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ON FAITH & MEDIA View Comments

Identity Thief

By
Adam Shaw
Source: Catholic News Service


Jason Bateman and Melissa McCarthy star in a scene from the movie "Identity Thief."

NEW YORK (CNS)—When Denver family man Sandy Patterson (Jason Bateman) discovers that his identity has been stolen—with huge credit card debts racked up in his name and criminal charges pending against him—it's not surprising that he expects the police to intervene on his behalf.

No such luck, at least in director Seth Gordon's morally murky comedy "Identity Thief" (Universal).

Sadly for Sandy, the titular culprit Diana (Melissa McCarthy) is a resident of Florida, which places her outside the reach of Colorado law enforcement. So it could take years to bring her to justice.

But Sandy's ruined credit rating and reputation have placed his newly secured, high-paying finance job at risk. So he decides to travel down to the Sunshine State, take custody of Diana himself and drag her back to his neck of the woods to put things right.

As it turns out, Sandy gets more trouble than he bargained for: Diana's illegal exploits have drawn the unwelcome attention of Julian (Tip "T.I." Harris) and Marisol (Genesis Rodriguez), a pair of ruthless bounty hunters who quickly decide to target Sandy as well.

Despite an interesting, if slightly unbelievable, premise, Craig Mazin's screenplay offers few fresh jokes. He relies instead on exploitative sight gags and foul language.

Additionally, his script seems to wink at theft in situations far removed from those narrow and extreme circumstances within which Judeo-Christian morality might excuse it. Stealing a loaf of bread to feed your starving family is one thing. Using your unappreciative ex-boss' credit card to fund a night of high living in a five-star resort, as Sandy eventually does, is something else entirely.

Do unto others as others have done unto you is, after all, anything but a golden rule.

The film contains skewed moral values, much slapstick and other violence, considerable sexual content including a semi-graphic nonmarital encounter, off-screen masturbation and brief rear nudity, occasional profanity, frequent rough and crude language and an obscene gesture. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Adam Shaw is a guest reviewer for Catholic News Service.





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Philip Neri: Philip Neri was a sign of contradiction, combining popularity with piety against the background of a corrupt Rome and a disinterested clergy, the whole post-Renaissance malaise. 
<p>At an early age, he abandoned the chance to become a businessman, moved to Rome from Florence and devoted his life and individuality to God. After three years of philosophy and theology studies, he gave up any thought of ordination. The next 13 years were spent in a vocation unusual at the time—that of a layperson actively engaged in prayer and the apostolate. </p><p>As the Council of Trent (1545-63) was reforming the Church on a doctrinal level, Philip’s appealing personality was winning him friends from all levels of society, from beggars to cardinals. He rapidly gathered around himself a group of laypersons won over by his audacious spirituality. Initially they met as an informal prayer and discussion group, and also served poor people in Rome. </p><p>At the urging of his confessor, he was ordained a priest and soon became an outstanding confessor, gifted with the knack of piercing the pretenses and illusions of others, though always in a charitable manner and often with a joke. He arranged talks, discussions and prayers for his penitents in a room above the church. He sometimes led “excursions” to other churches, often with music and a picnic on the way. </p><p>Some of his followers became priests and lived together in community. This was the beginning of the Oratory, the religious institute he founded. A feature of their life was a daily afternoon service of four informal talks, with vernacular hymns and prayers. Giovanni Palestrina was one of Philip’s followers, and composed music for the services. </p><p>The Oratory was finally approved after suffering through a period of accusations of being an assembly of heretics, where laypersons preached and sang vernacular hymns! (Cardinal Newman founded the first English-speaking house of the Oratory three centuries later.) </p><p>Philip’s advice was sought by many of the prominent figures of his day. He is one of the influential figures of the Counter-Reformation, mainly for converting to personal holiness many of the influential people within the Church itself. His characteristic virtues were humility and gaiety.</p> American Catholic Blog We need do no more than we are doing at present; that is, to love divine Providence and abandon ourselves in his arms and heart.<br />—St. Padre Pio

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