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ON FAITH & MEDIA View Comments

A Good Day to Die Hard

By
Adam Shaw
Source: Catholic News Service


Jai Courtney and Bruce Willis star in a scene from the movie "A Good Day to Die Hard."
The quarter-century-old action franchise that started with 1988's "Die Hard" seems to have reached its own death throes with "A Good Day to Die Hard" (Fox). This fifth installment rests on the premise that killing can be an awful lot of fun.

New York detective and series protagonist John McClane (Bruce Willis) is on the trail of his son Jack (Jai Courtney) who appears to have gotten in with the wrong crowd in Moscow. Things in Mother Russia are not what they seem, however, and an explosives-ridden car chase reveals that the elder McClane has underestimated his offspring.

Mostly reconciled, despite some lingering resentment, Dad and Junior team up to protect a government whistleblower named Komarov (Sebastian Koch) from a variety of villains. In the process, of course, they kick up just the kind of carnage that made the quartet of earlier flicks box-office gold.

In a misguided attempt to keep the proceedings light-hearted, director John Moore presents a jaunty view of bloodletting. And, on occasion, he invites the audience to revel in the mayhem; slow-motion death scenes make an obvious appeal to moviegoers' basest, most visceral instincts.

The rudimentary efforts at character development in Skip Woods' screenplay, meanwhile, are drowned amidst a murky tide of run-and-gun action.

The film contains constant violence, some of it gory, occasional profanity, frequent rough and crude language and two obscene gestures. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Adam Shaw is a guest reviewer for Catholic News Service.



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Giles: Despite the fact that much about St. Giles is shrouded in mystery, we can say that he was one of the most popular saints in the Middle Ages. Likely, he was born in the first half of the seventh century in southeastern France. That is where he built a monastery that became a popular stopping-off point for pilgrims making their way to Compostela in Spain and the Holy Land.<br /><br />In England, many ancient churches and hospitals were dedicated to Giles. One of the sections of the city of Brussels is named after him. In Germany, Giles was included among the so-called 14 Holy Helpers, a popular group of saints to whom people prayed, especially for recovery from disease and for strength at the hour of death. Also among the 14 were Sts. Christopher, Barbara and Blaise. Interestingly, Giles was the only non-martyr among them. Devotion to the "Holy Helpers" was especially strong in parts of Germany and in Hungary and Sweden. Such devotion made his popularity spread. Giles was soon invoked as the patron of the poor and the disabled.<br /><br />The pilgrimage center that once drew so many fell into disrepair some centuries after Giles' death. American Catholic Blog The ascension is about the final reunion of what appeared to be separated for a while: earth and heaven, human and divine, matter and Spirit. If the Christ is the archetype of the full human journey, now we know how it all resolves itself in the end. “So that where I am, you also will be” (John 14:3).

 
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