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ON FAITH & MEDIA View Comments

Hotel Transylvania

By
Adam Shaw
Source: Catholic News Service


Animated characters Dracula, voiced by Adam Sandler, and Mavis, voiced by Selena Gomez, are seen in the movie "Hotel Transylvania."
We are used to fables of humans fleeing from spooky ghouls and ghosts, but what if they were as scared of us as we are of them?

That is the premise of animated comedy "Hotel Transylvania" (Columbia) -- an enjoyable, if slightly rude, pro-family romp in which the infamous Count Dracula (voiced by Adam Sandler) has established a "monsters only" resort to provide a safe haven for spooks to relax away from the torches and pitchforks of their antagonists.

In the midst of running the popular getaway, Drac invites his fellow fiends over to celebrate his headstrong daughter Mavis' (voice of Selena Gomez) 118th birthday.

The (relatively) young Mavis, however, has other things on her mind and wants to escape the confines of the hotel and explore the outside world. Yet her father, having lost his wife many years before, is keen to protect her from being contaminated from the mortal world, going so far as lying to make her believe that humans are nothing but evil ne'er-do-wells.

So when skateboarding backpacker Jonathan (voiced by Andy Samberg) stumbles upon the hotel by accident, the birthday girl's interest is heightened and the caped protagonist must scramble to hide Jonathan's humanity from both his guests and his intrigued offspring.

Director Genndy Tartakovsky's goofy comedy gets many of its laughs from playing on, and updating, classic horror characters. So we have a loveable working class Frankenstein (voice of Kevin James) and the overworked data processing werewolf Wayne (voiced by Steve Buscemi) who is being constantly nagged by his 50 children. Unfortunately, in spite of these clever twists, the picture dips its toes into the swamp of vulgarity a few times along the way to pick up a few easy laughs.

Yet while Peter Baynham and Robert Smigel's screenplay has its fair share of mildly rude flatulent humor, it also contains a striking pro-family theme in Dracula's touching relationships with his daughter, and his deceased wife over whom he is still grieving. Therefore amid the silliness come some very moving moments that will have Catholic viewers nodding in approval, as well as a conclusion that affirms the value of the family unit.

However, scary incidents that include zombies skulking around on fire, along with some mildly upsetting moments and the aforementioned gross humor, may exclude younger audiences from the party.

The film contains occasional mild scatological humor and a few scary scenes. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
Adam Shaw is a guest reviewer for Catholic News Service.





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Jutta of Thuringia: Today's patroness of Prussia began her life amidst luxury and power but died the death of a simple servant of the poor.
<p>In truth, virtue and piety were always of prime importance to Jutta and her husband, both of noble rank. The two were set to make a pilgrimage together to the holy places in Jerusalem, but her husband died on the way. The newly widowed Jutta, after taking care to provide for her children, resolved to live in a manner utterly pleasing to God. She disposed of the costly clothes, jewels and furniture befitting one of her rank, and became a Secular Franciscan, taking on the simple garment of a religious.
</p><p>From that point her life was utterly devoted to others: caring for the sick, particularly lepers; tending to the poor, whom she visited in their hovels; helping the crippled and blind with whom she shared her own home. Many of the townspeople of Thuringia laughed at how the once-distinguished lady now spent all her time. But Jutta saw the face of God in the poor and felt honored to render whatever services she could.
</p><p>About the year 1260, not long before her death, Jutta lived near the non-Christians in eastern Germany. There she built a small hermitage and prayed unceasingly for their conversion. She has been venerated for centuries as the special patron of Prussia.</p> American Catholic Blog The confessional is not the dry-cleaner’s; it is an encounter with Jesus, with that Jesus who is waiting for us, who is waiting for us as we are.

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