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ON FAITH & MEDIA View Comments

Trouble With the Curve

By
John P. McCarthy
Source: Catholic News Service


Clint Eastwood stars in a scene from the movie "Trouble With the Curve."
With a few exceptions, every character Clint Eastwood has portrayed during his long career has had an ornery streak, regardless of their capacity for righteous or noble acts.

In the 2008 hit "Gran Torino," which he also directed, Eastwood starred as a curmudgeonly Detroit widower who surprises even himself by coming to the aid of his Hmong neighbors.

Appearing on the big screen for the first time since then, Eastwood limns another cantankerous senior citizen in the baseball movie "Trouble With the Curve" (Warner Bros.), directed by his frequent producing partner, Robert Lorenz.

More of a pitchers' duel than a high-scoring home run fest, this mostly winning outing is tarnished by an excess of salty language and middle innings that drag.

Eastwood is Gus Lobel, a veteran scout for the Atlanta Braves whose failing eyesight threatens to end his career. He refuses to disclose or treat his condition, and his fear and frustration manifest themselves in a noticeable spike in irritability.

Gus' loyal boss, Pete Klein (John Goodman), defends him against team officials who think he should be put out to pasture. Gus disdains younger scouts' reliance on computer models to assess players and has no time for a strictly quantitative approach to the game. (In this respect, the movie is the antithesis of last year's "Moneyball."). But if he can't see, not even Gus' instincts are of much use.

Worried and unsure about what's ailing his friend, Pete persuades Gus' daughter, Mickey (Amy Adams), to accompany her dad to North Carolina to evaluate the high-school slugger considered a lock to go first in the upcoming draft. A workaholic lawyer, Mickey is very close to being offered a partnership in her Atlanta firm. She and Gus have a prickly relationship, marked by an inability to communicate about anything of substance.

Fortunately for Gus, Mickey is nearly as knowledgeable and passionate about the national pastime as he is. Battling ageism and sexism in two workplaces, father and daughter prove to be a potent battery. The experience also helps them work through their misunderstandings and lower their emotional defenses. Adding romance to the lineup is Johnny Flanagan (Justin Timberlake), a pitcher-turned-scout for the Boston Red Sox who's sweet on Mickey.

First-time director Lorenz advances the twangy material at too leisurely a pace and his visual style is pretty monotonous. Yet the movie serves up plenty of character-derived humor and enough baseball know-how to feel authentic without seeming too insider-ish. Charismatic performances by Adams and Timberlake are a huge plus.

While it's really Mickey who carries the story and grows the most, Gus' bad temper dominates the film owing to the number of expletives he utters. His vocabulary—arguably more limited than offensive—narrows the appeal of "Trouble With the Curve." It's too bad the filmmakers couldn't find more imaginative ways of signaling Gus' irascible nature.

The film contains frequent crude and crass language, much profanity, one instance of rough language, some sexual references and innuendo, and considerable alcohol consumption. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

****
John P. McCarthy is a guest reviewer for Catholic News Service.



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Andrew Kim Taegon, Paul Chong Hasang and Companions: This first native Korean priest was the son of Korean converts. His father, Ignatius Kim, was martyred during the persecution of 1839 and was beatified in 1925. After Baptism at the age of 15, Andrew traveled 1,300 miles to the seminary in Macao, China. After six years he managed to return to his country through Manchuria. That same year he crossed the Yellow Sea to Shanghai and was ordained a priest. Back home again, he was assigned to arrange for more missionaries to enter by a water route that would elude the border patrol. He was arrested, tortured and finally beheaded at the Han River near Seoul, the capital. Paul Chong Hasang was a lay apostle and married man, aged 45. 
<p>Christianity came to Korea during the Japanese invasion in 1592 when some Koreans were baptized, probably by Christian Japanese soldiers. Evangelization was difficult because Korea refused all contact with the outside world except for bringing taxes to Beijing annually. On one of these occasions, around 1777, Christian literature obtained from Jesuits in China led educated Korean Christians to study. A home Church began. When a Chinese priest managed to enter secretly a dozen years later, he found 4,000 Catholics, none of whom had ever seen a priest. Seven years later there were 10,000 Catholics. Religious freedom came in 1883. </p><p>When Pope John Paul II visited Korea in 1984 he canonized, besides Andrew and Paul, 98 Koreans and three French missionaries who had been martyred between 1839 and 1867. Among them were bishops and priests, but for the most part they were lay persons: 47 women, 45 men. </p><p>Among the martyrs in 1839 was Columba Kim, an unmarried woman of 26. She was put in prison, pierced with hot tools and seared with burning coals. She and her sister Agnes were disrobed and kept for two days in a cell with condemned criminals, but were not molested. After Columba complained about the indignity, no more women were subjected to it. The two were beheaded. A boy of 13, Peter Ryou, had his flesh so badly torn that he could pull off pieces and throw them at the judges. He was killed by strangulation. Protase Chong, a 41-year-old noble, apostatized under torture and was freed. Later he came back, confessed his faith and was tortured to death. </p><p>Today, there are almost 5.1 million Catholics in Korea.</p> American Catholic Blog We never think of connecting violence with our tongues. But the first weapon, the most cruel weapon, is the tongue. Examine what part your tongue has played in creating peace or violence. We can really wound a person, we can kill a person, with our tongue.

 
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