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Warm Bodies

Adam Shaw
Source: Catholic News Service

Teresa Palmer and Nicholas Hoult star in a scene from the movie "Warm Bodies."
Wouldn't classic love stories like Shakespeare's "Romeo and Juliet" be all the better if zombies were thrown into the mix?

Agree or disagree, that's the basic thrust of director and screenwriter Jonathan Levine's "Warm Bodies" (Summit)—an oddly touching picture based on Isaac Marion's novel of the same name. Unusual for its genre, this monster mash goes light on the gore, and contains a surprising number of Christian-friendly themes.

The premise is as old as boy meets girl ... well, nearly. A mysterious virus has turned vast hordes of humanity into flesh-eating monsters, and those who have remained human are camped out in hastily built fortresses.

One of the undead, known as R (Nicholas Hoult), finds he's able to think semi-rationally, and even curb some of his brain-munching instincts. He grapples with this realization as he comes across the very-much-alive Julie (Teresa Palmer). Somewhat inauspiciously, R initially spies Julie while he's ingesting her boyfriend, Perry (Dave Franco).

Nonetheless, on a whim even he finds surprising, R rescues Julie from certain death at the hands of his hungry companions. He then keeps her safe and fed, and also entertains her with the collection of vinyl records he preserves in the grounded plane that serves as his base.

As his relationship with Julie blossoms, they both come to recognize that R is becoming more and more human with each passing day. And he might not be the only zombie to be affected by this phenomenon. It's a process that begins with the emotional stirrings of the once-flatlined heart, and may end in a fully restored life.

The couple must use their newfound knowledge to try and reconcile the zombie gangs with the militaristic humans, the latter led by Julie's father, Gen. Grigio (John Malkovich). This task is all the more urgent because a new enemy threatens both groups: So-called "Boneys"—zombies in the last stages of decay who roam the earth as evil skeletons.

Redemption, in Levine's script, comes through love, whether it be R's deepening feelings for Julie or other zombies' recollections of their beloved families. Those who have no such reaction, by contrast, are consigned to torment as their need for flesh consumes them.

R initially believes he has no choice but to follow his base cannibalistic desire. But once he meets Julie, he discovers that, while the temptation to do so is still strong, he is able to resist it in order to become a better—more fully alive—person.

R's restraint in the pursuit of virtue may represent an unusual version of asceticism. Yet, by analogy at least, it certainly stands in contrast to the prevailing message of contemporary society that happiness can be found by pursuing every materialistic or bodily urge.

However remotely, given the context, R's discovery that self-denial can result in our becoming more human—and better able to care for those we love—does echo Jesus' exhortation to take up the cross and follow him.

The film contains some restrained gory violence, occasional profanity, at least one instance of rough language and about a half-dozen crude terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

Adam Shaw is a guest reviewer for Catholic News Service.

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John of Monte Corvino: At a time when the Church was heavily embroiled in nationalistic rivalries within Europe, it was also reaching across Asia to spread the gospel of Jesus Christ to the Mongols. John of Monte Corvino went to China about the same time Marco Polo was returning. 
<p>John was a soldier, judge and doctor before he became a friar. Prior to going to Tabriz, Persia (present-day Iran), in 1278, he was well known for his preaching and teaching. In 1291 he left Tabriz as a legate of Pope Nicholas IV to the court of Kublai Khan. An Italian merchant, a Dominican friar and John traveled to western India where the Dominican died. When John and the Italian merchant arrived in China in 1294, Kublai Khan had recently died. </p><p>Nestorian Christians, successors to the dissidents of the fifth-century Council of Ephesus’ teaching on Jesus Christ, had been in China since the seventh century. John converted some of them and also some of the Chinese, including Prince George from Tenduk, northwest of Beijing. Prince George named his son after this holy friar. </p><p>John established his headquarters in Khanbalik (now Beijing), where he built two churches; his was the first resident Catholic mission in the country. By 1304 he had translated the Psalms and the New Testament into the Tatar language. </p><p>Responding to two letters from John, Pope Clement V named John Archbishop of Khanbalik in 1307 and consecrated seven friars as bishops of neighboring dioceses. One of the seven never left Europe. Three others died along the way to China; the remaining three bishops and the friars who accompanied them arrived there in 1308. </p><p>When John died in 1328, he was mourned by Christians and non-Christians. His tomb quickly became a place of pilgrimage. In 1368, Christianity was banished from China when the Mongols were expelled and the Ming dynasty began. John’s cause has been introduced in Rome.</p> American Catholic Blog We look ahead to the coming of the Son of Man, standing erect and with heads held high. We live in hope, not in fear. Our experience of God is no longer limited by human weakness or even human sinfulness. God has always been one step ahead of us, with a plan that exceeds our greatest desires.

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