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ON FAITH & MEDIA View Comments

Trouble With the Curve

By
John P. McCarthy
Source: Catholic News Service


Clint Eastwood stars in a scene from the movie "Trouble With the Curve."
With a few exceptions, every character Clint Eastwood has portrayed during his long career has had an ornery streak, regardless of their capacity for righteous or noble acts.

In the 2008 hit "Gran Torino," which he also directed, Eastwood starred as a curmudgeonly Detroit widower who surprises even himself by coming to the aid of his Hmong neighbors.

Appearing on the big screen for the first time since then, Eastwood limns another cantankerous senior citizen in the baseball movie "Trouble With the Curve" (Warner Bros.), directed by his frequent producing partner, Robert Lorenz.

More of a pitchers' duel than a high-scoring home run fest, this mostly winning outing is tarnished by an excess of salty language and middle innings that drag.

Eastwood is Gus Lobel, a veteran scout for the Atlanta Braves whose failing eyesight threatens to end his career. He refuses to disclose or treat his condition, and his fear and frustration manifest themselves in a noticeable spike in irritability.

Gus' loyal boss, Pete Klein (John Goodman), defends him against team officials who think he should be put out to pasture. Gus disdains younger scouts' reliance on computer models to assess players and has no time for a strictly quantitative approach to the game. (In this respect, the movie is the antithesis of last year's "Moneyball."). But if he can't see, not even Gus' instincts are of much use.

Worried and unsure about what's ailing his friend, Pete persuades Gus' daughter, Mickey (Amy Adams), to accompany her dad to North Carolina to evaluate the high-school slugger considered a lock to go first in the upcoming draft. A workaholic lawyer, Mickey is very close to being offered a partnership in her Atlanta firm. She and Gus have a prickly relationship, marked by an inability to communicate about anything of substance.

Fortunately for Gus, Mickey is nearly as knowledgeable and passionate about the national pastime as he is. Battling ageism and sexism in two workplaces, father and daughter prove to be a potent battery. The experience also helps them work through their misunderstandings and lower their emotional defenses. Adding romance to the lineup is Johnny Flanagan (Justin Timberlake), a pitcher-turned-scout for the Boston Red Sox who's sweet on Mickey.

First-time director Lorenz advances the twangy material at too leisurely a pace and his visual style is pretty monotonous. Yet the movie serves up plenty of character-derived humor and enough baseball know-how to feel authentic without seeming too insider-ish. Charismatic performances by Adams and Timberlake are a huge plus.

While it's really Mickey who carries the story and grows the most, Gus' bad temper dominates the film owing to the number of expletives he utters. His vocabulary—arguably more limited than offensive—narrows the appeal of "Trouble With the Curve." It's too bad the filmmakers couldn't find more imaginative ways of signaling Gus' irascible nature.

The film contains frequent crude and crass language, much profanity, one instance of rough language, some sexual references and innuendo, and considerable alcohol consumption. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

****
John P. McCarthy is a guest reviewer for Catholic News Service.



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John of Capistrano: It has been said the Christian saints are the world’s greatest optimists. Not blind to the existence and consequences of evil, they base their confidence on the power of Christ’s redemption. The power of conversion through Christ extends not only to sinful people but also to calamitous events. 
<p>Imagine being born in the 14th century. One-third of the population and nearly 40 percent of the clergy were wiped out by the bubonic plague. The Western Schism split the Church with two or three claimants to the Holy See at one time. England and France were at war. The city-states of Italy were constantly in conflict. No wonder that gloom dominated the spirit of the culture and the times. </p><p>John Capistrano was born in 1386. His education was thorough. His talents and success were great. When he was 26 he was made governor of Perugia. Imprisoned after a battle against the Malatestas, he resolved to change his way of life completely. At the age of 30 he entered the Franciscan novitiate and was ordained a priest four years later. </p><p>His preaching attracted great throngs at a time of religious apathy and confusion. He and 12 Franciscan brethren were received in the countries of central Europe as angels of God. They were instrumental in reviving a dying faith and devotion. </p><p>The Franciscan Order itself was in turmoil over the interpretation and observance of the Rule of St. Francis. Through John’s tireless efforts and his expertise in law, the heretical Fraticelli were suppressed and the "Spirituals" were freed from interference in their stricter observance. </p><p>He helped bring about a reunion with the Greek and Armenian Churches, unfortunately only a brief arrangement. </p><p>When the Turks captured Constantinople in 1453, he was commissioned to preach a crusade for the defense of Europe. Gaining little response in Bavaria and Austria, he decided to concentrate his efforts in Hungary. He led the army to Belgrade. Under the great General John Hunyadi, they gained an overwhelming victory, and the siege of Belgrade was lifted. Worn out by his superhuman efforts, Capistrano was an easy prey to an infection after the battle. He died October 23, 1456.</p> American Catholic Blog When we are linked by the power of prayer, we as it were, hold each other’s hand as we walk side by side along a slippery path; and thus by the bounteous disposition of charity, it comes about that the harder each one leans on the other, the more firmly we are riveted together in brotherly love. —St. Gregory the Great

 
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