whether Burt's values have really changed after all.

The film contains a benign view of drug use and contraception, much crude humor, sexual innuendo and occasional profane and rough language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Eusebius of Vercelli: Someone has said that if there had been no Arian heresy denying Christ's divinity, it would be very difficult to write the lives of many early saints. Eusebius is another of the defenders of the Church during one of its most trying periods. 
<p>Born on the isle of Sardinia, he became a member of the Roman clergy and is the first recorded bishop of Vercelli in Piedmont in northwest Italy. He is also the first to link the monastic life with that of the clergy, establishing a community of his diocesan clergy on the principle that the best way to sanctify his people was to have them see a clergy formed in solid virtue and living in community. </p><p>He was sent by Pope Liberius to persuade the emperor to call a council to settle Catholic-Arian troubles. When it was called at Milan, Eusebius went reluctantly, sensing that the Arian block would have its way, although the Catholics were more numerous. He refused to go along with the condemnation of St. Athanasius; instead, he laid the Nicene Creed on the table and insisted that all sign it before taking up any other matter. The emperor put pressure on him, but Eusebius insisted on Athanasius’ innocence and reminded the emperor that secular force should not be used to influence Church decisions. At first the emperor threatened to kill him, but later sent him into exile in Palestine. There the Arians dragged him through the streets and shut him up in a little room, releasing him only after his four-day hunger strike. They resumed their harassment shortly after. </p><p>His exile continued in Asia Minor and Egypt, until the new emperor permitted him to be welcomed back to his see in Vercelli. He attended the Council of Alexandria with Athanasius and approved the leniency shown to bishops who had wavered. He also worked with St. Hilary of Poitiers against the Arians. </p><p>He died peacefully in his own diocese at an advanced age.</p> American Catholic Blog In a world that encourages us to take all we can for ourselves, sacrifice is often seen as a distasteful and negative word. Yet, if we want to help the poor, we must embrace some personal sacrifice.

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