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ON FAITH & MEDIA View Comments

Red Dawn

By
Kurt Jensen
Source: Catholic News Service


Josh Peck, Josh Hutcherson and Chris Hemsworth star in a scene from the movie "Red Dawn."
Gleefully paranoid, hyperviolent and more than a little racist, the remake "Red Dawn" (FilmDistrict) is a time-waster for the tinfoil hat set.

The 1984 original pitted American youths against invading Russkies, to use the vintage term. It played out against the "Evil Empire" stage of the Cold War—a time when the Soviet Union was actually in decline, but both nations were still aiming considerable nuclear weaponry at each other, as they had done since the 1950s.

This time, director Dan Bradley and co-writers Carl Ellsworth and Jeremy Passmore launch a North Korean air invasion on the Pacific Northwest. The monolithic but clever commies have shut down the whole power grid using some secret technology. So, no TV, Internet or radio communications, except for what can be done with batteries.

Not a problem for a bunch of plucky teens led by ex-soldier Jed (Chris Hemsworth), son of Spokane Police Chief Tom Eckert (Brett Cullen). He and brother Matt (Josh Peck) transform pals Toni (Adrianna Palicki), Robert (Josh Hutcherson), Erica (Isabel Lucas) and Daryl (Connor Cruise)—along with some others -- into a stone-cold militia equally adept as snipers, insurgents and survivalists.

The commandoes nickname themselves the Wolverines, after their high school mascot. The Wolverines torment the occupiers for a good 90 minutes but never manage to overthrow them, since they have neither the requisite numbers nor the necessary firepower. They also deal harshly with collaborators.

Aided by the Russians, the North Koreans, we learn, have parachuted in and overtaken most of the United States except for a portion from Alabama to Arizona, and Michigan to Montana. (In this milieu, they don't mess with Texas.) Evidently, the Mexicans and Canadians aren't coming to anyone's rescue, let alone those Euro-wimps from NATO.

The Koreans are handing out summary executions, and the theme of the picture is laid out when Chief Eckert has a gun held to his head by Captain Lo (Will Yun Lee), the new local prefect.

"I want you to go to war and stop this (expletive)!" Eckert shouts to his sons, whom he knows are hiding in the vicinity, "Or die trying!"

So they fight 'em in the woods, and blow 'em up downtown. The only morality consists of getting the enemy before they get you, and skin color and eye shape largely determine who's evil.

The film contains constant gun violence, occasional gore, racist characterizations, fleeting profanity and pervasive crude language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Augustine of Hippo: A Christian at 33, a priest at 36, a bishop at 41: Many people are familiar with the biographical sketch of Augustine of Hippo, sinner turned saint. But really to get to know the man is a rewarding experience. 
<p>There quickly surfaces the intensity with which he lived his life, whether his path led away from or toward God. The tears of his mother (August 27), the instructions of Ambrose (December 7) and, most of all, God himself speaking to him in the Scriptures redirected Augustine’s love of life to a life of love. </p><p>Having been so deeply immersed in creature-pride of life in his early days and having drunk deeply of its bitter dregs, it is not surprising that Augustine should have turned, with a holy fierceness, against the many demon-thrusts rampant in his day. His times were truly decadent—politically, socially, morally. He was both feared and loved, like the Master. The perennial criticism leveled against him: a fundamental rigorism. </p><p>In his day, he providentially fulfilled the office of prophet. Like Jeremiah and other greats, he was hard-pressed but could not keep quiet. “I say to myself, I will not mention him,/I will speak in his name no more./But then it becomes like fire burning in my heart,/imprisoned in my bones;/I grow weary holding it in,/I cannot endure it” (Jeremiah 20:9).</p> American Catholic Blog Silence is the ability to trust that God is acting, teaching, and using me—even before I perform or after my seeming failures. Silence is the necessary space around things that allows them to develop and flourish without my pushing. God takes it from there.

 
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