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Joseph McAleer
Source: Catholic News Service

Billy Connolly, Maggie Smith, Tom Courtenay and Pauline Collins star in a scene from the movie "Quartet."
Dustin Hoffman steps behind the camera for his directorial debut with "Quartet" (Weinstein), a comedy-drama about musical artists who face the ultimate curtain call: a date with the Grim Reaper.

Based on the play by Ronald Harwood (who also wrote the screenplay), "Quartet" casts senior citizens in the same warm and fuzzy glow as last year's "The Best Exotic Marigold Hotel." Amid the gags and catfights, however, lie serious reflections on the challenges of aging and a reminder to embrace the talents of our still-vital elderly.

Beecham House in the picturesque English countryside is a home for retired singers and musicians. As such, it's a haven for eccentrics and outsize egos, ringing true Bette Davis' famous observation, "Old age is not for sissies."

Impresario Cedric Livingston (Michael Gambon) corrals the residents to put on a fundraiser every year on composer Giuseppe Verdi's birthday. His dream is to reunite four legendary opera singers who once performed the "Quartet" from Verdi's "Rigoletto."

"It would be as if Maria Callas made her comeback," he predicts.

The ensemble is made up of newly arrived, acid-tongued diva Jean Horton (Maggie Smith), her gentle ex-husband Reginald Paget (Tom Courtenay), dotty Cecily Robson (Pauline Collins), who's in the early stages of dementia, and randy rogue Wilfred Bond (Billy Connolly). Wilf, as he's known, is forever flirting with the young staff.

All of the singers are keen for the reunion, except Jean, who fears stepping into the spotlight again. "My gift deserted me," she tells Reginald.

"It deserted us all," he says. "It's called life."

Jean has an ulterior motive: to reconcile with Reginald, whom she abandoned for an affair with a rival tenor. She regrets the indiscretion, but Reginald is still bitter.

"I wanted a dignified senility," he muses. "Fat chance now that she's here."

Still, the show must go on, and nothing tempts an aging performer more than the smell of greasepaint and the glare of the footlights.

The salty language in "Quartet" and the script's rather juvenile obsession with sex (it's ripe with British euphemisms like "rumpy-pumpy") distract somewhat from the fun of watching the veteran actors perform as well as from the pleasures afforded by the glorious soundtrack.

The film contains sexual innuendo and some profane and rough language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

Joseph McAleer is a guest reviewer for Catholic News Service.

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Francesco Antonio Fasani: Born in Lucera (southeast Italy), Francesco entered the Conventual Franciscans in 1695. After his ordination 10 years later, he taught philosophy to younger friars, served as guardian of his friary and later became provincial. When his term of office ended, Francesco became master of novices and finally pastor in his hometown. 
<p>In his various ministries, he was loving, devout and penitential. He was a sought-after confessor and preacher. One witness at the canonical hearings regarding Francesco’s holiness testified, "In his preaching he spoke in a familiar way, filled as he was with the love of God and neighbor; fired by the Spirit, he made use of the words and deed of Holy Scripture, stirring his listeners and moving them to do penance." Francesco showed himself a loyal friend of the poor, never hesitating to seek from benefactors what was needed. </p><p>At his death in Lucera, children ran through the streets and cried out, "The saint is dead! The saint is dead!" Francesco was canonized in 1986.</p> American Catholic Blog Even in the innocence and devotion of my dog, I see a reminder from heaven to stay simple and devout! I call our funny little canine “a smile from heaven” because God uses him to make us laugh every single day, no matter what else is going on in our lives. Everywhere I look, it seems that God is sending me coded messages.

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