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ON FAITH & MEDIA View Comments

Taken 2

By
John Mulderig
Source: Catholic News Service


Liam Neeson and Maggie Grace star in "Taken 2."
Liam Neeson scowls his way through the sour sequel "Taken 2" (Fox). Moviegoers may find themselves displaying a similar expression should they choose to spend a long 90 minutes watching Neeson tangle with—and inevitably best—one anonymous heavy after another.

This time out, Neeson's Bryan Mills—a retired CIA agent short of fuse but long on mad fighting skills —is up against the machinations of a grudge-bearing Albanian by the name of Murad (Rade Sherbedgia). Murad is out for revenge because Bryan killed his son, the principal baddie of the first installment of the franchise.

Never having been exposed to the civilizing influences of Walmart and the Olive Garden, poor benighted Murad, who's not only Eastern European but a Muslim to boot, fails to understand that junior had his torturous death at Bryan's hands coming. So he hatches a plot to kidnap Bryan, Bryan's ex-wife, Lenore (Famke Janssen), and their teen daughter Kim (Maggie Grace).

Since Kim's previous abduction by Murad's pride and joy—a serial human trafficker—provided the premise of the earlier go-round, perhaps she should contact Lloyd's of London at this point and see if they don't offer an insurance policy for this sort of thing.

The perfunctory setup we witness before Murad springs his trap includes a nod or two in the direction of family togetherness and hints at a possible reconciliation for Bryan and Lenore. But, given that Bryan's methods of paternal protectiveness resemble those of a Mafia don, the emotions expressed on the way to his killing spree ring hollow.

In reality, mayhem for its own sake seems to be the driving principle behind director Olivier Megaton's otherwise largely pointless shoot-em-up.

The film contains frequent, sometimes gory violence, including beatings and torture, brief premarital sensuality, at least one use of profanity and occasional crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Mark: Most of what we know about Mark comes directly from the New Testament. He is usually identified with the Mark of Acts 12:12. (When Peter escaped from prison, he went to the home of Mark's mother.) 
<p>Paul and Barnabas took him along on the first missionary journey, but for some reason Mark returned alone to Jerusalem. It is evident, from Paul's refusal to let Mark accompany him on the second journey despite Barnabas's insistence, that Mark had displeased Paul. Because Paul later asks Mark to visit him in prison, we may assume the trouble did not last long. </p><p>The oldest and the shortest of the four Gospels, the Gospel of Mark emphasizes Jesus' rejection by humanity while being God's triumphant envoy. Probably written for Gentile converts in Rome—after the death of Peter and Paul sometime between A.D. 60 and 70—Mark's Gospel is the gradual manifestation of a "scandal": a crucified Messiah. </p><p>Evidently a friend of Mark (Peter called him "my son"), Peter is only one of the Gospel sources, others being the Church in Jerusalem (Jewish roots) and the Church at Antioch (largely Gentile). </p><p>Like one other Gospel writer, Luke, Mark was not one of the 12 apostles. We cannot be certain whether he knew Jesus personally. Some scholars feel that the evangelist is speaking of himself when describing the arrest of Jesus in Gethsemane: "Now a young man followed him wearing nothing but a linen cloth about his body. They seized him, but he left the cloth behind and ran off naked" (Mark 14:51-52). </p><p>Others hold Mark to be the first bishop of Alexandria, Egypt. Venice, famous for the Piazza San Marco, claims Mark as its patron saint; the large basilica there is believed to contain his remains. </p><p>A winged lion is Mark's symbol. The lion derives from Mark's description of John the Baptist as a "voice of one crying out in the desert" (Mark 1:3), which artists compared to a roaring lion. The wings come from the application of Ezekiel's vision of four winged creatures (Ezekiel, chapter one) to the evangelists.</p> American Catholic Blog Our Father’s love can be summed up in one word: Jesus! Throughout history, God has reached out to His people with unconditional love. This love reached its climax when He sent His Son to become our redeemer.


 
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