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ON FAITH & MEDIA View Comments

Hotel Transylvania

By
Adam Shaw
Source: Catholic News Service


Animated characters Dracula, voiced by Adam Sandler, and Mavis, voiced by Selena Gomez, are seen in the movie "Hotel Transylvania."
We are used to fables of humans fleeing from spooky ghouls and ghosts, but what if they were as scared of us as we are of them?

That is the premise of animated comedy "Hotel Transylvania" (Columbia) -- an enjoyable, if slightly rude, pro-family romp in which the infamous Count Dracula (voiced by Adam Sandler) has established a "monsters only" resort to provide a safe haven for spooks to relax away from the torches and pitchforks of their antagonists.

In the midst of running the popular getaway, Drac invites his fellow fiends over to celebrate his headstrong daughter Mavis' (voice of Selena Gomez) 118th birthday.

The (relatively) young Mavis, however, has other things on her mind and wants to escape the confines of the hotel and explore the outside world. Yet her father, having lost his wife many years before, is keen to protect her from being contaminated from the mortal world, going so far as lying to make her believe that humans are nothing but evil ne'er-do-wells.

So when skateboarding backpacker Jonathan (voiced by Andy Samberg) stumbles upon the hotel by accident, the birthday girl's interest is heightened and the caped protagonist must scramble to hide Jonathan's humanity from both his guests and his intrigued offspring.

Director Genndy Tartakovsky's goofy comedy gets many of its laughs from playing on, and updating, classic horror characters. So we have a loveable working class Frankenstein (voice of Kevin James) and the overworked data processing werewolf Wayne (voiced by Steve Buscemi) who is being constantly nagged by his 50 children. Unfortunately, in spite of these clever twists, the picture dips its toes into the swamp of vulgarity a few times along the way to pick up a few easy laughs.

Yet while Peter Baynham and Robert Smigel's screenplay has its fair share of mildly rude flatulent humor, it also contains a striking pro-family theme in Dracula's touching relationships with his daughter, and his deceased wife over whom he is still grieving. Therefore amid the silliness come some very moving moments that will have Catholic viewers nodding in approval, as well as a conclusion that affirms the value of the family unit.

However, scary incidents that include zombies skulking around on fire, along with some mildly upsetting moments and the aforementioned gross humor, may exclude younger audiences from the party.

The film contains occasional mild scatological humor and a few scary scenes. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
Adam Shaw is a guest reviewer for Catholic News Service.



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John Joseph of the Cross: Self-denial is never an end in itself but is only a help toward greater charity—as the life of St. John Joseph shows. 
<p>John Joseph was very ascetic even as a young man. At 16 he joined the Franciscans in Naples; he was the first Italian to follow the reform movement of St. Peter Alcantara. John Joseph’s reputation for holiness prompted his superiors to put him in charge of establishing a new friary even before he was ordained. </p><p>Obedience moved John Joseph to accept appointments as novice master, guardian and, finally, provincial. His years of mortification enabled him to offer these services to the friars with great charity. As guardian he was not above working in the kitchen or carrying the wood and water needed by the friars. </p><p>When his term as provincial expired, John Joseph dedicated himself to hearing confessions and practicing mortification, two concerns contrary to the spirit of the dawning Age of Enlightenment. John Joseph was canonized in 1839.</p> American Catholic Blog Humility is possible only for the free. Those who are secure in the Father’s love, have no need of pomp and circumstance or people fawning on them. They know who they are, where they’ve come from, and where they are going. Not taking themselves too seriously, they can laugh at themselves. The proud cannot.


 
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