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ON FAITH & MEDIA View Comments

Argo

By
John Mulderig
Source: Catholic News Service


Ben Affleck stars in and directs the critically acclaimed "Argo."
A tense, clandestine and quirky chapter in recent history is turned into an engrossing fact-based thriller in "Argo" (Warner Bros.).

Though serious themes and a surfeit of swearing make this drama suitable only for adults, mature viewers will find their fortitude in the face of exploding F-bombs rewarded by a positive treatment of marriage and a brief but telling salute to faith-based values.

Set against the backdrop of the Iran hostage crisis of 1979-81, "Argo" tells the story of CIA agent Tony Mendez (Ben Affleck). Tasked by his boss Jack O'Donnell (Bryan Cranston) with rescuing the handful of U.S. embassy employees who managed to escape capture when that facility was overrun by armed militants, Mendez hatches a seemingly far-fetched scheme: He'll smuggle them out of Tehran -- where they've been hiding in the Canadian embassy -- disguised as a Canadian film crew touring the Middle East to scout locations.

To make this outlandish cover convincing, Mendez enlists the help of veteran Hollywood producer Lester Siegel (Alan Arkin) and makeup artist John Chambers (John Goodman). Hurriedly, the trio works together to drum up publicity for the imaginary film project that gives this movie its title. The real script they're using is a characteristic Tinseltown artifact of the era: a second-rate rip-off of "Star Wars."

Affleck, who also directed, masterfully alternates between life-or-death drama and high-stakes humor. Though both aspects of the story too frequently give rise to coarse dialogue, the canny patriotism and emotional impact of the picture -- as scripted by Chris Terrio -- make for a rousing experience.

Even as he dedicatedly pursues his dangerous mission into hostile territory, Mendez is preoccupied by family problems. He and his wife have separated, and she's taken his young son away to live with her. Mendez maintains as much contact with both of them as he can, holding on to the distant prospect of a happy outcome.

As the fugitives he's been sent to help prepare to cooperate with Mendez' desperate plan, one of them quietly studies a prayer card with an image of the Infant of Prague on it. He then slips the card into the copy of the "Argo" screenplay he'll carry with him throughout the coming ordeal.

The implicit contrast between the innocence and gentleness conjured up by that widely beloved icon and the screaming hordes of religiously inflamed zealots who abuse their prisoners inside the violated embassy is a striking one. But the fundamental difference being highlighted may have more to do with the nature of civilized life itself than with the varieties of belief.

Either way, audiences will note who prevails.

The film contains potentially disturbing scenes and images, an abortion reference, a half-dozen uses of profanity as well as many rough and crude terms. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.





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Hilary of Arles: It’s been said that youth is wasted on the young. In some ways, that was true for today’s saint. 
<p>Born in France in the early fifth century, Hilary came from an aristocratic family. In the course of his education he encountered his relative, Honoratus, who encouraged the young man to join him in the monastic life. Hilary did so. He continued to follow in the footsteps of Honoratus as bishop. Hilary was only 29 when he was chosen bishop of Arles. </p><p>The new, youthful bishop undertook the role with confidence. He did manual labor to earn money for the poor. He sold sacred vessels to ransom captives. He became a magnificent orator. He traveled everywhere on foot, always wearing simple clothing. </p><p>That was the bright side. Hilary encountered difficulty in his relationships with other bishops over whom he had some jurisdiction. He unilaterally deposed one bishop. He selected another bishop to replace one who was very ill–but, to complicate matters, did not die! Pope St. Leo the Great kept Hilary a bishop but stripped him of some of his powers. </p><p>Hilary died at 49. He was a man of talent and piety who, in due time, had learned how to be a bishop.</p> American Catholic Blog True freedom lies in the ability to align one’s actions freely with the truth, so as to achieve authentic human happiness both now and in the life to come. Jesus promised, “If you continue in my word, you are truly my disciples, and you will know the truth, and the truth will make you free” (John 8:31–32).

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