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ON FAITH & MEDIA View Comments

Argo

By
John Mulderig
Source: Catholic News Service


Ben Affleck stars in and directs the critically acclaimed "Argo."
A tense, clandestine and quirky chapter in recent history is turned into an engrossing fact-based thriller in "Argo" (Warner Bros.).

Though serious themes and a surfeit of swearing make this drama suitable only for adults, mature viewers will find their fortitude in the face of exploding F-bombs rewarded by a positive treatment of marriage and a brief but telling salute to faith-based values.

Set against the backdrop of the Iran hostage crisis of 1979-81, "Argo" tells the story of CIA agent Tony Mendez (Ben Affleck). Tasked by his boss Jack O'Donnell (Bryan Cranston) with rescuing the handful of U.S. embassy employees who managed to escape capture when that facility was overrun by armed militants, Mendez hatches a seemingly far-fetched scheme: He'll smuggle them out of Tehran -- where they've been hiding in the Canadian embassy -- disguised as a Canadian film crew touring the Middle East to scout locations.

To make this outlandish cover convincing, Mendez enlists the help of veteran Hollywood producer Lester Siegel (Alan Arkin) and makeup artist John Chambers (John Goodman). Hurriedly, the trio works together to drum up publicity for the imaginary film project that gives this movie its title. The real script they're using is a characteristic Tinseltown artifact of the era: a second-rate rip-off of "Star Wars."

Affleck, who also directed, masterfully alternates between life-or-death drama and high-stakes humor. Though both aspects of the story too frequently give rise to coarse dialogue, the canny patriotism and emotional impact of the picture -- as scripted by Chris Terrio -- make for a rousing experience.

Even as he dedicatedly pursues his dangerous mission into hostile territory, Mendez is preoccupied by family problems. He and his wife have separated, and she's taken his young son away to live with her. Mendez maintains as much contact with both of them as he can, holding on to the distant prospect of a happy outcome.

As the fugitives he's been sent to help prepare to cooperate with Mendez' desperate plan, one of them quietly studies a prayer card with an image of the Infant of Prague on it. He then slips the card into the copy of the "Argo" screenplay he'll carry with him throughout the coming ordeal.

The implicit contrast between the innocence and gentleness conjured up by that widely beloved icon and the screaming hordes of religiously inflamed zealots who abuse their prisoners inside the violated embassy is a striking one. But the fundamental difference being highlighted may have more to do with the nature of civilized life itself than with the varieties of belief.

Either way, audiences will note who prevails.

The film contains potentially disturbing scenes and images, an abortion reference, a half-dozen uses of profanity as well as many rough and crude terms. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Alphonsus Liguori: 
		<p>Moral theology, Vatican II said, should be more thoroughly nourished by Scripture, and show the nobility of the Christian vocation of the faithful and their obligation to bring forth fruit in charity for the life of the world. Alphonsus, declared patron of moral theologians by Pius XII in 1950, would rejoice in that statement.</p>
		<p>In his day, Alphonsus fought for the liberation of moral theology from the rigidity of Jansenism. His moral theology, which went through 60 editions in the century following him, concentrated on the practical and concrete problems of pastors and confessors. If a certain legalism and minimalism crept into moral theology, it should not be attributed to this model of moderation and gentleness.</p>
		<p>At the University of Naples he received, at the age of 16, a doctorate in both canon and civil law by acclamation, but she oon gave up the practice of law for apostolic activity. He was ordained a priest and concentrated his pastoral efforts on popular (parish) missions, hearing confessions, forming Christian groups. </p>
		<p>He founded the Redemptorist congregation in 1732. It was an association of priests and brothers living a common life, dedicated to the imitation of Christ, and working mainly in popular missions for peasants in rural areas. Almost as an omen of what was to come later, he found himself deserted, after a while, by all his original companions except one lay brother. But the congregation managed to survive and was formally approved 17 years later, though its troubles were not over. </p>
		<p>Alphonsus’ great pastoral reforms were in the pulpit and confessional—replacing the pompous oratory of the time with simplicity, and the rigorism of Jansenism with kindness. His great fame as a writer has somewhat eclipsed the fact that for 26 years he traveled up and down the Kingdom of Naples, preaching popular missions. </p>
		<p>He was made bishop (after trying to reject the honor) at 66 and at once instituted a thorough reform of his diocese. </p>
		<p>His greatest sorrow came toward the end of his life. The Redemptorists, precariously continuing after the suppression of the Jesuits in 1773, had difficulty in getting their Rule approved by the Kingdom of Naples. Alphonsus acceded to the condition that they possess no property in common, but a royal official, with the connivance of a high Redemptorist official, changed the Rule substantially. Alphonsus, old, crippled and with very bad sight, signed the document, unaware that he had been betrayed. The Redemptorists in the Papal States then put themselves under the pope, who withdrew those in Naples from the jurisdiction of Alphonsus. It was only after his death that the branches were united. </p>
		<p>At 71 he was afflicted with rheumatic pains which left incurable bending of his neck; until it was straightened a little, the pressure of his chin caused a raw wound on his chest. He suffered a final 18 months of “dark night” scruples, fears, temptations against every article of faith and every virtue, interspersed with intervals of light and relief, when ecstasies were frequent. </p>
		<p>Alphonsus is best known for his moral theology, but he also wrote well in the field of spiritual and dogmatic theology. His <i>Glories of Mary</i> is one of the great works on that subject, and his book <i>Visits to the Blessed Sacrament</i> went through 40 editions in his lifetime, greatly influencing the practice of this devotion in the Church.</p>
American Catholic Blog Those who want to participate more fully in salvation history are comforted by the fact that Jesus wants to walk with us in our suffering and wants to break bread to give us strength on our way.

 
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