AmericanCatholic.org
 
Skip Navigation Links
Home
Year of Mercy
Catholic News
Saints
Seasonal
Special Reports
Shopping
Donate
Blog
Share:
Facebook
Twitter
Google Plus
LinkedIn
Email
RSS Feeds
ON FAITH & MEDIA View Comments

Trouble With the Curve

By
John P. McCarthy
Source: Catholic News Service


Clint Eastwood stars in a scene from the movie "Trouble With the Curve."
With a few exceptions, every character Clint Eastwood has portrayed during his long career has had an ornery streak, regardless of their capacity for righteous or noble acts.

In the 2008 hit "Gran Torino," which he also directed, Eastwood starred as a curmudgeonly Detroit widower who surprises even himself by coming to the aid of his Hmong neighbors.

Appearing on the big screen for the first time since then, Eastwood limns another cantankerous senior citizen in the baseball movie "Trouble With the Curve" (Warner Bros.), directed by his frequent producing partner, Robert Lorenz.

More of a pitchers' duel than a high-scoring home run fest, this mostly winning outing is tarnished by an excess of salty language and middle innings that drag.

Eastwood is Gus Lobel, a veteran scout for the Atlanta Braves whose failing eyesight threatens to end his career. He refuses to disclose or treat his condition, and his fear and frustration manifest themselves in a noticeable spike in irritability.

Gus' loyal boss, Pete Klein (John Goodman), defends him against team officials who think he should be put out to pasture. Gus disdains younger scouts' reliance on computer models to assess players and has no time for a strictly quantitative approach to the game. (In this respect, the movie is the antithesis of last year's "Moneyball."). But if he can't see, not even Gus' instincts are of much use.

Worried and unsure about what's ailing his friend, Pete persuades Gus' daughter, Mickey (Amy Adams), to accompany her dad to North Carolina to evaluate the high-school slugger considered a lock to go first in the upcoming draft. A workaholic lawyer, Mickey is very close to being offered a partnership in her Atlanta firm. She and Gus have a prickly relationship, marked by an inability to communicate about anything of substance.

Fortunately for Gus, Mickey is nearly as knowledgeable and passionate about the national pastime as he is. Battling ageism and sexism in two workplaces, father and daughter prove to be a potent battery. The experience also helps them work through their misunderstandings and lower their emotional defenses. Adding romance to the lineup is Johnny Flanagan (Justin Timberlake), a pitcher-turned-scout for the Boston Red Sox who's sweet on Mickey.

First-time director Lorenz advances the twangy material at too leisurely a pace and his visual style is pretty monotonous. Yet the movie serves up plenty of character-derived humor and enough baseball know-how to feel authentic without seeming too insider-ish. Charismatic performances by Adams and Timberlake are a huge plus.

While it's really Mickey who carries the story and grows the most, Gus' bad temper dominates the film owing to the number of expletives he utters. His vocabulary—arguably more limited than offensive—narrows the appeal of "Trouble With the Curve." It's too bad the filmmakers couldn't find more imaginative ways of signaling Gus' irascible nature.

The film contains frequent crude and crass language, much profanity, one instance of rough language, some sexual references and innuendo, and considerable alcohol consumption. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

****
John P. McCarthy is a guest reviewer for Catholic News Service.





Thank you for your comments. Editors will review all posts before they are visible on the website.

blog comments powered by Disqus







Visitation: This is a fairly late feast, going back only to the 13th or 14th century. It was established widely throughout the Church to pray for unity. The present date of celebration was set in 1969 in order to follow the Annunciation of the Lord (March 25) and precede the Nativity of John the Baptist (June 24). 
<p>Like most feasts of Mary, it is closely connected with Jesus and his saving work. The more visible actors in the visitation drama (see Luke 1:39-45) are Mary and Elizabeth. However, Jesus and John the Baptist steal the scene in a hidden way. Jesus makes John leap with joy—the joy of messianic salvation. Elizabeth, in turn, is filled with the Holy Spirit and addresses words of praise to Mary—words that echo down through the ages. </p><p>It is helpful to recall that we do not have a journalist’s account of this meeting. Rather, Luke, speaking for the Church, gives a prayerful poet’s rendition of the scene. Elizabeth’s praise of Mary as “the mother of my Lord” can be viewed as the earliest Church’s devotion to Mary. As with all authentic devotion to Mary, Elizabeth’s (the Church’s) words first praise God for what God has done to Mary. Only secondly does she praise Mary for trusting God’s words. </p><p>Then comes the Magnificat (Luke 1:46-55). Here Mary herself (like the Church) traces all her greatness to God.</p> American Catholic Blog Someone once told Pope Francis that his words had inspired him to give a lot more to the poor. Pope Francis’s response was to challenge the man not to just give money, but to roll up his sleeves, get his hands dirty, and actually reach out and help.

The Chime Travelers Secret of the Shamrock

 
CATHOLIC GREETINGS
The Visitation
Mary’s song of joy on this occasion traces all her blessings to God’s generosity.

St. Joan of Arc
The piety of this 15th-century military heroine was not appreciated until centuries after her death.

Most Holy Body and Blood of Christ
Ultimately it is the Eucharist that feeds us and leads us to the heavenly banquet.

Ven. Pierre Toussaint
This former slave is one of many American holy people whose life particularly models Christian values.

Memorial Day (U.S.)
This weekend remember all those who have fought and died for peace.




Come find us at: Facebook | St. Anthony Messenger magazine Twitter | American Catholic YouTube | American Catholic


An AmericanCatholic.org Site from the Franciscans and Franciscan Media Copyright © 1996 - 2016