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ON FAITH & MEDIA View Comments

Argo

By
John Mulderig
Source: Catholic News Service


Ben Affleck stars in and directs the critically acclaimed "Argo."
A tense, clandestine and quirky chapter in recent history is turned into an engrossing fact-based thriller in "Argo" (Warner Bros.).

Though serious themes and a surfeit of swearing make this drama suitable only for adults, mature viewers will find their fortitude in the face of exploding F-bombs rewarded by a positive treatment of marriage and a brief but telling salute to faith-based values.

Set against the backdrop of the Iran hostage crisis of 1979-81, "Argo" tells the story of CIA agent Tony Mendez (Ben Affleck). Tasked by his boss Jack O'Donnell (Bryan Cranston) with rescuing the handful of U.S. embassy employees who managed to escape capture when that facility was overrun by armed militants, Mendez hatches a seemingly far-fetched scheme: He'll smuggle them out of Tehran -- where they've been hiding in the Canadian embassy -- disguised as a Canadian film crew touring the Middle East to scout locations.

To make this outlandish cover convincing, Mendez enlists the help of veteran Hollywood producer Lester Siegel (Alan Arkin) and makeup artist John Chambers (John Goodman). Hurriedly, the trio works together to drum up publicity for the imaginary film project that gives this movie its title. The real script they're using is a characteristic Tinseltown artifact of the era: a second-rate rip-off of "Star Wars."

Affleck, who also directed, masterfully alternates between life-or-death drama and high-stakes humor. Though both aspects of the story too frequently give rise to coarse dialogue, the canny patriotism and emotional impact of the picture -- as scripted by Chris Terrio -- make for a rousing experience.

Even as he dedicatedly pursues his dangerous mission into hostile territory, Mendez is preoccupied by family problems. He and his wife have separated, and she's taken his young son away to live with her. Mendez maintains as much contact with both of them as he can, holding on to the distant prospect of a happy outcome.

As the fugitives he's been sent to help prepare to cooperate with Mendez' desperate plan, one of them quietly studies a prayer card with an image of the Infant of Prague on it. He then slips the card into the copy of the "Argo" screenplay he'll carry with him throughout the coming ordeal.

The implicit contrast between the innocence and gentleness conjured up by that widely beloved icon and the screaming hordes of religiously inflamed zealots who abuse their prisoners inside the violated embassy is a striking one. But the fundamental difference being highlighted may have more to do with the nature of civilized life itself than with the varieties of belief.

Either way, audiences will note who prevails.

The film contains potentially disturbing scenes and images, an abortion reference, a half-dozen uses of profanity as well as many rough and crude terms. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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