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ON FAITH & MEDIA View Comments

Mama

By
John Mulderig
Source: Catholic News Service


Isabelle Nelisse stars in a scene from the movie "Mama."
As thrillers go, "Mama" (Universal) is no more than competent. But director Andy Muschietti's film—which he co-wrote with his sister, Barbara, and Neil Cross—can be commended for avoiding gore and for the pro-family conversion in outlook experienced by one of its main characters.

Expanding their 2008 Spanish-language short, whose title was the Castilian version of the eponymous endearment, the Muschiettis tell the story of young sisters Victoria (Megan Charpentier) and Lilly (Isabelle Nelisse).

After their parents die in violent circumstances—some details of which, though they happen early on, would constitute a spoiler—the girls spend years stranded in an isolated cabin in the woods. Eventually, though, searchers hired by their Uncle Lucas (Nikolaj Coster-Waldau) manage to track them down and rescue them.

Together with his live-in girlfriend Annabel (Jessica Chastain), the drummer in a rock band, artist Lucas becomes the siblings' guardian and places them under the continued care of therapist Dr. Dreyfuss (Daniel Kash). (Dreyfuss was originally put on the case by the court determining the kids' custody.)

Dreyfuss works to overcome the children's feral ways, which include scrambling about on all fours and eating bugs and other nasty menu items. But disturbing events begin to suggest that the wraith-like figure of the title—who, so the little ones claim, looked after them in the wilderness—has followed them to civilization.

Predictably, the apparition's back story involves both an asylum and an orphanage. The latter institution is run by a staff of nuns who, though they're given scant screen time, are nonetheless portrayed in an endearing light.

If "Mama" has any thematic weight it derives from the transformation Annabel undergoes. Our first glimpse of her finds her offering a silent prayer of thanks in response to the negative outcome of an at-home pregnancy test. So only her devotion to Lucas drives her—despite considerable reluctance—to take on the role of parental stand-in to Victoria and Lilly. Yet, by the closing credits, she's become a fiercely dedicated adoptive mother, fighting for the duo's hearts as well as their survival.

Though this is hardly drama of the highest order, Annabel's positive spiritual path does present a welcome contrast to the innumerable templates of family dysfunction to be found at the local multiplex.

The film contains occasional bloodless violence, cohabitation, a brief nongraphic bedroom scene, a few uses of profanity as well as at least one rough and a handful of crude and crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****

John Mulderig is on the staff of Catholic News Service.





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Nativity of St. John the Baptist: Jesus called John the greatest of all those who had preceded him: “I tell you, among those born of women, no one is greater than John....” But John would have agreed completely with what Jesus added: “[Y]et the least in the kingdom of God is greater than he” (Luke 7:28). 
<p>John spent his time in the desert, an ascetic. He began to announce the coming of the Kingdom, and to call everyone to a fundamental reformation of life. </p><p>His purpose was to prepare the way for Jesus. His Baptism, he said, was for repentance. But One would come who would baptize with the Holy Spirit and fire. John is not worthy even to carry his sandals. His attitude toward Jesus was: “He must increase; I must decrease” (John 3:30). </p><p>John was humbled to find among the crowd of sinners who came to be baptized the one whom he already knew to be the Messiah. “I need to be baptized by you” (Matthew 3:14b). But Jesus insisted, “Allow it now, for thus it is fitting for us to fulfill all righteousness” (Matthew 3:15b). Jesus, true and humble human as well as eternal God, was eager to do what was required of any good Jew. John thus publicly entered the community of those awaiting the Messiah. But making himself part of that community, he made it truly messianic. </p><p>The greatness of John, his pivotal place in the history of salvation, is seen in the great emphasis Luke gives to the announcement of his birth and the event itself—both made prominently parallel to the same occurrences in the life of Jesus. John attracted countless people (“all Judea”) to the banks of the Jordan, and it occurred to some people that he might be the Messiah. But he constantly deferred to Jesus, even to sending away some of his followers to become the first disciples of Jesus. </p><p>Perhaps John’s idea of the coming of the Kingdom of God was not being perfectly fulfilled in the public ministry of Jesus. For whatever reason, he sent his disciples (when he was in prison) to ask Jesus if he was the Messiah. Jesus’ answer showed that the Messiah was to be a figure like that of the Suffering Servant in Isaiah (chapters 49 through 53). John himself would share in the pattern of messianic suffering, losing his life to the revenge of Herodias.</p> American Catholic Blog Let us pray to Our Lady, that she may protect us. In times of spiritual upset, the safest place is within the folds of her garments.

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