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ON FAITH & MEDIA View Comments

Jack the Giant Slayer

By
John Mulderig
Source: Catholic News Service


Sentry Giant, a digitally animated character voiced by Peter Elliott, is seen in the movie "Jack the Giant Slayer."
Faith-tinged and fun, "Jack the Giant Slayer" (Warner Bros.) is director Bryan Singer's 3-D retelling of the classic fairy tale, into which screenwriters Christopher McQuarrie and Dan Studney blend elements of the related story "Jack and the Beanstalk."

The resulting hybrid, which also combines live action and animation, offers teens and their elders a mostly harmless adventure.

Still, the gruesome fates awaiting various bad guys, together with a touch of salty language, make this fable inappropriate fare for the smallest members of its source material's original audience.

We all know Jack (Nicholas Hoult): Absent-minded but goodhearted, he exchanges a perfectly serviceable horse for a handful of purportedly magic beans. In this version, the same trip to the market finds Jack, a mere peasant boy, falling for the plucky Princess Isabelle (Eleanor Tomlinson) who is, in turn, equally taken with him.

Their newfound romance is imperiled, however, when one of the aforesaid legumes shows that it has supernatural qualities after all. Accidentally exposed to water, it suddenly sprouts into a gigantic beanstalk, carrying poor Isabelle aloft to a land of aggressive giants.

Unfortunately for Isabelle, these outsized ogres—led by the two-headed Gen. Fallon (voice of Bill Nighy)—have a taste for human flesh. So a rescue mission is imperative.

In the course of this perilous quest, Jack gains the patronage of a chivalrous nobleman named Elmont (Ewan McGregor) who becomes his patron. But he incurs the displeasure of Roderick (Stanley Tucci), a conniving official in the court of Isabelle's father, King Brahmwell (Ian McShane).

With the cooperation of the guileless king, but much against the princess' own will, slippery Roderick has been angling for an arranged marriage with Isabelle.

In the alternate version of the Middle Ages that provides the setting for "Jack the Giant Slayer," monks and other characters freely, if only incidentally, acknowledge God. They bless themselves at times of danger and offer each other encouragement with such phrases as "May God help you."

Though the details of the overly complicated back story reveal that some monks once dabbled in the "black arts," they are said to have done so only under compulsion. Their successors are now anxious to make up for this lapse by advancing the cause of good—even at the cost of considerable sacrifice. As one of their number puts it, "We owe it to God."

The film contains scenes of bloodless but potentially disturbing violence, brief references to the occult, some mildly scatological humor and a couple of crass terms. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Thomas Aquinas: By universal consent, Thomas Aquinas is the preeminent spokesman of the Catholic tradition of reason and of divine revelation. He is one of the great teachers of the medieval Catholic Church, honored with the titles Doctor of the Church and Angelic Doctor. 
<p>At five he was given to the Benedictine monastery at Monte Cassino in his parents’ hopes that he would choose that way of life and eventually became abbot. In 1239 he was sent to Naples to complete his studies. It was here that he was first attracted to Aristotle’s philosophy. </p><p>By 1243, Thomas abandoned his family’s plans for him and joined the Dominicans, much to his mother’s dismay. On her order, Thomas was captured by his brother and kept at home for over a year. </p><p>Once free, he went to Paris and then to Cologne, where he finished his studies with Albert the Great. He held two professorships at Paris, lived at the court of Pope Urban IV, directed the Dominican schools at Rome and Viterbo, combated adversaries of the mendicants, as well as the Averroists, and argued with some Franciscans about Aristotelianism. </p><p>His greatest contribution to the Catholic Church is his writings. The unity, harmony and continuity of faith and reason, of revealed and natural human knowledge, pervades his writings. One might expect Thomas, as a man of the gospel, to be an ardent defender of revealed truth. But he was broad enough, deep enough, to see the whole natural order as coming from God the Creator, and to see reason as a divine gift to be highly cherished. </p><p>The <i>Summa Theologiae</i>, his last and, unfortunately, uncompleted work, deals with the whole of Catholic theology. He stopped work on it after celebrating Mass on December 6, 1273. When asked why he stopped writing, he replied, “I cannot go on.... All that I have written seems to me like so much straw compared to what I have seen and what has been revealed to me.” He died March 7, 1274.</p> American Catholic Blog We talk often about how we are God’s “hands and feet,” which is true. That being said, we can’t fall into the trap of thinking God needs us like we need Him. He’s God—which makes the reality that He wants to use us and be in a relationship with us an even sweeter, more profound truth.

 
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